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Adrien Manglard

Adrien Manglard was a French painter, draughtsman, and engraver. He was a skilled marine painter, who was able to rapidly advance his career in Rome thanks to his compositional skills, selling paintings to clients such as the Rospigliosi family, Victor Amadeus II, King of Sardinia, and Philip, the Duke of Parma. The latter alone commissioned more than 140 paintings from Manglard.

Life
Adrien Manglard was born on 10 March 1695 in the city of Lyon, Kingdom of France, the firstborn of Edmond (called Aimé) Manglard and Catherine Rose du Perrier (or Dupérier). He was baptized in the church of Saint-Vincent on March 12 of the same year. Manglard's father was a modest painter originally from Paris, the son of Jean Manglard, a Parisian bourgeois, and lady Anne Alliot. Manglard's mother was the daughter of Antoine Dupérier, a bookseller and merchant, and Esprite de Tassi. Both Manglard's parents lost their fathers at a young age. Dupérier's mother later remarried to local painter Pierre Savournin, to whom Jean Manglard asked for her hand. His parents were married on 21 May 1693 in the Basilica of Saint-Martin d'Ainay. Beside Adrien they had two other children, Pierre, born 1700, and Daniel, born in 1702. His family suffered the economic repercussions of the famine caused by the Little Ice Age's extremely cold weather, which led to the seven ill years in Scotland and the remarkably cold Le Grand Hiver in France, with the subsequent famine estimated to have caused 600,000 deaths by the end of 1710 in France. In 1707, Manglard's two brothers Pierre and Daniel were left at the Hôpital de la Charité, an orphanage in Lyon, to which they were admitted as délaissés (abandoned). Manglard studied under Adriaen van der Cabel in Lyon. Van der Cabel was a Dutch Golden Age landscapist and a pupil of Jan van Goyen who, like Manglard, traveled to Rome in his youth, where he sojourned from 1656 to 1674—his Dutch style coming under the influence of the Romano-Bolognese landscape painting. As a student of van der Cabel, Manglard was influenced by the Dutch Golden age landscape painting, as well as the Italianized Dutch painting style typical of the seventeenth century. Manglard later moved from Lyon to Marseille, or Avignon, where he studied under the Carthusian painter Joseph Gabriel Imbert (1666–1749), The painting is now lost. Rome based sculptor Pierre Le Gros acquired six marine views by Manglard. Le Gros died in 1719, which makes these six seascapes the earliest documented paintings by Manglard. Manglard came to Rome simply as a "tourist"; he wasn't under the protection of the French Academy, which would welcome him as a full member in 1736. In 1722 he was probably already enjoying some degree of fame in Rome. Manglard started to enjoy the patronage of notable commissioners at least since the mid-1720s. In the 1720s he started working for the Corte Sabauda, to which he sent two paintings from Rome in 1726. Manglard's talent as a marine painter "was such that his career advanced rapidly: prestigious clients included Victor Amadeus II, Duke of Savoy and King of Piedmont, who bought two matching pieces from him in 1726 (Turin, Galleria Sabauda), and Philip, Duke of Parma." Philip alone commissioned more than 140 paintings from Manglard to decorate his palaces. Manglard also enjoyed the patronage of the most important Roman families, including the Colonna, the Orsini, the Rondani, the Rospigliosi and the Chigi. For the Chigi he frescoed two rooms on the piano nobile of the Palazzo Chigi, today the official residence of the Prime Minister of Italy. On 8 June 1728 Catherine Rose du Perrier, Manglard's mother, died in Avignon. Manglard presumably went back to Avignon on this occasion. The same year, his brother Daniel left for Martinique. Three years later, Manglard's father Edmond left France forever. After a career in Italy which spanned over forty years, Manglard died in Rome on 1 August 1760. Beside being a painter, Manglard was also an art collector. In January 1761, Rome notary J. L. Vannoi drew up the inventory for Manglard's collection. Manglard's universal successor was his brother Pierre, then resident in Paris. ==Work==
Work
After a brief period of employment in France, where he devoted himself to studying under van der Cabel and Frère Imbert, Manglard moved to Rome. One of his earliest known Roman works (setting 1722, at least, as a terminus post quem for his arrival in the Italian capital; although Le Gros is known to have acquired six paintings from Manglard before his own demise in 1719) is a drawing once housed at the Galleria Gabburri in Florence, now lost. The drawing in chalk, pen and watercolor was commissioned by Niccolò Gabburri himself, and depicted a seascape with both figures and ships (''Disegno d'una marina, toccata di penna e acquerelli; per traverso lunga un braccio e 1/6, alta soldi 15, con quantità di navi e figure. Di mano di monsù Adriano Manglard di Lione di Francia, fatto in Roma apposta per questo studio l'anno 1722''). Manglard focused on what would become his field of expertise in Rome, that is marine views. He made studies of ships, Turks and even camels. Manglard, together with Bernardino Fergioni, initiated him into seascape painting. According to some authors, both Vernet and Manglard eclipsed their master, Fergioni. According to the same authors, Vernet had in turn a more "subtle grace and spirit" than his master, who presented a sound, firm, natural and harmonizing taste ("... Il suo nome [Bernardino Fergioni's] fu dopo non molti anni oscurato da due franzesi, Adriano Manglard, di un gusto sodo, naturale, accordato; e il suo allievo, Giuseppe Vernet, di una vaghezza e di uno spirito superiore al maestro"). ==Gallery==
Gallery
File:Adrien Manglard - Seehafen - GG 1779 - Kunsthistorisches Museum.jpg|Seehafen, Kunsthistorisches Museum, Vienna File:Manglard-Adrien Marine vers 1700.jpg|Marine, Museum of Fine Arts, Lyon File:Manglard Port.jpg|Mediterranean Port, King John III Palace Museum, Warsaw File:Musée d'art et d'archéologie du Périgord - Adrien Manglard - Fin d'une tempête.jpg|The End of the Storm, Museum of Art and Archeology of Périgord, Périgueux File:Adrien Manglard 001.jpg|Flußmündung mit Hafen, Museum of Fine Arts, Budapest File:Manglard Harvard 2.jpg| Seaport Scene, The Fogg Museum, Cambridge, Massachusetts File:Adrien Manglard Christie's.jpg|A Coastal Landscape with Fishermen, Private collection, Unknown location File:Embarcadero, del círculo de Adrien Manglard (Museo de Bellas Artes de Valencia).jpg|Embarcadero, Circle of Adrien Manglard, Museum of Fine Arts, Valencia File:Adrien Manglard - Mediterranean Harbour Scene - WGA13931.jpg|Mediterranean Harbour Scene, Private Collection, Unknown location ==References==
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