Originally trained in the profession at Utopia Studios, Jackson began work as an engineer for Pink Floyd in 1980, assisting in the recording of the performances of
The Wall at
Earls Court. He then worked on the film soundtrack recordings for
Pink Floyd – The Wall and the studio album
The Final Cut. Jackson became the band's primary engineer beginning with
A Momentary Lapse of Reason and then
The Division Bell plus the material recorded for the soundtrack to the band's 1992 auto racing documentary film
La Carrera Panamericana. He was also the Front of House engineer on the band's
1994 world tour. He was producer of Pink Floyd's final studio album
The Endless River. His current primary responsibility is as the Senior Engineer for David Gilmour's studios,
Astoria and Medina, and has worked on all of Gilmour's recordings/multimedia projects as an engineer and/or co-producer since 1984. He was also the engineer on
Roger Waters' first solo album,
The Pros and Cons of Hitch Hiking, and worked Front of House on Waters' 1984 tour. Jackson (in collaboration with engineer Damon Iddins) has remastered the majority of the bonus features material on the Immersion editions of
The Dark Side of the Moon and
Wish You Were Here for the
Why Pink Floyd...? reissue campaign, and the 2016 box set
The Early Years 1965–1972. In addition to his work with Pink Floyd, Jackson has also worked with artists such as
Heatwave,
Strawbs,
The Boomtown Rats (most notably mixed their hit "
I Don't Like Mondays") and goth rock group
Fields of the Nephilim. He also created his own record label, Tube Records and performed on the album
Obvious, which was released in 2000. He was also a guitar player in the live band version of
The Eden House for four years. His first solo album
Signal to Noise was released in 2014, followed by
73 Days at Sea in 2016 and
Twelve Half Steps in 2023. Very recently he closed his company, Tube Mastering. A fourth solo album,
AI AJ was released in March 2024. Andy Jackson's website ==Awards==