Angelina Pwerle began working with batik in 1977 under the instruction of Yipati Kuyata, a Pitjantjatjara artist from Ernabella. She has painted for Delmore Gallery since 1989. Pwerle's first solo exhibition took place at
Niagara Galleries in
Melbourne in 1996. She continues to exhibit with the gallery, including
New Paintings in 2023. The work she has produced since 1988 can be divided into three main styles:
abstract, naive, and ritual. She was the subject of solo shows at Hosfelt Gallery in 2013 and 2018. Pwerle is the subject of the 2012 documentary film
Bush Plum: The Contemporary Art of Angelina Pwerle. Her work was featured in the exhibition
Marking the Infinite: Contemporary Women Artists from Aboriginal Australia, which toured the United States and Canada in 2016–2019. In the book published alongside the exhibition, curator Anne Marie Brody writes: "Pwerle's works are, like the late masterpieces of
Mark Rothko or
Claude Monet, deep crystallizations at the far frontier of creative endeavor." Pwerle herself describes her practice as "a constant engagement" and "a spiritual connection to place." These canvases characteristically feature an intense concentration of tiny dots which, says curator
Nici Cumpston, "gives the overall effect of a subtly textured, shimmering surface." In 2022,
National Gallery of Australia director
Nick Mitzevich told the
Financial Times: "The way her practice has developed is extraordinary. She has refined the Central Desert
dotting technique and used it to create abstract visions that are quite distinct from those made by her contemporaries". ==Resale market==