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Alicia (album)

Alicia is the seventh studio album by American singer-songwriter and pianist Alicia Keys. It was primarily recorded at Oven Studios and Jungle City Studios, both in New York, after her 2016 album Here and her judgeship on the singing competition series The Voice, before being released by RCA Records on September 18, 2020. Written and produced largely by Keys, the album also features songwriting and production contributions from Swizz Beatz, Ryan Tedder, Johnny McDaid, Ed Sheeran, and the-Dream, among others. Keys collaborated with more artists on the recording than in her previous albums, enlisting vocalists such as Sampha, Tierra Whack, Diamond Platnumz, Snoh Aalegra, and Jill Scott for certain tracks.

Background
In 2016, singer-songwriter Alicia Keys released her sixth studio album Here, a raw departure from the more sophisticated and anthemic R&B music of her first five albums. After Heres release, she took a break from recording music and served as a coach on the singing competition series The Voice. She took a leave of absence from the show's 13th season in 2017 to focus on making Alicia. == Recording and production ==
Recording and production
, where all but one of Alicias songs were recorded Keys reportedly returned to Oven Studios, her personal studio in New York City, to record Alicia. However, several other studios were later credited for its recording, including NYC's Jungle City Studios, where recording for 14 of the album's 15 tracks took place. who also engineered much of Alicia. For certain songs, Keys collaborated with guest vocalists such as Tierra Whack, Jill Scott, Miguel, Sampha, and Khalid. A few songs had been originally recorded for Here, including the Sampha duet "3 Hour Drive" (recorded in 2015) and "Love Looks Better", which underwent various unsuccessful takes with different producers before Keys revisited the song on her own with contributions from Ryan Tedder. "It was Alicia, in the end", as Mincieli recounts, "pulling few pieces from Ryan and added [sic] some things on her own for you to hear her lyrics, vocals, and emotions without all the scratches, scribbles, stutters, and production that was overtaking the song". By May 2017, the album had been almost "halfway" finished, according to Keys. reflecting on her life and career up to that point. In its final chapter, she explained how the album's creative process encouraged more collaborations than in her earlier recordings, when she had preferred to work alone from fear of being misunderstood, controlled, and vulnerable as an artist. lending her a greater sense of artistic freedom and desire to collaborate with others. == Music ==
Music
Alicia continues in the experimental manner of Here The album's direction, which Keys describes as "genreless", is oriented toward evoking a particular mood rather than conforming to a singular genre. and chamber music ("Perfect Way to Die"). while Nick Smith of musicOMH observes "sonics [that] are manifold", encompassing "reggae, R&B, funk and even country". In comparison to Here, Clash magazine's Shakeena Johnson says it is "less pop and more R&B". Lyrics Alicia is described by Keys in More Myself as "a musical exploration of identity – both my own and ours collectively". as Keys explains, "what makes us up to be who we are, and the expectations that are put upon us mostly from outside sources – societally or from your family, or from those people that you love, or yourself". For Keys, writing Alicia encouraged greater introspection and acceptance of her dichotomous identity, the calm and rational side of which she had largely shown up to that point. and an understanding of the multifaceted nature in individuals, She regards the track as representative of the album's themes, citing the refrain in particular. The former is written from the perspective of a mother in grief over her son, who was shot to death by the police, while the latter is written in tribute to "the mothers, the fathers, the teachers that reach us", and other people simply trying to get through an ordinary day. Among Alicias love songs, "3 Hour Drive" has Keys and Sampha each lamenting a lover's separation over a descending chord progression. "Show Me Love" and "Love Looks Better" express more confident relations between lovers. Both the waltz-like "Gramercy Park" and the Khalid duet "So Done" feature Keys trying to make peace with having struggled to appease the expectations of other people, with the latter expressing a departure from "fighting myself, going to hell" in favor of "living the way that I want". == Marketing ==
Marketing
