The Off-Broadway production received mixed reviews. While some praised the visual aspects of the story and some of the performances, many criticized the story, calling it muddled and confusing, and were unable to see the parallels of the
London Blitz of
World War II and ''Alice's Adventures in Wonderland
. Some critics also gave the show unfavorable comparisons to Spring Awakening'', which Sheik and Sater both worked on together.
Ben Brantley of
The New York Times stated "The real-world characters are so hastily established and sketchily drawn that there's nothing compelling or surprising in their metamorphoses. It's also hard to grasp any necessary relationship between war-warped London in 1941 and the particulars of Wonderland."
David Cote, of
The Observer, drew a comparison with
Spring Awakening in his review "The difference:
Spring Awakening was a straightforward adaptation of playwright
Frank Wedekind's satirical-tragical portrait of hormonal adolescents and hypocritical adults in 19th-century
Germany. Sater pared down the text and added his tender, sensual lyrics. Sheik brought his ruminative but groove-smart talent to the table. The result was a potent collision of signifiers-teen rebellion that transcended the historical period through emo rock.
Alice By Heart is a more muddled concoction, tangled up in too many layers of reality and fantasy, trauma and whimsy, to deliver its emotional payload." Matt Windman of
amNewYork Metro gave the show two out of four stars and stated, "Although sincerely intended and full of creative touches,
Alice by Heart is a disjointed, depressing and bewildering mess. It would be near impossible to follow it without a working knowledge of the source material." Some reviewers took a more positive approach. Frank Rizzo of
Variety praised the performances, stating "The cast is solid, though the peripheral characters are thinly drawn even as their surreal alter egos revel in extravagance.
Wesley Taylor has an especially fine time as the
Mad Hatter, and
Andrew Kober takes on five roles with flair, including
King of Hearts and an imposing Jabberwocky. [sic]" Elysa Gardner of
New York Stage Review, in another positive review, described the show as "a darkly whimsical, utterly transporting musical that recalls
[Spring] Awakening both in its general focus-on anxious, pining youths who must pay the price for their elders' folly-and the lush, often melancholy but exhilarating beauty of its score." ==Awards and honors==