MarketPennsylvania Station (1910–1963)
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Pennsylvania Station (1910–1963)

Pennsylvania Station was a historic railroad station in New York City that was built for, named after, and originally occupied by the Pennsylvania Railroad (PRR). The station occupied an 8-acre (3.2 ha) plot bounded by Seventh and Eighth Avenues and 31st and 33rd Streets in Midtown Manhattan. Because the station shared its name with several stations in other cities, it was sometimes called New York Pennsylvania Station. Originally completed in 1910, the aboveground portions of the building were demolished between 1963 and 1966, and the underground concourses and platforms were heavily renovated to form the current Pennsylvania Station within the same footprint.

Design
Occupying two city blocks from Seventh Avenue to Eighth Avenue and from 31st to 33rd Streets, the original Pennsylvania Station building was designed by McKim, Mead & White. The overall plan was created by Charles Follen McKim. After McKim's health declined, William Symmes Richardson oversaw the completion of the design, while Teunis J. Van Der Bent oversaw the engineering. Covering an area of about , it had frontages of along the side streets and long along the main avenues. The land lot occupied about along 31st and 33rd Streets. Over of dirt had been excavated during construction. The original structure was made of of pink granite, of interior stone, of steel, of brick, and 30,000 light bulbs. The superstructure consisted of about 650 steel columns. of track surrounded Penn Station. The colonnades embodied the sophisticated integration of multiple functions and the circulation of people and goods. The colonnades had a strong horizontal orientation, interrupted only by the lunette windows and the roof of the waiting room. The ornamentation was intentionally simple, with emphasis being placed on the "unity and simplicity" of different parts of the design. The roof was made of Monel alloy, an Inco product. Entrances and colonnades The building had entrances from all four sides. The main entrance was at the intersection of Seventh Avenue and 32nd Street, at the center of the Seventh Avenue facade. It was the most elaborate of Penn Station's entrances. Above the center of the entrance, above the sidewalk, was a clock with faces. Two plaques were placed above the arcade entrance. One plaque contained inscriptions of the names of individuals who had led the New York Tunnel Extension project, while the other included carvings of franchise dates and the names of contractors. Twin carriageways at the northeast and southeast corners, modeled after Berlin's Brandenburg Gate, led to the two railroads served by the station. The Day and Night sculptures were each accompanied by two small stone eagles. Historian Jill Jonnes called the original edifice a "great Doric temple to transportation". The interior design was inspired by several sources, including French and German railway stations; St. Peter's Basilica; and the Bank of England. The main waiting room was inspired by Roman structures such as the baths of Caracalla, Diocletan, and Titus. The room measured long, wide, and tall. Additional waiting rooms for men and women, each measuring , were on either side of the main waiting room. The room approximated the scale of St. Peter's Basilica in Rome. The lower walls were of travertine, while the upper walls were expressed in a steel framework clad in plaster, decorated to resemble the lower walls. The travertine was sourced from Campagna in Italy. This made Penn Station the first major American building to use travertine. There were also larger Corinthian columns on pedestals, measuring about tall from the tops of the pedestals to the tops of the capitals. The murals themselves measured tall and across. The glass roof measured . McKim wanted to give "an appropriate transition" between the decorated nature of the waiting room and the utilitarian design of the tracks below. After the general shape of the vaults was determined, Purdy and Henderson designed the steelwork. Four switch towers, lettered from A to D, controlled train movements around the station. The main switch tower was Tower A, located between Eighth and Ninth Avenues; it still exists, although it is now located below the Farley Post Office. == History ==
History
