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John Donne

John Donne was an English poet, scholar, soldier and secretary born into a recusant family, who later became a cleric in the Church of England. Under royal patronage, he was made Dean of St Paul's Cathedral in London (1621–1631). He is considered the preeminent representative of the metaphysical poets. His poetical works are noted for their metaphorical and sensual style and include sonnets, love poems, religious poems, Latin translations, epigrams, elegies, songs and satires. He is also known for his sermons.

Biography
Early life , London Donne was the third of six children. His father, also named John Donne, was married to Elizabeth Heywood. He was of Welsh descent and a warden of the Ironmongers Company in the City of London. He avoided unwelcome government attention out of fear of religious persecution. Upon discovery, this wedding ruined Donne's career, getting him dismissed and put in Fleet Prison, along with the Church of England priest Samuel Brooke, who married them, and his brother Christopher, who stood in, in the absence of George More, to give Anne away. Donne was released shortly thereafter when the marriage was proved to be valid, and he soon secured the release of the other two. Walton tells us that when Donne wrote to his wife to tell her about losing his post, he wrote after his name: John Donne, Anne Donne, Un-done. It was not until 1609 that Donne was reconciled with his father-in-law and received his wife's dowry. After his release, Donne had to accept a retired country life in a small house in Pyrford, Surrey, owned by Anne's cousin, Sir Francis Wooley, where they lived until the end of 1604. In spring 1605 they moved to another small house in Mitcham, Surrey, where he scraped a meagre living as a lawyer, while Anne Donne bore a new baby almost every year. Though he also worked as an assistant pamphleteer to Thomas Morton writing anti-Catholic pamphlets, Donne was in a constant state of financial insecurity. Anne gave birth to twelve children in sixteen years of marriage, including two stillbirths—their eighth and then, in 1617, their last child. The ten surviving children were Constance, John, George, Francis, Lucy (named after Donne's patron Lucy, Countess of Bedford, her godmother), Bridget, Mary, Nicholas, Margaret and Elizabeth. Three, Francis, Nicholas and Mary, died before they were ten. In a state of despair that almost drove him to kill himself, Donne noted that the death of a child would mean one mouth fewer to feed, but he could not afford the burial expenses. During this time, Donne wrote but did not publish Biathanatos, his defence of suicide. His wife died on 15 August 1617, five days after giving birth to their twelfth child, a still-born baby. Donne mourned her deeply, and wrote of his love and loss in his 17th Holy Sonnet. Career and later life In 1602, Donne was elected as a member of parliament (MP) for the constituency of Brackley, but the post was not a paid position. Queen Elizabeth I died in 1603, being succeeded by King James VI of Scotland as King James I of England. The fashion for coterie poetry of the period gave Donne a means to seek patronage. Many of his poems were written for wealthy friends or patrons, especially for MP Sir Robert Drury of Hawsted (1575–1615), whom he met in 1610 and who became his chief patron, furnishing him and his family an apartment in his large house in Drury Lane. In 1610 and 1611, Donne wrote two anti-Catholic polemics: Pseudo-Martyr and Ignatius His Conclave for Morton. He then wrote two Anniversaries, An Anatomy of the World (1611) and Of the Progress of the Soul Although King James was pleased with Donne's work, he refused to reinstate him at court and instead urged him to take holy orders. At length, Donne acceded to the king's wishes, and in 1615 was an ordained priest in the Church of England. In 1615, Donne was awarded an honorary doctorate in divinity from Cambridge University. He became a Royal Chaplain in the same year. He became a reader of divinity at Lincoln's Inn in 1616, where he served in the chapel as minister until 1622. Donne died on 31 March 1631. He was buried in old St Paul's Cathedral, where a memorial statue of him by Nicholas Stone was erected with a Latin epigraph probably composed by himself. The memorial was one of the few to survive the Great Fire of London in 1666 and is now in St Paul's Cathedral. The statue was said by Izaac Walton in his biography, to have been modelled from the life by Donne to suggest his appearance at the resurrection. It started a vogue of such monuments during the 17th century. In 2012, a bust of the poet by Nigel Boonham was unveiled outside in the cathedral churchyard. ==Writings==
Writings
