Early career With the help of his uncle Robbie Solomon, Lee became an assistant in 1939 at the new
Timely Comics division belonging to
pulp magazine and comic-book publisher
Martin Goodman. Timely, by the 1960s, would evolve into Marvel Comics. Lee, whose cousin Jean was Goodman's wife, was formally hired by Timely editor
Joe Simon. His duties were prosaic at first. "In those days [the artists] dipped the pen in ink, [so] I had to make sure the inkwells were filled", Lee recalled in 2009. "I went down and got them their lunch, I did proofreading, I erased the pencils from the finished pages for them". Marshaling his childhood ambition to be a writer, young Stanley Lieber made his comic-book debut with the text filler "
Captain America Foils the Traitor's Revenge" in
Captain America Comics #3 (
cover-dated May 1941), using the pseudonym Stan Lee (a play on his first name, "Stanley"), which years later he would adopt as his legal name. Lee later explained in his autobiography and numerous other sources that because of the low social status of comic books, he was so embarrassed that he used a pen name so nobody would associate his real name with comics when he wrote the
Great American Novel one day. This initial story also introduced Captain America's trademark ricocheting shield-toss. It would be adapted into a sequential art story in 2014 by Lee and
Bruce Timm in ''Marvel's 75th Anniversary Celebration''. Lee graduated from writing filler to actual comics with a backup feature, "'Headline' Hunter, Foreign Correspondent", two issues later, using the pseudonym "Reel Nats". His first superhero co-creation was the
Destroyer, in
Mystic Comics #6 (August 1941). Other characters he co-created during this period, called the
Golden Age of Comic Books, include
Jack Frost, debuting in
U.S.A. Comics #1 (August 1941), and
Father Time, debuting in
Captain America Comics #6 (August 1941). The youngster showed a knack for the business that led him to remain as the comic-book division's editor-in-chief, as well as art director for much of that time, until 1972, when he would succeed Goodman as publisher. Lee entered the
U.S. Army in early 1942 and served within the U.S. as a member of the
Signal Corps, repairing
telegraph poles and other communications equipment. He was later transferred to the Training Film Division, where he worked writing manuals,
training films, slogans, and occasionally
cartooning. His military classification, he said, was "playwright"; he added that only nine men in the U.S. Army were given that title. In the Army, Lee's division included many famous or soon-to-be famous people, including three-time
Academy Award-winning director
Frank Capra,
New Yorker cartoonist
Charles Addams, and children's book writer and illustrator
Theodor Geisel, later known to the world as "Dr. Seuss".
Vincent Fago, editor of Timely's "animation comics" section, which put out humor and
talking animal comics, filled in until Lee returned from his World War II
military service in 1945. Lee was inducted into the Signal Corps Regimental Association and was given honorary membership of the 2nd Battalion of
3rd U.S. Infantry Regiment out of
Joint Base Lewis-McChord at the 2017
Emerald City Comic Con for his prior service. While in the Army, Lee received letters every week on Friday from the editors at Timely, detailing what they needed written and by when. Lee would write stories, then send them back on Monday. One week, the mail clerk overlooked his letter, explaining that nothing was in Lee's mailbox. The next day, Lee went by the closed
mailroom and saw an envelope with the return address of Timely Comics in his mailbox. Not willing to miss a deadline, Lee asked the officer in charge to open the mailroom, but the latter refused. So Lee took a screwdriver and unscrewed the mailbox hinges, retrieving the envelope containing his assignment. The mailroom officer saw what he did and turned him into the base captain, who did not like Lee. He faced tampering charges and could have been sent to
Leavenworth Prison. The colonel in charge of the Finance Department intervened and saved Lee from disciplinary action. In the mid-1950s, by which time the company was now generally known as
Atlas Comics, Lee wrote stories in a variety of genres including
romance,
Westerns, humor, science fiction, medieval adventure,
horror and suspense. In the 1950s, Lee teamed up with his comic book colleague
Dan DeCarlo to produce the syndicated newspaper strip
My Friend Irma, based on
the radio comedy starring
Marie Wilson. By the end of the decade, Lee had become dissatisfied with his career and considered quitting the field.