Planning Before 1910, there was no direct rail link from points west of the Hudson River into Manhattan. The Pennsylvania Railroad (PRR)'s rail network terminated on the western side of the Hudson River, once known locally as the North River, at Exchange Place in Jersey City, New Jersey. Manhattan-bound passengers boarded ferries to cross the Hudson River for the final stretch of their journey. In 1896 alone, there were 94 million passengers traveling to Manhattan from railroad terminals in Jersey City. Ferries were not a viable solution in the long term; a ferry trip across the Hudson River lasted 20 minutes in good weather. PRR president Alexander Johnston Cassatt wanted to build a terminal that surpassed Grand Central Depot in scale. The PRR considered building a rail bridge across the Hudson, but the state of New York insisted that a cross-Hudson bridge had to be a joint project with other New Jersey railroads, which were not interested. The alternative was to tunnel under the river, but steam locomotives could not use such a tunnel due to the accumulation of pollution in a closed space, and the New York State Legislature prohibited steam locomotives in Manhattan after July 1, 1908. The idea of a Midtown Manhattan railroad hub was first formulated in 1901, when the Pennsylvania Railroad took interest in a new railroad approach recently completed in Paris. In the Parisian railroad scheme, electric locomotives were substituted for steam locomotives prior to the final approach into the city. Cassatt's vision for the terminal itself was inspired by the Gare d'Orsay, a Beaux-Arts style station in Paris. The original proposal for the station, which was published in June 1901, called for the construction of a bridge across the Hudson River between 45th and 50th Streets in Manhattan, as well as two closely spaced terminals for the LIRR and PRR. This would allow passengers to travel between Long Island and New Jersey without having to switch trains. In December 1901, the plans were modified so that the PRR would construct the North River Tunnels under the Hudson River, instead of a bridge over it. The PRR cited costs and land value as a reason for constructing a tunnel rather than a bridge, since the cost of a tunnel would be one-third that of a bridge. The New York Tunnel Extension was quickly opposed by the New York City Board of Rapid Transit Commissioners who objected that they would not have jurisdiction over the new tunnels, as well as from the Interborough Rapid Transit Company, which saw the New York Tunnel Extension as a potential competitor to its as-yet-incomplete rapid transit service. The city had initially declined to give the PRR a franchise because city officials believed that the PRR needed to grant thirteen concessions to protect city interests; the PRR ultimately conceded to nine of the city's requests. The project was approved by the New York City Board of Aldermen in December 1902 by a 41–36 vote. After McKim talked with Cassatt, the architect learned that he had received the commission for the new Pennsylvania Station. The new design also had to compete with that of the new Grand Central Terminal, designed by Reed & Stem. McKim studied the role of public buildings in Ancient Rome, including the Baths of Diocletian. Cassatt and McKim collaborated closely to define the structure of the station. The PRR would also build a train storage yard in Queens east of Penn Station, to be used by both PRR trains from the west and LIRR trains from the east. The yard was to store passenger-train cars at the beginning or end of their trips, as well as to reverse the direction of the locomotives that pulled these train cars. Construction Land acquisition Land purchases for the station started in late 1901 or early 1902. The PRR purchased a site bounded by Seventh and Ninth Avenues between 31st and 33rd Streets. This site was chosen over other sites farther east, such as Herald Square, because these parts of Manhattan were already congested. Penn Station proper would be located along the eastern part of the site between Seventh and Eighth Avenue. The northwestern block, bounded by Eighth Avenue, Ninth Avenue, 32nd Street, and 33rd Street, was not part of the original plan. The condemnation of 17 city-owned buildings on the station's future site, an area of four blocks, began in June 1903. All 304 parcels within the four-block area, which were collectively owned by between 225 and 250 entities, had been purchased by November 1903. The PRR also purchased land along the north side of the future station between 33rd and 34th Streets, so the company could create a pedestrian walkway leading directly to 34th Street, a major crosstown thoroughfare. The properties between 33rd and 34th Street that the PRR had purchased were transferred to PRR ownership in 1908. Clearing the site entailed "displacing thousands of residents from the largely African-American community in what was once known as the Tenderloin district in Manhattan." Overall, some 500 buildings had to be demolished to make way for the station. Even as excavation proceeded, the federal government was still deciding whether to build a post office next to the PRR station. The PRR planned to turn over the air rights to the blocks between Eighth and Ninth Avenues to the federal government once excavations