Early life
António Thomaz Botto was born on August 17, 1897 to Maria Pires Agudo and Francisco Thomaz Botto, in
Concavada, Portugal, the couple's second son. His father earned his living as a
boatman in the
Tagus. In 1902 the family moved to Rua da Adiça, 22, 3rd floor, in the
Alfama quarter in
Lisbon (where a third and last son would be born). Botto grew up in the typical and popular atmosphere of that neighbourhood. Very old shabby houses, stretched up in steepy narrow streets, the ambiance was one of poverty and somewhat promiscuous. Small shops, small taverns where
fado was sung late in the night. The dirty streets crowded with workers, housewives shopping, vendors, beggars, tramps, kids playing, pimps, prostitutes and sailors, which would deeply influence his work. Botto was poorly educated and since youth he took to a series of menial jobs, among them that of a book-shop clerk. Probably his education came from reading the books he lay hands on during his daily work. He also got acquainted with many of Lisbon's men of letters due to his job. In his mid-twenties he got into
civil service as a modest administrative clerk in several State offices. In 1924–25 he worked in
Santo António do Zaire and
Luanda, Angola, returning to Lisbon in 1925, where he stayed the remaining years as a civil servant up to 1942. == The scandal of
Canções ==
The scandal of Canções
His first book of poems
Trovas was published in 1917. It was followed by
Cantigas de Saudade (1918),
Cantares (1919) and
Canções do Sul (1920).
Canções (Songs) was published in 1921 and went unnoticed. Only after
Fernando Pessoa published its 2nd edition, through his publishing house "Olisipo", emerged a public scandal amongst the Lisbon society which granted Botto a lifelong notoriety: the author dared to write about same-sex love and in a very nonchalant and romantic way. Besides that, it featured a photograph of Botto in a camp, languid pose showing his bare shoulders. To noise Botto's book, Pessoa wrote a provocative and encomiastic article about
Canções, published in the journal
Comtemporânea, praising the author's courage and sincerity for shamelessly singing
homosexual love as a true
aesthete. Pessoa's article had a contrary reply in the same journal by the critic Alvaro Maia, followed by another article by
Raul Leal (an openly homosexual writer, friend of Pessoa). Conservatives reacted and complained to the authorities about the work's immorality ("
Sodom's literature") and the book was apprehended by the authorities in 1923. The Liga de Acção dos Estudantes de Lisboa [Lisbon Students Action League], a
Catholic college students group (led by
Pedro Teotónio Pereira) clamored for an
auto-da-fé of Botto's book and someone even suggested the author should be hanged. Nevertheless, most artists and intellectuals, headed by
Pessoa (a close friend of Botto's and also his publisher and later English translator), promptly took up his defence in several polemic articles. Eventually, the scandal subsided, the next year the ban was lifted and until the end of his life Botto would publish several revised versions of the book. It's true his work had been saluted by
Teixeira de Pascoaes and
José Régio, but praises from the likes of
Antonio Machado,
Miguel de Unamuno,
Virginia Woolf,
Luigi Pirandello,
Stefan Zweig,
Rudyard Kipling,
James Joyce or
Federico García Lorca, as he claimed, seem to have been a figment of Botto's very wild imagination. == Personal life ==
Personal life
Botto was described as a slender, medium-height
dandy, fastidiously dressed, oval-faced, a tiny mouth with thin pursed lips, strange, scrutinizing, ironic eyes (sometimes clouded by a disturbing
malicious expression) hidden by an everpresent