performed with Keys on the single "Show Me Love" and at the 2019 Latin Grammy Awards. On September 17, 2019, Keys debuted the album's lead single, "Show Me Love", and its accompanying music video at Dolby Soho in New York City. The first live performance of the track took place that weekend as part of her set at the 2019 iHeartRadio Music Festival. In November, Keys was joined by Miguel, Pedro Capó, and Farruko at the 20th Annual Latin Grammy Awards for a medley of a Spanish version of the song and "Calma" (2018). On November 20, "Time Machine" was released as the next single. Keys revealed the album's title in a December interview with Billboard In January, Keys also returned as host for the 62nd Annual Grammy Awards, where she was joined by Brittany Howard in a performance of "Underdog" (released as Alicias third single on January 9). The single was featured in a TV ad for Amazon Music and performed by Keys on The Ellen DeGeneres Show. Keys also made promotional appearances in Europe, including a guest spot on the radio station NRJ in Paris on February 4, 2020, and a concert at Bush Hall in London on February 7. The latter was an atypically small venue for the singer (with an approximately 400-person crowd that day). At Bush Hall, she was joined by a four-person backing band and two vocalists while playing an upright piano (rather than her customary grand piano) and a Moog synthesizer, used specifically for a psychedelic funk rendition of "Time Machine" and "Try Sleeping with a Broken Heart" (2009). Other songs played were "Unbreakable" (2005), a piano-based cover of Billie Eilish's "Everything I Wanted" (2019), "Show Me Love", the acoustic "Underdog", and the more vocally virtuosic "Girl on Fire" (2012) and "Empire State of Mind Part II" (2010), which closed the show in rousing fashion. For much of the concert, however, "she stood at the upright [piano], bashing out melodies and singing with versatility", as reported by Financial Times critic Ludovic Hunter-Tilney. Further promotional efforts in the UK included Keys' performance of "Underdog" in February 2020 on both The Graham Norton Show and the Live Lounge segment on BBC Radio 1, where she also performed "Time Machine". Pandemic delays In March 2020, online retailers were listing Alicia for pre-order with a new release date of May 15. In response to the COVID-19 pandemic (declared later in March), Keys became among the many high-profile recording acts and adherents of traditional rollout campaigns to delay their albums, joining Lady Gaga, Willie Nelson, and Sam Smith. The pandemic's closure of physical retailers and distribution systems impacted veteran recording artists especially, as their fans tended to be older and more likely to still purchase CDs and vinyl records. On March 29, Keys performed an acoustic rendition of "Underdog" at the iHeart Living Room Concert for America (staged in response to the COVID-19 pandemic). Prior to the pandemic's declaration, the song had ascended on the record charts and become Keys' most successful single since "Girl on Fire". , April 2020. The pandemic's disruption of the economy delayed Alicias release. Alicias next single was "Good Job", released on April 23, 2020. It was accompanied with a press release written by Keys, dedicating the song to essential workers and other ordinary people dealing with the pandemic. "Whether you're on the front lines at the hospitals, balancing work, family, and homeschool teaching, delivering mail, packages, or food, or facing other personal difficulties because of COVID-19 ... You are seen, loved, and deeply appreciated", she wrote. Rolling Stone magazine's Jon Blistein found the song's message especially resonant against the backdrop of the pandemic. "Perfect Way to Die" was released as the next single on June 19, coinciding with Juneteenth and amid weeks of civil unrest across the US in response to police brutality against African Americans. While posting the single on her Twitter account, Keys commented on its relevancy and condemned "the destructive culture of police violence" as senseless as the song's titular phrase. "Sometimes I don't have the words and music is the only thing that can speak", she went on to say.⁣ "I hope this speaks to you." She performed "Good Job" and "Perfect Way to Die" on CNN's global town hall broadcast and at the 2020 BET Awards, respectively. The former song was also used as the musical theme to a social media campaign produced by CNN Heroes in recognition of individuals' humanitarian efforts during the pandemic, which Keys said had given the song new meaning: "It's almost like the song was written for this and I didn't know it." On August 11, "Show Me Love" and "Underdog" were both certified Gold by the Recording Industry Association of America (RIAA), denoting sales of at least 500,000 units for each single. Two more singles were then released: "So Done" on August 14 and "Love Looks Better" on September 10. The latter was debuted by Keys that same day at the NFL Network 2020 Kickoff concert, where she also performed a cover of "Lift Every Voice and Sing", often referred to as the "Black national anthem". Release and sales On September 14, 2020, Keys announced on Twitter that Alicia would be released in four days; Nick Smith of musicOMH later compared the manner of its release to that of a surprise album. and at the iHeartRadio Music Festival. She also headlined the virtual concert Unstaged in partnership with American Express to coincide with the album's worldwide release on September 18. The London-based marketing firm Diabolical was also hired by Sony Music (the owner of Keys' record label RCA) to design and put up posters promoting the release at various points in the city's eight boroughs. Echoing Alicias front cover, the design posed a seemingly nude and barefaced Keys against a pale red backdrop with the album title rendered in simple font. Further promotional