, made up as an old woman for the film; she retook the role of Soegiati in the 1957 remake.
Air Mata Iboe, which was rated for all ages, was distributed by
Columbia Pictures and premiered at Sampoerna Theatre in
Surabaya on 24 December 1941. Also advertised under the Dutch title
Tranen Eener Moeder (a literal translation from Malay), the film was promoted as a "musical extravaganza"; other advertisements emphasised the size of the cast. An anonymous review in the
Soerabaijasch Handelsblad noted the extensive use of
keroncong and praised the acting and singing, suggesting that
native audiences would flock to see the film.
Air Mata Iboe was the last film produced by Majestic Film Company, which closed following the
Japanese occupation. During the occupation Njoo, Fifi Young, and Fred Young established their own travelling theatrical troupe, Pantjawarna, though all returned to cinema in the 1950s. Joego likewise returned to film after spending the occupation in theater. Poniman, Sarosa, Ismail, and Soerip all returned to cinema, the men in the 1950s and Soerip in 1973. Soelami is not recorded as acting in any further productions. A
remake of
Air Mata Iboe was produced in 1957, after Indonesia had
obtained its independence. Directed by Fred Young, the film had Fifi Young retake her role as Sugiati, while Rd Ismail took the role of Subagio. The remake's other cast members had not appeared in the original film. The sons Achmad, Idris, and Soemadi were portrayed by
Sukarno M. Noor,
Boes Boestami, and Kamsul, respectively. The couple's daughter, renamed Atikah, was played by Farida Arriany.
Air Mata Iboe is likely
lost. Movies in the Indies were recorded on highly flammable
nitrate film, and after a fire destroyed much of
Produksi Film Negara's warehouse in 1952, old films shot on nitrate were deliberately destroyed. Thus, the American visual anthropologist
Karl G. Heider wrote that all Indonesian films from before 1950 are lost. However, JB Kristanto's
Katalog Film Indonesia (
Indonesian Film Catalogue) records several as having survived at
Sinematek Indonesia's archives, and Biran writes that several Japanese propaganda films have survived at the
Netherlands Government Information Service. == Explanatory notes ==