Margrethe Schall

Anna Margrethe Scheuther was born on 17 September 1775 in Copenhagen, Denmark. She was the daughter of the sailor Rasmus Schleuther and Anna Kirstine Mortensdatter. She became a student in the Royal Danish Ballet school in 1787. ==Career==

In 1798, Schall was appointed a solo dancer at the Royal Danish Ballet. Initially, she distinguished herself in comedic roles, becoming known as a "grotesque dancer", within comedy ballet. She eventually grew into more mature roles, such as Hertha in Lagertha (1811) and Isaura in Rolf Blaaskæg (1817). The leading role in Galeotti's play Nina or the Lunatic of Love () was composed by Claus Schall (her brother-in-law) with her specifically in mind. When the play debuted in 1802 it was the greatest success of her career. The role so closely fit her abilities, that even when she performed it for the final time at the age of 49, critics noted that she was still able to convincingly play 16-year-old Nina. Historian Erich Christian Werlauff believed that she and Galeotti had a relationship for many years. After his death in 1816, her position as a leading figure in the ballet faded, though she continued to perform. Schall allegedly also had an affair with Prime Minister Frederik Julius Kaas, who often visited her dressing room after her performances. It is believed that it was through Kaas' influence that Schall managed to continue performing in the ballet after Galeotti's death—long after other ballerinas of her age had been forced to retire. It was only after Kaas himself died in 1827 that Schall retired. She left the Royal Ballet at the age of 52, having performed there for 40 years. ==Personal life==

She married violinist Andreas Schall (1772–1810) on 16 December 1795, though they divorced the very next year. In 1820, a young Hans Christian Andersen presented himself at Schall's doorstep, hoping to audition for a career on the stage. Her maid, initially believing that he was a beggar offered him change and asked him to be on his way. Eventually persuading the staff to give him an audience with Schall, he performed for her to little success. Believing him to be mad, she had him thrown out. Following her retirement in 1827, she is said to have lived a quiet, philanthropic life. == References ==