Donne's earliest poems showed a developed knowledge of English society coupled with sharp criticism of its problems. His satires dealt with common Elizabethan topics, such as corruption in the legal system, mediocre poets and pompous courtiers. His images of sickness, vomit, manure and plague reflected his strongly satiric view of a society populated by fools and knaves. His third satire, however, deals with the problem of true religion, a matter of great importance to Donne. He argued that it was better to examine carefully one's religious convictions than blindly to follow any established tradition, for none would be saved at the Final Judgment, by claiming "A Harry, or a Martin taught [them] this." Donne's early career was also notable for his erotic poetry, especially his elegies, in which he employed unconventional metaphors, such as a flea biting two lovers being compared to sex. Donne did not publish these poems, although they circulated widely in manuscript form. One such, a previously unknown manuscript that is believed to be one of the largest contemporary collections of Donne's work (among that of others), was found at Melford Hall in November 2018. Some have speculated that Donne's numerous illnesses, financial strain and the deaths of his friends all contributed to the development of a more sombre and pious tone in his later poems. The change can be clearly seen in "An Anatomy of the World" (1611), a poem that Donne wrote in memory of Elizabeth Drury, daughter of his patron, Sir Robert Drury of Hawstead, Suffolk. This poem treats Elizabeth's demise with extreme gloominess, using it as a symbol for the fall of man and the destruction of the universe. The increasing gloominess of Donne's tone may also be observed in the religious works that he began writing during the same period. Having converted to the Anglican Church, Donne quickly became noted for his sermons and religious poems. Towards the end of his life Donne wrote works that challenged death, and the fear that it inspired in many, on the grounds of his belief that those who die are sent to Heaven to live eternally. One example of this challenge is his Holy Sonnet X, "Death Be Not Proud". Even as he lay dying during Lent in 1631, he rose from his sickbed and delivered the Death's Duel sermon, which was later described as his own funeral sermon. Death's Duel portrays life as a steady descent to suffering and death; death becomes merely another process of life, in which the 'winding sheet' of the womb is the same as that of the grave. Hope is seen in salvation and immortality through an embrace of God, Christ and the Resurrection. ==Style==
Style
His work has received much criticism over the years, especially concerning his metaphysical form. Donne is generally considered the most prominent member of the metaphysical poets, a phrase coined in 1781 by Samuel Johnson, following a comment on Donne by John Dryden. Dryden had written of Donne in 1693: "He affects the metaphysics, not only in his satires, but in his amorous verses, where nature only should reign; and perplexes the minds of the fair sex with nice speculations of philosophy, when he should engage their hearts, and entertain them with the softnesses of love." In Life of Cowley (from Samuel Johnson's 1781 work of biography and criticism Lives of the Most Eminent English Poets), Johnson refers to the beginning of the 17th century in which there "appeared a race of writers that may be termed the metaphysical poets". Donne's immediate successors in poetry therefore tended to regard his works with ambivalence, with the Neoclassical poets regarding his conceits as abuse of the metaphor. However, he was revived by Romantic poets such as Coleridge and Browning, though his more recent revival in the early 20th century by poets such as T. S. Eliot and critics like F. R. Leavis tended to portray him, with approval, as an anti-Romantic. Donne is considered a master of the metaphysical conceit, an extended metaphor that combines two vastly different ideas into a single idea, often using imagery. An example of this is his equation of lovers with saints in "The Canonization". Unlike the conceits found in other Elizabethan poetry, most notably Petrarchan conceits, which formed clichéd comparisons between more closely related objects (such as a rose and love), metaphysical conceits go to a greater depth in comparing two completely unlike objects. One of the most famous of Donne's conceits is found in "A Valediction: Forbidding Mourning" where he compares the apartness of two separated lovers to the working of the legs of a compass. Donne's works are also witty, employing paradoxes, puns and subtle yet remarkable analogies. His pieces are often ironic and cynical, especially regarding love and human motives. Common subjects of Donne's poems are love (especially in his early life), death (especially after his wife's death) and religion. John Donne's poetry represented a shift from classical forms to more personal poetry. Donne is noted for his poetic metre, which was structured with changing and jagged rhythms that closely resemble casual speech (it was for this that the more classical-minded Ben Jonson commented that "Donne, for not keeping of accent, deserved hanging"). Some scholars believe that Donne's literary works reflect the changing trends of his life, with love poetry and satires from his youth and religious sermons during his later years. Other scholars, such as Helen Gardner, question the validity of this dating—most of his poems were published posthumously (1633). The exception to these is his Anniversaries, which were published in 1612 and Devotions upon Emergent Occasions published in 1624. His sermons are also dated, sometimes specifically by date and year. ==Legacy==