fedora. He had a sardonic sense of humour, a sharp, perverse and irreverent mind and tongue, and he was a brilliant and witty conversationalist. He also reveled in indiscreet gossiping. Some of his contemporaries said he was frivolous, mercurial, mundane, uneducated, vindictive, a
mythomaniac and, above all, vain and
narcissistic to the point of
megalomania. Botto's mythomania seems to have been a lifelong trait of his. He talked about unlikely friendships with people like
Vaslav Nijinsky,
Federico García Lorca or
André Gide. On the other hand, he never alluded to his modest background or ever talked about his parents or brothers. He was a regular visitor of Lisbon's popular
bohemian quarters and the
docks, enjoying the company of
sailors, a frequent image in his poems. In spite of a
homosexual fame, he had a lifelong and fully devoted
common-law wife,
Carminda da Conceição Silva Rodrigues, a widow, nine years his elder. "
Marriage suits every handsome and decadent man", he once wrote. == Expelled from job ==
Further reading (chronological order)
• Pessoa, Fernando: "António Botto e o Ideal Estético em Portugal", Contemporanea, nr. 3, July 1922, pp. 121–126 • Maia, Álvaro: "Literatura de Sodoma - o Senhor Fernando Pessoa e o Ideal Estético em Portugal", Contemporanea, nr. 4, October 1922, pp. 31–35 • Leal, Raul: Sodoma Divinizada (Leves reflexões teometafísicas sobre um artigo), February 1923 • Liga de Acção dos Estudantes de Lisboa: Manifesto dos Estudantes das Escolas Superiores de Lisboa, March 1923 • Campos, Álvaro de (Fernando Pessoa): Aviso por Causa da Moral, March 1923 • Leal, Raul: Uma Lição de Moral aos Estudantes de Lisboa e o Descaramento da Igreja Católica, March 1923 • Pessoa, Fernando: Sobre um Manifesto dos Estudantes, March 1923 • Régio, José: "António Botto", Presença, nr. 13, June 13, 1928, pp. 4–5 • Simões, João Gaspar: "António Botto e o problema da Sinceridade", Presença, nr. 24, January 1930, pp. 2–3 • Régio, José: "O poeta António Botto e o seu novo livro Ciúme", Diário de Lisboa, July 21, 1934 • Colaço, Tomás Ribeiro: "António Botto - um poeta que não existe", Fradique, July 26, 1934 (a polemic ensues with José Régio until March 1935) • Régio, José: António Botto e o Amor, 1938 • Régio, José: "Evocando um Poeta", Diário de Notícias, September 19, 1957 • Rodrigues, José Maria: "A verdade sobre António Botto", Século Ilustrado, March 21, 19 (last interview with A. Botto) • Simões, João Gaspar: Vida e Obra de Fernando Pessoa, Lisbon, 1950 • Simões, João Gaspar: Retratos de Poetas que Conheci, Brasília Editora, Porto, 1974 • Almeida, L.P. Moitinho de: Fernando Pessoa no cinquentenário da sua morte, Coimbra Editora, Coimbra, 1985 • Cesariny, Mário: O Virgem Negra, Assírio e Alvim, Lisbon, 1989 • Leal, Raul: Sodoma Divinizada (antologia de textos organizada por Aníbal Fernandes), Hiena Editora, Lisbon, 1989 • "António Botto, Cem Anos de Maldição" (a dossier about Botto by several authors on celebration of his 100th anniversary), JL - Jornal de Letras, Artes e Ideias, nr. 699, July 30-August 12, 1997, Lisbon. • Sales, António Augusto: António Botto - Real e Imaginário, Livros do Brasil, Lisbon, 1997 • Fernandes, Maria da Conceição: António Botto - um Poeta de Lisboa - Vida e Obra. Novas Contribuições, Minerva, Lisbon, 1998 • Amaro, Luís: António Botto - 1897-1959 (Catálogo), Biblioteca Nacional, Lisbon, 1999 • Dacosta, Fernando: Máscaras de Salazar, Casa das Letras, Lisbon, 2006 • Almeida, São José: Homossexuais no Estado Novo, Sextante, Lisbon, 2010 • Leal, Raul: Sodoma Divinizada. Organização, introdução e cronologia: Aníbal Fernandes. Babel, Lisbon, 2010 • Gonçalves, Zetho Cunha: Notícia do maior escândalo erótico-social do século XX em Portugal, Letra Livre, Lisbon, 2014 • Klobucka, Anna M. O Mundo Gay de António Botto. Lisbon: Sistema Solar, 2018. 272 p.; == See also ==