were completed. However, the PRR would still own the land below the post office leading some Congress members to oppose the post office plan, as they believed that the government would only own "a chunk of space in the air" above the tracks. McKim, Mead & White was selected to design the post office in 1908. By this time, the excavations were near completion and the structural steel for the post office building was being laid. Completion and opening The North River and East River Tunnels ran almost in a straight line between Queens and New Jersey, interrupted only by the proposed Pennsylvania Railroad station. The same tube, with an inscription indicating that it had been displayed at the Exposition, was later installed under water and remains in use. Construction was completed on the Hudson River tunnels on October 9, 1906, and on the East River tunnels on March 18, 1908. Construction also progressed on Penn Station during this time. Workers began laying the stonework for the station in June 1908; they had completed it thirteen months later. New York Penn Station was officially declared complete on August 29, 1910. A small portion of Penn Station was opened nearly two weeks later, on September 8, in conjunction with the opening of the East River Tunnels. As a result, LIRR riders gained direct railroad service to Manhattan. Prior to the opening of Penn Station, LIRR riders entered Manhattan via the 34th Street Ferry Terminal, where they could transfer to an elevated shuttle station. The rest of the station opened on November 27, 1910. One hundred thousand people visited the station during its first day of full service, excluding the 25,000 commuters and intercity riders. With the station's full opening, the PRR became the only railroad to enter New York City from the south. All of the architectural details were completed by October 1911. At the station's completion, the total project cost to the Pennsylvania Railroad for the station and associated tunnels was $114 million (equivalent to $ billion in ), according to an Interstate Commerce Commission report. The railroad paid tribute to Cassatt, who died in 1906, with a statue designed by Adolph Alexander Weinman in the station's grand arcade, subsequently moved to the Railroad Museum of Pennsylvania after the station's demolition. An inscription below it read: Operation Early years electric locomotive arrives at Penn Station, When Penn Station opened, it had a capacity of 144 trains per hour on its 21 tracks and 11 platforms. At the start of operations, there were 1,000 trains scheduled every weekday: of these, 600 were LIRR trains, while the other 400 were PRR trains. The commuting times of LIRR riders were cut by up to a half-hour. The station was so heavily used that the PRR soon added 51 trains to its daily schedule. Atypically for a public building, Penn Station was well maintained during its heyday. Such was the station's status that whenever the President of the United States arrived in New York by rail, he would arrive and depart on tracks 11 and 12. Royalty and leaders of other countries also traveled via Penn Station. Over the next few decades, alterations were made to Penn Station to increase its capacity. The LIRR concourse, waiting room, amenities and platforms were expanded. Connections were provided to the New York City Subway stations at Seventh Avenue and Eighth Avenue. The expansion of electrification also allowed the PRR to begin running electric-powered commuter trains from Trenton via Newark starting in 1933; previously, steam-powered commuter trains continued to originate and terminate at Exchange Place. By 1935, Penn Station had served over a billion passengers. Decline The station was busiest during World War II: in 1945, more than 100 million passengers traveled through Penn Station. and intercity rail passenger volumes continued to decline dramatically over the next decade. A renovation in the late 1950s covered some of the grand columns with plastic and blocked off the spacious central hallway with the "Clamshell", a new ticket office designed by Lester C. Tichy. Advertisements surrounded the station's Seventh Avenue concourse, while stores and restaurants were crammed around the Eighth Avenue side's mezzanine. A layer of dirt covered the interior and exterior of the structure, and the pink granite was stained with gray. Another architectural critic, Ada Louise Huxtable, wrote in The New York Times in 1963: "The tragedy is that our own times not only could not produce such a building, but cannot even maintain it." Demolition The Pennsylvania Railroad optioned the air rights of New York Penn Station to real estate developer William Zeckendorf in 1954. He had previously suggested that the two-block site of the main building could be used for a "world trade center". The option allowed for the demolition