The earliest finds at the site date to the
New Kingdom, when
Bes and
Hathor were important deities. One at least of them, which ran from north to south, had on either side of it a corridor supported by columns for the convenience of foot-passengers. The walls of the theatre near the southern gate, and those of the hippodrome without the walls to the east, are still extant. At the north-western extremity of the city was a portico, of which four columns remain, inscribed to Good Fortune, and bearing the date of the 14th and last year of the reign of
Alexander Severus, 235 AD. As far as can be ascertained from the space covered with mounds of masonry, Antinoöpolis was about a mile and a half in length, and nearly half a mile broad. The remains of the city, having a three and a half mile circumference, suggests Roman and Hellenistic foundations and was surrounded by a brick wall on three sides, leaving the fourth side open to the Nile. At the beginning of the 19th century, when
Napoleonic surveys were made, a theatre, many temples, a triumphal arch, two streets with double colonnades (illustrated in ''
Description de l'Egypte''), a circus, and a hippodrome nearby, were still to be seen. A small collection of textiles excavated 1913–1914 by John de Monins Johnson are held in the collections of the Museum of New Zealand Te Papa Tongarewa. File:Antinoë (Antinoöpolis). 1. Plan général des environs; 2. Vue des ruines de la ville, prise du côté du sud-ouest (NYPL b14212718-1268149).jpg|Ruin-field from the south-west & topography File:Antinoë (Antinoöpolis). Plan topographique des ruines et de l'enceinte de la ville (NYPL b14212718-1268148).jpg|Topographical map of the city File:Antinoë (Antinoöpolis). Vue du portique du Théatre (NYPL b14212718-1268150).jpg|Portico of the Roman theatre File:Antinoë (Antinoöpolis). Plan, élévation, coupes et détails de l'arc de triumphe (NYPL b14212718-1268153).jpg|Plan, elevation, and section of the triumphal arch File:Antinoë (Antinoöpolis). 1-20. Plans, élévations et détails de divers portiques; 21-24. Plan et détail d'un bâtiment de bains; 25-28. Colonnade de la rue principale (NYPL b14212718-1268156).jpg|Various porticoes, a bathhouse, and the main colonnaded street File:Antinoë (Antinoöpolis). 1-9. Élévation et détails de la colonne d'Alexandre Sévère; 10-15. Détails d'architecture de divers monumens; 16.17. Plan et coupe de l'hippodrome; 18. Plan d'une (NYPL b14212718-1268155).jpg|Column of Alexander Severus and the hippodrome File:Antinoë (Antinoöpolis). Plan, élévation, coupes et détails du portique du Théatre (NYPL b14212718-1268151).jpg|Plan and elevation of the portico of the Roman theatre File:Antinoë (Antinoöpolis). 1.2. Vue et détails de la colonne d'Alexandre Sévère; 3.4. Fragment d'une statue d'Antinoüs (NYPL b14212718-1268154).jpg|Column of Alexander Severus and a statue of Antinoüs )
Albert Gayet ) ) Albert Gayet (1856–1916) was known as the "archaeologist of Antinoöpolis" and, without his extensive research and documentation of the site, very little would be known about this Greco-Roman city. Though there is much data of Antinoöpolis recorded from the Napoleonic
Commission, Gayet's report sheds a greater light on the ancient city. As Christianity began to spread through the Roman Empire, Antinoöpolis became a place of worship. Centuries after the city of Antinoüs was established by the Roman emperor, Christianity became the way of life. The city was home to many nuns and monks and Christian sanctuaries were built. Many came to venerate saints, such as Claudius and
Colluthus, and monasteries were abundant. Gayet's findings confirm the wide spread of Christianity. Gayet's excavations have revealed mummies, grave goods, and thousands of fabrics at the site of Antinoöpolis. Gayet uncovered a large cemetery, the burial place of numerous
Coptic Christians. Mummification was prohibited by law in the fourth century A.D., and so the remains of deceased Christians were dressed in tunics and swaddled with other textiles before being buried. Gayet's findings give researchers a better understanding of early Christian burial practices and his preservation of artistic textiles found at the site show the evolving Coptic style. The transformation of style was the canonical art of ancient Egypt infused with Classical and then Christian art. == Antinoöpolis today ==