Radio London, Radio Luxembourg and BBC Radio 1 During 1963 he sent copies of his short, home-produced radio shows to Tape Recording Magazine, and they suggested sending a tape to the BBC. "The Maurice Cole Quarter of an Hour Show" led to an appearance, in May 1964, as a guest on the BBC Home Service show "Midweek", and a few weeks later to an audition at
Broadcasting House. Nerves got the better of him, and it didn't lead to a job offer, but they suggested he send a tape to the producers looking for presenters for the soon to be launched pirate station Radio London. Everett then began his broadcasting career, on 25 December 1964 (his 20th birthday), as a DJ for
Radio London. Before taking to the airwaves, he was advised to change his name to avoid legal problems. He adopted the name "Everett" from a childhood hero, the American comic actor
Edward Everett Horton. Like most of the pirate stations, Radio London carried sponsored American evangelical shows and Everett's disparaging remarks about
The World Tomorrow caused its producers to threaten to withdraw their lucrative contract with the station. After a spell at
Radio Luxembourg, and another dismissal, Everett returned to Radio London in June 1966. He accompanied
The Beatles on their
August 1966 tour of the United States, sending back daily reports for Radio London.
Johnny Beerling, a BBC producer, secretly visited Radio London in February 1967, and observed Everett at work: "I saw this man Everett doing everything. In the old way of doing things, the DJ sat in one room with a script. Someone else played the records and somebody else controlled the sound. Yet I see this man who has control of everything." An audition tape submitted to the BBC was assessed in March 1967 by a panel:
Member one: 'A pseudo-American voice. Sounds experienced and seems to fancy his luck. Yes.'
Member two: 'By far the most original of the young DJs. I found the stilted bits in bad taste but with suitable restraint and encouragement, Kenny Everett could be one of the BBC's best DJs. Yes.'
Member three: 'Without the hard sell and the occasional phoney American accent, a good pop DJ. Must be made to curb the funnies and the voices. Yes.'
Member four: 'I found the continuous changes of voices irritating and his personality supercilious but he certainly has some talent. Should be available but would need very firm production. Yes.' Everett was heard in May 1967 on the BBC's soon to be discontinued BBC Light Programme previewing
the Beatles' forthcoming album ''
Sgt. Pepper's Lonely Hearts Club Band.'' He later produced their 1968 and 1969
Christmas records. Everett was one of the DJs on the new pop music station
Radio 1 from its launch at the end of September 1967. While at Radio 1, he continued to develop his distinctive presentation style, encouraged by producer Angela Bond, who had persuaded her superiors to give him his first programme, although he later reacted against her as a representative of the BBC. Here he recorded a weekly show from his home in
Llandovery,
Wales and it went out at 1:00 on a Sunday afternoon.
Capital Radio During this time, legislation had been passed allowing the licensing of commercial radio stations in the UK. One of the first,
Capital Radio, began broadcasting to London and the home counties in October 1973. Everett joined the station and was given a weekend (recorded) show, where he further developed his distinctive ideas. From January 1974, following poor audience figures which in turn followed a difficult start for Capital during a time of industrial strife, the station changed to a more pop-based, rather than light music, format, with Everett presenting the breakfast show with his former colleague and friend from the pirate station Radio London (Big L) days, Dave Cash, and so reactivating the "Kenny and Cash" show. When Cash moved to the lunchtime slot in 1975, Everett continued alone on the breakfast show. Everett had a great love of sound recording equipment, in particular using
reel-to-reel tape recorders and mixing equipment, often adding sound-on-sound to his recordings and stereo/multi-track recordings of his pseudo-singing voice. These were broadcast on air regularly and he often created his own radio jingles. Everett created many comedy characters on
The Breakfast Show with Cash on Capital. In May 1975, Everett found early mornings too much for his lifestyle and he vacated the breakfast show to
Graham Dene and moved to less high-pressure weekend timeslots at Capital on Saturday and Sunday lunchtimes. Here he further developed his style, and featured both what he thought the best in music (
Queen,
Chris Rainbow) and the worst, which led to the popular ''Kenny Everett's World's Worst Record Show'' programmes, later released as an album in 1978, with slightly different tracks. In 1975, Everett played a pivotal role in getting Queen's "
Bohemian Rhapsody" released as a single. In 1976, he also presented a pre-recorded programme on Saturday lunch-time for
Radio Victory in
Portsmouth, later providing Captain Kremmen to the station for transmission in Dave Christian's late show. The series was also heard on
Beacon Radio in the Midlands.
BBC Radio and back to Capital On 5 February 1980, Everett made his only appearance on the
BBC Radio 4 show
Just a Minute, where he spoke on the subject of marbles for 90 seconds. The extended improvisation was imposed by
Nicholas Parsons as a practical joke. In October 1981, Everett returned to
BBC Radio, this time on
Radio 2, on Saturdays from 11:00 a.m. to 1:00 pm. The show ended in December 1983, a couple of weeks after he made a risqué on-air joke about
Margaret Thatcher Everett returned to
Capital Radio in June 1984, reviving his Saturday lunchtime show. In May 1985, he was called in to replace
Graeme Garden for one episode of the Radio 4 game show ''
I'm Sorry I Haven't a Clue''. After Capital split its frequencies in 1988, he returned to daily broadcasting on
Capital Gold, as part of a strong presenting line-up including
Tony Blackburn and
David Hamilton. Everett presented daytime shows on weekdays until 1994, when his health deteriorated to the point he was unable to continue. During that same year, he was awarded the Special Gold Award at Sony's Radio Academy Awards for his contribution to radio.
Timeline •
Kenny & Cash Show,
Radio London, 1964–65 •
Kenny Everett Audio Show,
Radio Luxembourg, 1966 •
Midday Spin,
BBC Radio 1, 1967 •
Kenny Everett Radio Show, BBC Radio 1, Sundays 10 am - noon, December 1967 - June 1968 •
Foreverett, BBC Radio 1, Monday to Friday 6.45 p.m. – 7.30 pm, 22 July 1968 – 6 December 1968 •
Everett is Here, BBC Radio 1, Saturdays 10 a.m. – noon, 25 January 1969 – 18 July 1970 •
Kenny Everett Radio Show,
BBC Local Radio, 1971 •
Kenny Everett Radio Show,
BBC Radio 1, Sundays 1 p.m. – 3 p.m.,1973 •
Kenny Everett Radio Show Capital Radio, Late 1973 •
Breakfast Show,
Capital Radio, 1974–75 •
Kenny Everett Audio Show/Cassette, Capital Radio, 1975–1980 •
Kenny Everett Audio Show/Cassette,
Radio Victory, 1975–76 •
Captain Kremmen,
Capital Radio, Radio Victory, 1976–80 (episodes repeated later on Capital Gold) •
Kenny Everett Radio Show,
BBC Radio 2, Saturdays 11 a.m. – 1 p.m., 1981–1983 •
Kenny Everett Audio Show, Capital Radio, Saturdays 11 a.m. – 1 p.m., 1984–1988 • Weekday afternoons,
Capital Gold, 1 p.m. – 4 p.m., 1988–1993 • Weekday mid-mornings, Capital Gold, 9 a.m. – noon, 1993–1994 ==Television==