of the main building and train shed, which could be replaced by an office and sports complex. The station's underground platforms and tracks would not be modified, but the station's mezzanines would be reconfigured. but was not acted upon. Plans for the new Madison Square Garden above Penn Station were announced in 1962 by Irving Mitchell Felt, the president of Graham-Paige, the company that purchased the air rights to Penn Station. In exchange for the air rights, the Pennsylvania Railroad would get a brand-new, air-conditioned, smaller station completely below street level at no cost, and a 25 percent stake in the new Madison Square Garden Complex. A 28-story hotel and 34-story office building, now part of Penn Plaza, would be built on the eastern side of the block, facing Seventh Avenue. The arena proper would take up most of the block, facing Eighth Avenue to the west. At the time, one argument made in favor of the old Penn Station's demolition was that the cost of maintaining the structure had become prohibitive. Its grand scale made the PRR devote a "fortune" to its upkeep, The architectural community in general was surprised by the announcement of the head house's demolition. Modern architects rushed to save the ornate building, although it was contrary to their own styles. They called the station a treasure and chanted "Don't Amputate – Renovate" at rallies. Despite the controversy generated over the demolition, Felt stated that he "believed that the gain from the new buildings and sports center would more than offset any aesthetic loss." He elaborated, "Fifty years from now, when it's time for [Madison Square Garden] to be torn down, there will be a new group of architects who will protest." Despite large public opposition to Penn Station's demolition, the New York City Department of City Planning voted in January 1963 to start demolishing the station that summer. A giant steel deck was placed above the tracks and platforms, allowing rail service to continue with only minor disruptions. The first girders for Madison Square Garden were placed in late 1965, and, by mid-1966, much of the station had been demolished except for the Seventh Avenue entrance. By late 1966, much of the new station had been built. There were three new entrances: one from 31st Street and Eighth Avenue, another from 33rd Street and Eighth Avenue, and a third from a driveway running mid-block between Seventh and Eighth Avenues from 31st to 33rd Streets. Permanent electronic signs were being erected, shops were being renovated, new escalators were being installed, and platforms that were temporarily closed during renovations had been reopened. Demolition of the old station was completed the same year. Impact Although the demolition of the head house was justified as progressive at a time of declining rail passenger service, it also created international outrage. New York Times architecture critic Michael Kimmelman compared the demolition of the head house unfavorably to that of Lenox Library, destroyed to make way for the Frick Collection, or the old Waldorf–Astoria, razed for the construction of the Empire State Building. He claimed that it broke a long tradition of New Yorkers accepting that "what replaced a beloved building would be as good or better." The controversy over the original head house's demolition is cited as a catalyst for the architectural preservation movement in the United States, particularly in New York City. In 1965, two years after Penn Station's demolition commenced, the city passed a landmarks preservation act, thereby creating the New York City Landmarks Preservation Commission (LPC). New York City's other major railroad station, Grand Central Terminal, was also proposed for demolition in 1968 by its owner, Penn Central. Grand Central Terminal was ultimately preserved by the LPC, despite an unsuccessful challenge from Penn Central in 1978. Present day The replacement Penn Station was built underneath Madison Square Garden at 33rd Street and Two Penn Plaza. The station spans three levels, with the concourses on the upper two levels and the train platforms on the lowest level. The two levels of concourses, while original to the 1910 station, were renovated extensively during the construction of Madison Square Garden and expanded in subsequent decades. The station is arranged into separate concourses for Amtrak, NJ Transit (which operates the former PRR commuter lines from New Jersey), and the LIRR. General reception of the replacement station has been largely negative. Comparing the new and old stations, Yale architectural historian Vincent Scully once wrote, "One entered the city like a god; one scuttles in now like a rat." Despite having undergone improvements since the 1960s, Penn Station is criticized as a low-ceilinged "catacomb" lacking charm, especially when compared