appearances by the singer included a week-long engagement on The Late Late Show with James Corden from September 21 to 24, an appearance on The One Show on September 24, and a performance at the 2020 Billboard Music Awards on October 14. In the week of September 27, 2020, Alicia entered the US Billboard 200 chart at the number-four position on the basis of 62,000 album-equivalent units. The recorded units included 51,000 traditional album sales, 10,000 streaming-equivalent units (or 13.6 million in on-demand streams of album tracks), and 1,000 track-equivalent units (sales of individual tracks). It was Keys' eighth album to reach the top 10 of the chart and, according to Billboard, received a sales boost from "a concert ticket/album sale redemption offer with her upcoming US tour". In the UK, Alicia became her eighth album to chart within the top 40, debuting at number 12 on the Official Albums Chart, while in Canada, it debuted at number two and was her highest-charting release since As I Am reached the same position in 2007. In its second week on the Billboard 200, Alicia registered a drop of one-hundred-and-four places, falling to number 108. Altogether, the album spent three weeks on the chart. She had been scheduled to embark on Alicia – The World Tour, with the tour itinerary beginning in June in the UK and continuing through Europe into mid July, followed by a US leg through late September. However, it was delayed into 2021 due to the pandemic, and on May 17, 2021, Keys announced on Twitter that the tour was postponed again for 2022. While the tour was scheduled to end with a September 25, 2022, date in Nashville, an earlier San Diego concert was postponed for November 5 due to concerns about weather conditions. A Latin American leg was added to the tour the following year, running though May with shows in Brazil, Argentina, and Mexico. On July 30, 2021, RCA released ALICIA: The Selects for streaming. It featured in the following order: "Time Machine", "3 Hour Drive", "Show Me Love", "Authors of Forever", "So Done", "You Save Me", and "Love Looks Better". == Critical reception ==
Critical reception
Alicia was met with generally positive reviews. At Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, the album received an average score of 77, based on 12 reviews. AnyDecentMusic? assigned it a score of 7.2 out of 10, based on the site's assessment of the critical consensus. Nick Levine, writing for NME, was impressed by the cohesive musical feel throughout and the skill behind Keys' ballads, which he said emanate well-intentioned positive energy and empathic political engagement. He also believed that the album's postponed release amid the pandemic made the subject matter more timely and therapeutic for listeners. Expanding on Levine and Dolan's points, Atwood Magazines Josh Weiner said that the repeated delays had not dated the record's musical qualities while recent events in the world had "rendered it an especially powerful and timely release", particularly in the case of the last two songs. "Great art sure does have a way of gaining even more meaning and impact as time goes on", he concluded. Several reviewers highlighted Keys' singing on Alicia. In The Sunday Times, Dan Cairns said the compositions are on-par with the "classic" songwriting of her earliest albums and that they accentuate her vocals, which he described as "soaring, swooping, scatting, richly nuanced, deploying full-throated passion and pin-drop restraint". The Arts Desk journalist Joe Muggs singled out Keys' performances on "Perfect Way to Die", "Wasted Energy", and "Time Machine", where her "multi-octave range is put to fantastic use harmonizing with herself". While observing a few instances of flashy singing techniques elsewhere, he speculated whether the album as a whole hints at "a Keys album where she drops the showbiz and kicks out the jams the whole way through". AllMusic reviewer Andy Kellman found Alicia to be performed "with some of her most nuanced vocals", but was less impressed by the material, the best of which he felt had already been released as singles. Ultimately, he deemed it "Keys' most moderate work, seemingly hedged with an objective to appeal to as many listeners as possible". Mojo magazine's James McNair griped about Keys' altruistic politics being "at times a tad cloyingly expressed" on an album otherwise impressive for her "exquisitely malleable voice, slickly inventine production tics, and winning vocal support" from artists such as Sampha and Diamond Platnumz. Accolades For the 2021 NAACP Image Awards, Alicia was nominated in the category of Outstanding Album, while earning Keys a nomination for Outstanding Female Artist. "Jill Scott" and "So Done" received nominations for Outstanding Duo, Group or Collaboration in its subcategories of traditional and contemporary song, respectively. Keys also received Grammy Award nominations in the categories of Best Immersive Audio Album (dedicated to recordings released in surround sound formats) and Song of the Year (for "A Beautiful Noise", which appeared on Alicias digital edition); these were presented on April 3, 2022, at the 64th Annual Grammy Awards, where she won for Best Immersive Audio Album. ==Track listing==
Track listing
Notes • denotes co-producer ==Personnel and credits==