Legacy
by Nigel Boonham, 2012, St Paul's Cathedral Churchyard Donne is remembered in the Calendar of Saints of the Church of England, the Episcopal Church liturgical calendar and the Calendar of Saints of the Evangelical Lutheran Church in America for his life as both poet and priest. His commemoration is on 31 March. During his lifetime several likenesses were made of the poet. The earliest was the anonymous portrait of 1594 now in the National Portrait Gallery, London, which was restored in 2012. One of the earliest Elizabethan portraits of an author, the fashionably dressed poet is shown darkly brooding on his love. The portrait was described in Donne's will as "that picture of myne wych is taken in the shaddowes", and bequeathed by him to Robert Kerr, 1st Earl of Ancram. Donne first wrote "things conducing to cheerfulness & entertainment of Mankind," and later "change[d] his conversation from Men to Angels." The idea that Donne's writings reflect two distinct stages of his life remains common; however, many scholars have challenged this understanding. In 1948, Evelyn Simpson wrote, "a close study of his works... makes it clear that his was no case of dual personality. He was not a Jekyll-Hyde in Jacobean dress... There is an essential unity underlying the flagrant and manifold contradictions of his temperament." In literature After Donne's death, a number of poetical tributes were paid to him, of which one of the principal (and most difficult to follow) was his friend Lord Herbert of Cherbury's "Elegy for Doctor Donne". and settings of "A Hymn to God the Father" by John Hilton the younger and Pelham Humfrey (published 1688). After the 17th century, there were no more until the start of the 20th century with Havergal Brian ("A nocturnal on St Lucy's Day", first performed in 1905), Eleanor Everest Freer ("Break of Day, published in 1905) and Walford Davies ("The Cross", 1909) among the earliest. In 1916–18, the composer Hubert Parry set Donne's "Holy Sonnet 7" ("At the round earth's imagined corners") to music in his choral work, Songs of Farewell. Regina Hansen Willman set Donne's "First Holy Sonnet" for voice and string trio. In 1945, Benjamin Britten set nine of Donne's Holy Sonnets in his song cycle for voice and piano The Holy Sonnets of John Donne. in 1968, Williametta Spencer used Donne's text for her choral work "At the Round Earth's Imagined Corners." Among them is also the choral setting of "Negative Love" that opens Harmonium (1981), as well as the aria setting of "Holy Sonnet XIV" at the end of the 1st act of Doctor Atomic, both by John Adams. There have been settings in popular music as well. One is the version of the song "Go and Catch a Falling Star" on John Renbourn's debut album John Renbourn (1966), in which the last line is altered to "False, ere I count one, two, three". On their 1992 album Duality, the English Neoclassical dark wave band In the Nursery used a recitation of the entirety of Donne's "A Valediction: Forbidding Mourning" for the track "Mecciano" and an augmented version of "A Fever" for the track "Corruption." Prose texts by Donne have also been set to music. In 1954, Priaulx Rainier set some in her Cycle for Declamation for solo voice. In 2009, the American Jennifer Higdon composed the choral piece On the Death of the Righteous, based on Donne's sermons. More recent is the Russian minimalist Anton Batagov's " I Fear No More, selected songs and meditations of John Donne" (2015). ==Works==
Works
Most of Donne's works were published after his death. The list below orders his works by date of first publication. PoetryThe First Anniversary: An Anatomy of the World (written and published 1611) • The Second Anniversary: Of the Progress of the Soul (written 1611-12, published 1612) • A Hymn to God the Father (written 1623-24, published 1627) • Poems (published 1633) (the first collected edition of Donne’s poems) • A Valediction: Forbidding Mourning (written 1611) • Go and Catch a Falling Star (written 1590s) • Holy Sonnets (written 1609-10 and 1617) • As Due By Many Titles (written 1609-10) • ''Batter my heart, three-person'd God'' (written 1609-10) • Death Be Not Proud (written 1609-10) • Holy Sonnet IX (written 1609-10) • If Faithful Souls (written 1609-10) • The Canonization (written 1590s-early 1600s) • The Dream (written 1590s) • The Flea (written 1590s) • The Good-Morrow (written 1590s) • The Sun Rising (written 1590s) • Poems on Several Occasions (published 1650) • Elegy XIX: To His Mistress Going to Bed (written 1590s) ProsePseudo-Martyr (written and published 1610) • Ignatius His Conclave (written 1610-11, published 1611) • Devotions upon Emergent Occasions (written 1623, published 1624) • Biathanatos (written 1608, published 1647) • Essays in Divinity (written 1614-15, published 1651) ==References==
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