Marvel Comics Marvel revolution In 1956,
DC Comics editor
Julius Schwartz revived the superhero
archetype and experienced significant success with an updated version of the
Flash, and later in 1960 with the
Justice League of America super-team. In response, publisher Martin Goodman assigned Lee to come up with a new superhero team. Lee's wife suggested that he experiment with stories he preferred, since he was planning on changing careers and had nothing to lose. Lee introduced complex,
naturalistic characters who could have bad tempers, fits of melancholy, and vanity; they bickered amongst themselves, worried about paying their bills and impressing girlfriends, got bored or sometimes even physically ill. The first superheroes Lee and artist Jack Kirby, created together were the
Fantastic Four in 1961. The team's immediate popularity led Lee and Marvel's illustrators to produce a cavalcade of new titles. Again working with Kirby, Lee co-created the
Hulk,
Thor,
Iron Man, and the
X-Men; with
Bill Everett,
Daredevil; and with
Steve Ditko,
Doctor Strange and Marvel's most successful character,
Spider-Man, all of whom lived in a thoroughly
shared universe. Lee and Kirby gathered several of their newly created characters together into the team title
The Avengers and would revive characters from the 1940s such as the
Sub-Mariner and Captain America. Years later, Kirby and Lee would contest who deserved credit for creating
The Fantastic Four. Comics historian
Peter Sanderson wrote that in the 1960s: Lee's revolution extended beyond the characters and storylines to the way in which comic books engaged the readership and built a sense of community between fans and creators. He introduced the practice of regularly including a credit panel on the
splash page of each story, naming not just the writer and penciller but also the inker and letterer. Regular news about Marvel staff members and upcoming storylines was presented on the
Bullpen Bulletins page, which (like the letter columns that appeared in each title) was written in a friendly, chatty style. Lee remarked that his goal was for fans to think of the comics creators as friends, and considered it a mark of his success on this front that, at a time when letters to other comics publishers were typically addressed "Dear Editor", letters to Marvel addressed the creators by first name (e.g., "Dear Stan and Jack"). Lee recorded messages to the newly formed
Merry Marvel Marching Society fan club in 1965. By 1967, the brand was well-enough ensconced in popular culture that a March 3
WBAI radio program with Lee and Kirby as guests was titled "Will Success Spoil Spiderman [sic]". Throughout the 1960s, Lee scripted, art-directed and edited most of Marvel's series, moderated the letters pages, wrote a monthly column called "
Stan's Soapbox", and wrote endless promotional copy, often signing off with his trademark motto, "
Excelsior!" (which is also the
New York state motto). To maintain his workload and meet deadlines, he used a system that was used previously by various comic-book studios, but due to Lee's success with it, became known as the "
Marvel Method". Typically, Lee would brainstorm a story with the artist and then prepare a brief synopsis rather than a full script. Based on the synopsis, the artist would fill the allotted number of pages by determining and drawing the panel-to-panel storytelling. After the artist turned in penciled pages, Lee would write the
word balloons and captions, and then oversee the lettering and coloring. In effect, the artists were co-plotters, whose collaborative first drafts Lee built upon. For his part, Lee endeavored to use a sophisticated vocabulary in his dialogue and captions to encourage his young readers to learn new words, often playfully noting "If a kid has to go to a dictionary, that's not the worst thing that could happen." Following Ditko's departure from Marvel in 1966,
John Romita Sr. became Lee's collaborator on
The Amazing Spider-Man. Within a year, it overtook
Fantastic Four to become the company's top seller. Lee and Romita's stories focused as much on the social and college lives of the characters as they did on Spider-Man's adventures. The stories became more topical, addressing issues such as the
Vietnam War, political elections, and
student activism.
Robbie Robertson, introduced in
The Amazing Spider-Man #51 (August 1967) was one of the first African-American characters in comics to play a serious supporting role. In the
Fantastic Four series, the lengthy run by Lee and Kirby produced many acclaimed storylines as well as characters that have become central to Marvel, including the
Inhumans and the
Black Panther, an African king who would be mainstream comics' first black superhero. The story frequently cited as Lee and Kirby's finest achievement is the three-part "
Galactus Trilogy" that began in
Fantastic Four #48 (March 1966), chronicling the arrival of
Galactus, a cosmic giant who wanted to devour the planet, and his herald, the
Silver Surfer.
