Weinman's work as an architectural sculptor can be found on the state capitols of
Wisconsin,
Missouri, and
Louisiana. He became the sculptor of choice for the architecture firm
McKim, Mead, and White and designed sculpture for their
Manhattan Municipal Building,
Madison Square Presbyterian Church (completed 1906 and demolished 1919),
Prison Ship Martyrs' Monument, and
Pennsylvania Railroad Station (completed 1910 and demolished 1963), all in
New York City. A photograph of one of his angels,
Day, in a landfill in New Jersey is one of the saddest reminders of the destruction of Penn Station in 1963, but two of his eagles were retained as trophies outside the entrance to the new subterranean
Penn Station. Elsewhere he created the dramatic frieze on the
Elks National Veterans Memorial in
Chicago and executed sculpture for the Post Office Department Building, the
Jefferson Memorial, and the interior of the
U.S. Supreme Court, all in
Washington, D.C. Weinman's non-architectural works include the Macomb and the Maybury monuments in
Detroit. Weinman collaborated with Polish American sculptor
Joseph Kiselewski to create a sculpture on the
Bronx County Court House in New York City in the early 1930s. Weinman was one of 250 sculptors who exhibited at the
3rd Sculpture International held at the
Philadelphia Museum of Art in the summer of 1949. Weinman's works are mostly executed in a lyrical
neoclassical style. His figures typically wear classical drapery, but his work also shows a fluidity that foreshadows the
Art Deco style that was to follow. His bronze statuette
The Nude Golfer epitomizes this style. This work evokes classical sculpture in its attention to anatomy and movement, and the nude status of the athlete, while the subject, a modern
golfer, provides a modern twist. Weinman also taught; among his pupils was
Eleanor Mary Mellon. == Selected works ==