In 1787
Napoleon Bonaparte wrote a two-page short story about Al-Muqanna called "Le Masque prophète". The first poem in
Lalla-Rookh (1817) by
Thomas Moore is titled
The Veiled Prophet of Khorassan, and the character
Mokanna is modeled loosely on al-Muqanna‘. An 1877 opera,
The Veiled Prophet by
Charles Villiers Stanford, is in turn loosely based on the story of Mokanna as given in
Lalla-Rookh.
St. Louis businessmen referenced Moore's poem in 1878 when they created the Veiled Prophet Organization and concocted a legend of Mokanna as its founder. For many years the organization put on an annual fair and parade called the "Veiled Prophet Fair", which was renamed
Fair Saint Louis in 1992. The organization also gave a
debutante ball each December called the
Veiled Prophet Ball. The
Mystic Order of Veiled Prophets of the Enchanted Realm (founded 1889), often known as "the Grotto", a
social group with membership restricted to
Master Masons, and its female auxiliary, the Daughters of Mokanna (founded 1919), also take their names from Thomas Moore's poem.
Argentine writer
Jorge Luis Borges used a fictionalized al-Muqanna‘ as the central character of
The Masked Dyer, Hakim of Merv, a 1934 short story, and in another story fifteen years later,
The Zahir, as a past avatar of the titular object.
Sax Rohmer used the legend of el Mokanna as the background for his 1934 novel,
The Mask of Fu Manchu.
Le Prophète Voilé (The
Veiled Prophet) is a play by the
Moroccan writer
Abdelkebir Khatibi reinterpreting the story of Al-Muqanna from historical and fictional accounts. The play was first published in 1979 in
France.
Iranian
film director Khosrow Sinai has a film script about al-Muqanna entitled
Sepidjāmeh (
The Man in White) published in
Tehran in 1999. == See also ==