Fantastic Four #48 was chosen as #24 in the 100 Greatest Marvels of All Time poll of Marvel's readers in 2001. Editor
Robert Greenberger wrote in his introduction to the story that "As the fourth year of the
Fantastic Four came to a close, Stan Lee and Jack Kirby seemed to be only warming up. In retrospect, it was perhaps the most fertile period of any monthly title during the Marvel Age." Comics historian
Les Daniels noted that "[t]he mystical and metaphysical elements that took over the saga were perfectly suited to the tastes of young readers in the 1960s", and Lee soon discovered that the story was a favorite on college campuses. Lee and artist
John Buscema launched
The Silver Surfer series in August 1968. The following year, Lee and
Gene Colan created the
Falcon, comics' first African-American superhero, in
Captain America #117 (September 1969). In 1971, Lee indirectly helped reform the
Comics Code. The
U.S. Department of Health, Education and Welfare had asked Lee to write a comic-book story about the dangers of drugs, and Lee conceived a three-issue subplot in
The Amazing Spider-Man #96–98 (
cover-dated May–July 1971), in which Peter Parker's best friend becomes addicted to prescription drugs. The Comics Code Authority refused to grant its seal because the stories depicted drug use; the anti-drug context was considered irrelevant. With Goodman's cooperation and confidence that the original government request would give him credibility, Lee had the story published without the seal. The comics sold well, and Marvel won praise for its socially conscious efforts. The CCA subsequently loosened the Code to permit negative depictions of drugs, among other new freedoms. Lee also supported using comic books to provide some measure of social commentary about the real world, often dealing with racism and
bigotry. "Stan's Soapbox", besides promoting an upcoming comic book project, also addressed issues of discrimination, intolerance, or prejudice. In 1972, Lee stopped writing monthly comic books to assume the role of publisher. His final issue of
The Amazing Spider-Man was #110 (July 1972) and his last
Fantastic Four was #125 (August 1972).
Later Marvel years Lee became a figurehead and public face for Marvel Comics. He made appearances at
comic book conventions around America, lecturing at colleges and participating in panel discussions. Lee and John Romita Sr. launched
the Spider-Man newspaper comic strip on January 3, 1977. Lee's final collaboration with Jack Kirby,
The Silver Surfer: The Ultimate Cosmic Experience, was published in 1978 as part of the
Marvel Fireside Books series and is considered to be Marvel's first
graphic novel. Lee and John Buscema produced the first issue of
The Savage She-Hulk (February 1980), which introduced the female cousin of the Hulk, and crafted a Silver Surfer story for
Epic Illustrated #1 (Spring 1980). the
Judgment Day graphic novel illustrated by John Buscema, the
Parable limited series drawn by French artist
Mœbius, and
The Enslavers graphic novel with
Keith Pollard. Lee was briefly president of the entire company, but soon stepped down to become publisher instead, finding that being president was too much about numbers and finance and not enough about the creative process he enjoyed.
Beyond Marvel In 1976, Stan Lee was one of the cartoonists who illustrated the
Costello's wall. He drew Spider-Man. Lee stepped away from regular duties at Marvel in the 1990s, though he continued to receive an annual salary of $1 million as chairman emeritus. In 1998, he and
Peter Paul began a new Internet-based superhero creation, production, and marketing studio,
Stan Lee Media. It grew to 165 people and went public through a reverse merger structured by investment banker Stan Medley in 1999, but, near the end of 2000, investigators discovered illegal stock manipulation by Paul and corporate officer Stephan Gordon. Stan Lee Media filed for
Chapter 11 bankruptcy protection in February 2001. Paul was extradited to the U.S. from Brazil and pleaded guilty to violating
SEC Rule 10b-5 in connection with trading his stock in Stan Lee Media. Lee was never implicated in the scheme. Following the success of
20th Century Fox's 2000
X-Men film and
Sony's then-current
Spider-Man film, Lee sued Marvel in 2002, claiming that the company was failing to pay his share of the profits from movies featuring the characters he had co-created. Because he had done so as an employee, Lee did not own them, but in the 1990s, after decades of making little money licensing them for television and film, Marvel had promised him 10% of any future profits. In 2004, POW! Entertainment went public through a reverse merger again structured by investment banker Stan Medley. Also that year, Lee announced a superhero program that would feature former Beatle