Personnel and credits
Information is taken from the album credits. Recording locationsConway Recording; Los Angeles, California (recording: track 9, 11) • ELBO Studios; Los Angeles (recording: track 9) • Fieldwork Studios; London, UK (recording: track 3, 5) • Fieldwork Studios; Los Angeles, California (recording: track 5) • Fieldwork Studios; Nashville, Tennessee (recording: track 5) • Jungle City; New York (recording: track 1–2, 4–15; mixing: track 12, 15) • Larrabee Sound; North Hollywood, California (mixing: track 1–2, 4–5, 7–9) • Mixstar Studios; Virginia Beach Virginia (mixing: track 3, 11) • Oven Studios; New York (recording: track 1–4, 8, 10–11; mixing: track 12) • RAK Studios, New York (recording: track 6) • Record Plant; Los Angeles, California (recording: track 4, 7, 12, 14) • Triangle Sound; Atlanta, Georgia (recording: track 7) MusiciansAlicia Keys – lead vocals, Moog bass (track 2, 11–12), piano (track 3, 5–6, 10, 12, 14–15), keyboards (track 3, 5–6, 10–11), background vocals (track 5), drum programming (track 6), vocal arrangement (track 8) • Diamond Platnumz – featured artist (track 4) • Sampha – featured artist (track 6), keyboards (track 6), piano (track 6) • Tierra Whack – featured artist (track 7) • Miguel – featured artist (track 8) • Khalid – featured artist (track 9) • Snoh Aalegra – featured artist (track 12) • Jill Scott – featured artist (track 13) • John Benthal – electric sitar (track 2) • Jonny Coffer – programming (track 3, 5) • Alexandria Dopson – background vocals (track 1) • Larrance Dopson – keyboards (track 1) • Dammo Farmer – bass (track 1) • Ludwig Göransson – keyboards (track 9), bass (track 9), programming (track 9) • Emile Haynie – additional programming (track 2), programming (track 5), drum programming (track 6) • Jukebox – programming (track 5), drum programming (track 11) • Rob Knox – keyboards (track 2), programming (track 2) • Tory Lanez – vocal arrangement (track 8) • Morgan Matthews – guitars (track 8) • Johnny McDaid – bass (track 3, 5), vocoder vocals (track 3), programming (track 3, 5), background vocals (track 5) • Pierre Medor – keyboards (track 7) • Ann Mincieli – bass guitar (track 11) • Jimmy Napes – piano (track 10), drums (track 10) • P2J – keyboards (track 4), programming (track 4) • Patrick Postlewait – bass (track 7) • The Picard Brothers – programming (track 3) • Will Reynolds – electric guitar (track 5) • Sam Roman – guitar (track 10) • Mark Ronson – bass (track 3), guitar (track 3), programming (track 3) • Davide Rossi – strings arrangement (track 14), strings (track 14) • Raphael Saadiq – guitars (track 8) • Ed Sheeran – acoustic guitar (track 5), background vocals (track 5) • Ash Soan – drums (track 5) • Tricky Stewart – keyboards (track 7) • Ryan Tedder – drum programming (track 11), keyboards (track 11) • Sam Thomas – keyboards (track 7) • Khirye Tyler – keyboards (track 1) • Justus West – guitar (track 1) • Steven Wolf – drums (track 5), programming (track 5) Technical • Alicia Keys – executive production, production (track 2–3, 5–6, 8, 10–12, 14–15) • Graham Archer – engineering (track 3, 5) • Jim Caruana – vocals mixing (track 12) • Jonny Coffer – production (track 3) • Riccardo Damian – engineering (track 3) • Scott Desmarais – assistant mixing (track 1–2, 5, 7–9) • Larrance Dopson – production (track 1), co-production (track 11) • Chris Galland – mix engineering (track 1–2, 5, 7–9) • Serban Ghenea – mixing (track 3, 11) • Ludwig Göransson – production (track 9), engineering (track 9) • John Hanes – engineering for mix (track 3, 11) • Emile Haynie – co-production (track 2) • Jeremie Inhaber – assistant mixing (track 1–2, 5, 7–9) • Andrew Keller – assistant engineering (track 7–8) • Kez Khou – assistant • Rob Knox – production (track 2) • Sebastian Kole – production (track 14) • Denis Kosiak – engineering (track 9) • Dave Kutch – mastering • Manny Marroquin – mixing (track 1–2, 5, 7–9) • Tony Maserati – mixing (track 6) • Morgan Matthews – production (track 8) • Johnny McDaid – production (track 3, 5), engineering (track 5) • Pierre Medor – co-production (track 7) • Ann Mincieli – engineering, recording (track 2, 8), mixing (track 4, 10, 12–15) • Brendan Morawski – engineering (track 1, 7, 11), assistant engineering (track 2, 8, 10, 12, 14–15), assistant mixing engineering (track 4), additional engineering (track 5), assistant recording (track 5, 9), mixing (track 12–13) • Jimmy Napes – production (track 10) • P2J – production (track 4) • Kevin Peterson – assistant mastering • Patrick Postlewait – co-production (track 7) • Will Reynolds – assistant engineering (track 3), assistant recording (track 5) • Ramon Rivas – assistant • Mark Ronson – co-production (track 3) • Sampha – production (track 6) • Sean C – production (track 13) • Tricky Stewart – production (track 7) • Ryan Tedder – production (track 11) • Sam Thomas – co-production (track 7), engineering (track 7) • Khirye Tyler – production (track 1) • Noel Zancanella – production (track 11) Art and design • Alicia Keys – concept • James Bailey – creative direction • Jason Bolden – styling • FISK – design • Naivasha Johnson – hair • Ramon Rivas – videography • Romy Soleimani – skin • Milan Zrnic – photography ==Charts==
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