The Pros and Cons of Hitch Hiking

The concept was originally envisioned by Waters in 1977 and refined in the early 1980s. In its completed form, it rotates around a man's scattered thoughts during his midlife crisis. These are explored in a dream journey during which he takes a road trip through California, commits adultery with a hitchhiker he picks up along the way, attempts to reconcile with his wife by moving to the wilderness, and finally ends up alone but with greater insight into a common human compassion. Along the way he also faces other fears and paranoia. The entire story is framed in real time as a fitful dream taking place in the early morning hours of 4:30:18 am to 5:12:32 am on an unspecified day. At the end of the dream, the man wakes up lonely and contrite and turns to his real wife for comfort, presumably having processed his crisis. In July 1978, Waters presented the concepts and played demos of The Pros and Cons of Hitch Hiking as well as what was then titled Bricks in the Wall, which became The Wall, to his bandmates in Pink Floyd, asking them to decide which should be a group album, and which should be his solo album. and David Gilmour deemed Pros and Cons stronger musically. It was recorded in three London studios between February and December 1983: Olympic Studios, Eel Pie Studios and Waters' own Billiard Room, where his demos were constructed. The album features conductor Michael Kamen, actor Jack Palance, saxophonist David Sanborn and guitarist Eric Clapton. Guitarist Tim Renwick said: Track 7, "4.50 AM (Go Fishing)," includes the same refrain as "The Fletcher Memorial Home" from Pink Floyd's The Final Cut: "The Fletcher Memorial Home for incurable tyrants and kings". This song also includes one of the car sounds, and the slightly changed chorus melody, from that album's "Your Possible Pasts". "I played through some of the songs from the Pros and Cons album," Waters remarked in 1992, "and I was struck by how good they sounded. Looking back, that record dragged a little but, individually, some of the material was excellent." Also the melody first heard in the song In the Flesh?/In the Flesh from The Wall originated from this album and can be heard sporadically throughout the album. Notes on real time The original album was released in 1984 on the traditional two-sided vinyl LP and cassette formats. In keeping with Waters' concept, there are five seconds missing between sides one and two to allow the listener to flip the record (or eject, turn, and reinsert the cassette) in order to keep the second half starting at exactly 4:50 AM as planned. An unintended consequence of the album's release on CD a few years later was that this gap was lost due to continuous play, which moves the start of the second half, "4:50AM (Go Fishing)," back to 4:49:55AM, and the start of the final track, "5:11AM (The Moment of Clarity)," back to 5:10:59AM. Further to this, Track 6 on the first side, "4:47 AM (The Remains of Our Love)," actually begins at 4:46:46AM. ==Packaging==

Gerald Scarfe, who had created the album artwork and some animation for Pink Floyd's The Wall album, created all the graphics and animation for the Pros and Cons album. Its cover prompted controversy for featuring a rear-view nude photograph of model and softcore porn actress Linzi Drew. Although it was originally released with the nudity intact, subsequent editions distributed by Columbia Records censored Drew's buttocks with a black box. ==Possible film==

A film based on the concept was proposed, and in 1987 a press release for the Radio K.A.O.S. album claimed a film adaptation of Pros and Cons... had been completed, though nothing has been heard of it since. A film was made in 1984 and 1985 which combined Gerald Scarfe's animations and Nicolas Roeg's live-action footage with slit-scan photography created by Peter Truckel at The Moving Picture Company. Also directed by Nicolas Roeg the film was projected on a backdrop behind the stage as the band played. Three promotional videos were also directed by Roeg. "The Pros and Cons of Hitch Hiking" features snippets of the live action material from the screen films interspersed with footage of "Shane" and other cowboy films. "Sexual Revolution" also featured screen film material interspersed with footage Waters singing the song and playing his bass. "Every Stranger's Eyes" is identical to the screen projection, except for the fact that footage of Waters is also interspersed here. ==Track listing==

Credits adapted from the album's liner notes. Personnel • Roger Waters – lead vocals, rhythm guitar, bass, tape effects, production, sleeve design • Eric Clapton – lead guitar, backing vocals, Roland guitar synthesizer • Andy Bown – Hammond organ, 12-string guitar • Michael Kamen – piano, production • Raphael Ravenscroft, Kevin Flanagan, Vic Sullivan – horns • David Sanborn – saxophone • Madeline Bell, Katie Kissoon, Doreen Chanter – backing vocals • Andy Newmark – drums, percussion • Ray Cooper – percussion • The National Philharmonic Orchestra, conducted and arranged by Michael Kamen Actors (in order of appearance) • Andy Quigley as 'Welshman in Operating Theatre' • Beth Porter as 'Wife' • Roger Waters as 'Man' • Cherry Vanilla as 'Hitch Hiker' and 'Waitress' • Manning Redwood and Ed Bishop as 'Truck Drivers' • Jack Palance as 'Hell's Angel' • Madeline Bell as 'Hell's Angel's Girlfriend' Technical personnel • Andy Jackson – engineer • Laura Boisan – assistant engineer • Michael King – SFX boffin • Zuccarelli Labs – holophonics • Doug Sax and Mike Reese – mastering • Gerald Scarfe – sleeve design, illustrations and lettering • Alex Henderson – photography • The Artful Dodgers – co-ordination ==Chart positions==