Amato found a new permanent home in 1964 in a four-story building, next to a gas station and near the famous rock club
CBGB, at 319
Bowery near Second Street, a former Mission House and restaurant supply store, which was converted into a theatre with rehearsal and storage space, 107-seats, a 20-foot stage and a tiny orchestra pit.
PBS made a documentary film about Amato in 2001 called
Amato: A Love Affair With Opera. PBS wrote, "The Amato Opera has grown famous as a testing ground for young singers; many of its performers have gone on to sing, direct, and conduct in opera companies around the world ... The orchestra is phenomenal. The sets, designed by Richard Cerullo for the past twenty years, are wonderfully designed to make the most of the Amato's small stage. And what the theater lacks in seating capacity it makes up for in intimacy." Productions in the small theater often featured a small ensemble of musicians who sat directly beneath the stage. Other times, the singers were accompanied only by a piano in the pit. The intimate setting resulted in a different operatic experience. In some cases, acting could be less exaggerated than in a larger house. Though the stage was small, scenery was typically fully realized and often quite striking visually. Because the singers were so close to the audience, it was easier to discern the individual parts in group scenes, such as quartets. Many productions benefitted from Amato's humor, and audiences were often amused at the opening of operas when two small chandeliers were hoisted up to the ceiling, mimicking the raising of the grand chandeliers at the Metropolitan Opera house. Amato Opera received commendations and awards from Mayors
Abe Beame,
Ed Koch and
Rudy Giuliani, and the Amatos were inducted into
City Lore's Peoples' Hall of Fame, honored by the American Cultural Roundtable, and the Italian Heritage and Cultural Committee, in recognition for their contribution to the artistic life of New York City. ==Closure==