to the larger and more ornate Grand Central Terminal. Times transit reporter Michael M. Grynbaum wrote that Penn Station was "the ugly stepchild of the city's two great rail terminals." Along similar lines, Michael Kimmelman wrote in 2019 that while downsizing Penn Station and moving it underground may have made a modicum of sense at the time, in hindsight it was a sign that New York was "disdainful of its gloried architectural past." He also claimed that the remodeled station is not commensurate with its status as the main rail gateway to New York. In the early 1990s, U.S. Senator Daniel Patrick Moynihan began promoting a plan to build a replica of the historic Penn Station, since he had shined shoes in the original station during the Great Depression. He proposed erecting it in the nearby Farley Post Office building. The project, later renamed "Moynihan Train Hall", was split into two phases. The West End Concourse, opened in the eastern part of the former post office in June 2017. The second phase, an expansion of Penn Station's facilities into parts of the post office building, opened in January 2021. == Surviving elements ==
Surviving elements
Following the demolition of the original Penn Station, many of its architectural elements were lost or buried in the New Jersey Meadowlands. Some elements were salvaged and relocated. Additional architectural elements remain in the present-day station: some were covered over, while others remain visible throughout the current station. Ornaments and art Eagles Of the 22 eagle sculptures around the station exterior, the locations of all 14 larger, freestanding eagles are known. Three eagles are on Long Island: two at the United States Merchant Marine Academy in Kings Point, and one at the LIRR station in Hicksville, New York. Four reside on the Market Street Bridge in Philadelphia, Pennsylvania, across from that city's 30th Street Station. four are accounted for. The other two are part of the Eagle Scout Memorial Fountain in Kansas City, Missouri. The family of Albert Fritsch, a PRR mechanic, owns a fragment of another eagle. Day and Night sculptures Three pairs of the Day and Night sculptures have been located. One of the four Day and Night sculptures still survives fully intact at Kansas City's Eagle Scout Memorial Fountain. The other pairs of Day and Night sculptures were discarded in the Meadowlands. Another Day sculpture was found in 1998 at the Con-Agg Recycling Corporation plant in the Bronx; However, the columns were dumped in a landfill in New Jersey instead. The statue of Samuel Rea still exists and is located outside the modern Penn Station entrance on Seventh Avenue. Six bronze torchères from the waiting room were reinstalled in front of the Cathedral of St. John the Divine when the station building was demolished. By the 1990s, these lampposts had been moved to the cathedral's crypt due to deterioration. Layout features Other small architectural details remain in the station. Some of the original staircases to platform level, with brass and iron handrails, still exist, though others have been replaced with escalators. The structure survived the demolition of the main station building, but was downgraded so that it only provided compressed air for the switches in the interlockings under the station. In January 2020, a southward expansion of Pennsylvania Station, to be called Penn South, was proposed. The proposal would expand the track area south to West 30th Street and require demolition of the entire block upon which the building is located. == In media ==
In media
The original Pennsylvania Station has been featured in several works of media. For instance, Rouben Mamoulian's 1929 film Applause depicted the station in a scene between the main character and her daughter. Several scenes in the 1945 film The Clock also take place in Pennsylvania Station, though they were shot on MGM Stage 27 due to World War II cost constraints. By contrast, the 1951 Alfred Hitchcock film Strangers on a Train, which has a chase scene in Pennsylvania Station, was filmed on site. After Pennsylvania Station was demolished, it was recreated for a scene in the 2019 film Motherless Brooklyn. Visual effects were combined with an actual set and actors in period costume, although the version shown reflects its more pristine image in the 1920s and 1930s rather than its more dilapidated condition by the film's 1957 setting. == Gallery ==
Gallery
The critic in the Occident (1913) (14769342724).jpg|The main waiting room NYP LOC2.jpg|The concourse Penn stationimg023.jpg|The concourse and steps down to the tracks Greyhound Bus Terminal, 33rd and 34th Streets between Seventh and Eighth Avenues, Manhattan (NYPL b13668355-482565).jpg|The former Greyhound Bus terminal beside the station == References ==
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