Ringo Starr as the lead character. Additionally, in August of that year, Lee announced the launch of Stan Lee's Sunday Comics, a short-lived subscription service hosted by
Komikwerks.com. From July 2006 until September 2007 Lee hosted, co-created, executive-produced, and judged the reality television game show competition
Who Wants to Be a Superhero? on the
Sci-Fi Channel. In March 2007, after Stan Lee Media had been purchased by Jim Nesfield, the company filed a lawsuit against
Marvel Entertainment for $5 billion, claiming Lee had given his rights to several Marvel characters to Stan Lee Media in exchange for stock and a salary. In June 2007, Stan Lee Media sued Lee; his newer company, POW! Entertainment; and POW! subsidiary QED Entertainment. In 2008, Lee wrote humorous captions for the political
fumetti book
Stan Lee Presents Election Daze: What Are They Really Saying? In April of that year, Brighton Partners and
Rainmaker Animation announced a partnership with POW! to produce a CGI film series,
Legion of 5. Other projects by Lee announced in the late 2000s included a line of superhero comics for
Virgin Comics, a TV adaptation of the novel
Hero, a foreword to
Skyscraperman by skyscraper fire-safety advocate and Spider-Man fan
Dan Goodwin, a partnership with
Guardian Media Entertainment and
The Guardian Project to create
NHL superhero mascots, and work with the Eagle Initiative program to find new talent in the comic book field. In October 2011, Lee announced he would partner with 1821 Comics on a multimedia imprint, Stan Lee's Kids Universe, a move he said addressed the lack of comic books targeted at children; and that he was collaborating with the company on its futuristic graphic novel
Romeo & Juliet: The War, by writer Max Work and artist Skan Srisuwan. At the 2012
San Diego Comic-Con, Lee announced his
YouTube channel, ''
Stan Lee's World of Heroes, which airs programs created by Lee, Mark Hamill, Peter David, Adrianne Curry and Bonnie Burton, among others. Lee wrote the book Zodiac
, released in January 2015, with Stuart Moore. The film Stan Lee's Annihilator'', based on a Chinese prisoner-turned-superhero named Ming and in production since 2013, was released in 2015. In 2008, POW! Entertainment debuted the
manga series
Karakuri Dôji Ultimo, a collaboration between Lee and
Hiroyuki Takei,
Viz Media and
Shueisha, The following year POW! released
Heroman, which was written by Lee, and serialized in
Square Enix's
Monthly Shōnen Gangan with the Japanese company
Bones. In 2011, Lee started writing a live-action musical,
The Yin and Yang Battle of Tao, and created the limited series
Blood Red Dragon, a collaboration with
Todd McFarlane and Japanese rock star
Yoshiki. The 2000s saw Lee's public persona penetrate the public consciousness through merchandising, branding, and appearances in Marvel books as a character in the
Marvel Universe. In 2006, Marvel commemorated Lee's 65 years with the company by publishing a series of one-shot comics starring Lee himself meeting and interacting with many of his co-creations, including Spider-Man, Doctor Strange, the
Thing,
Silver Surfer, and
Doctor Doom. These comics also featured short pieces by such comics creators as
Joss Whedon and
Fred Hembeck, as well as reprints of classic Lee-written adventures. At the 2007
Comic-Con International,
Marvel Legends introduced a Stan Lee
action figure. The body beneath the figure's removable cloth wardrobe is a reused mold of a previously released Spider-Man action figure, with minor changes.
Comikaze Expo, Los Angeles' largest comic book convention, was rebranded as Stan Lee's Comikaze Presented by POW! Entertainment in 2012. At the 2016
Comic-Con International, Lee introduced his digital graphic novel ''
Stan Lee's God Woke'', with text originally written as a poem he presented at
Carnegie Hall in 1972. The print-book version won the 2017
Independent Publisher Book Awards' Outstanding Books of the Year Independent Voice Award. On July 6, 2020,
Genius Brands (now Kartoon Studios) acquired exclusive worldwide rights to use Lee's name, physical likeness, and signature as well as licensing rights to his name and original IPs from POW! Entertainment. The assets will be placed under a new joint-venture with POW!, called Stan Lee Universe. In 2022, Marvel signed a licensing deal with Stan Lee Universe to use Lee's name and likeness in film and television projects, as well as attractions and merchandising. In April 2024, Kartoon Studios, in collaboration with
Channel Frederator Network, rebranded their live-action channel as
Stan Lee Presents under the management of
Ethan Schulteis. The channel now focuses on Stan Lee's legacy, featuring content from his personal archives, digital comic books, interviews, behind-the-scenes footage, and previews of upcoming projects. ==Personal life==