The Nineteenth Century was under the direction of
James Knowles, and Jessopp's success may be due to this circumstance. His work certainly was what the editor wanted, and he wrote well, in a forcible, colloquial style, with earnestness, full of knowledge of his subjects, and helped by boisterous illustrations.
Joseph Arch loomed large in the public eye; people wanted to hear what a county parson had to say about the agricultural labourer. He was firmly convinced that things were not going well in the rural parishes, and he was righteously indignant at the condition of the labourer's cottage, and the growing tendency to deprive him of all chance of rising to a higher level, an evil aggravated by the abolition of small farms. He realised also, the dullness of village life, the grinding monotony, and the impossibility of escape, though perhaps he was too prone to assume that these burdens would be as heavy to his neighbours as to himself. His entire picture was unreal, giving the worst rather than the average conditions. He certainly did his best to brighten village life; he was quite free from clerical bigotry, and candidly admits that the stuffy little Ranter's chapel is too often the only place where the religious emotions of the rural poor can be stirred and the yearnings of the soul satisfied. Unfortunately his well-meant efforts came to little largely because he went too late to parish work. His best years had been spent as a schoolmaster. Jessopp was essentially a man of the study, and the "monsters of life's waste" he attacked were too often those he imagined must be the bane of his poorer neighbours—rather than those that really oppressed them. Again, he was not Norfolk born. He never comprehended the inner nature of the hard-grained East Anglians that rates stranger and foe as nearly equivalent. For those reasons, he came to cross purposes with his people. He lost his temper sometimes and wrote about his neighbours in terms some of them resented. Numbers of
The Nineteenth Century travelled down to Scarning; and when local celebrities recognised their portraits, dancing with stage antics to amuse the rector's town friends, and understood he was getting paid handsomely for the show, the feud waxed bitter. ==Historical writings==