Smith and Dale made several short comedy movies in the late 1920s when sound movies came in. Their comedy relied on verbal interplay and timing, and they typically made changes to their act slowly. As a consequence, their material quickly was exhausted by the medium of the
short film, and they never became big movie stars. Their act can be seen (to excellent advantage) in the feature movie
The Heart of New York (1932). Based on
David Freedman's stage success
Mendel, Inc., they play a pair of professional matchmakers, constantly bickering back and forth. They also ran through some of their sketches in
Paramount Pictures and
Vitaphone short subjects. Their "firemen" sketch, in which Joe and Charlie are lazy firemen who hardly pay attention when someone reports a fire, was filmed as
The False Alarm Fire Co. !1929) and again as
Fun in a Fire House (1936). Another routine was "The Gypsy National Bank," in which fly-by-night banker Joe is questioned by prospective depositor Charlie; this was included in the vaudeville-revue short
Vitaphone Diversions (1937). In 1938, Smith and Dale starred in a pair of two-reel comedies for
Columbia Pictures, both produced and directed by comedian
Charley Chase:
A Nag in the Bag (they operate a drive-in restaurant and gamble on a horse race) and
Mutiny on the Body (they visit a shady sanitarium for a rest cure). Smith and Dale adapted surprisingly well to Columbia's fast-paced format, but they made no other movies for the studio; executive producer
Jules White didn't care for their dialect shtick and didn't renew their contract. Smith and Dale also made three
Soundies in 1941. These were three-minute films that played in coin-operated "movie jukeboxes". In a rare exception to Soundies' all-musical policy, Smith and Dale did spoken-comedy routines.
Laurel and Hardy, another venerable comedy team, were scheduled to appear in the
Technicolor musical
Two Tickets to Broadway (1951), but scheduling problems forced them to withdraw. They were replaced by Smith and Dale, appearing as Leo and Harry, the proprietors of the Palace Deli. In a throwback to the Avon Comedy Four's restaurant sketch, Smith and Dale rib each other continuously as they serve their patrons. The dialogue is so out of character with the script, and so long in comparison to other exchanges in the movie, that there can be no doubt that Smith and Dale were allowed to insert their own material into the script. ==Longevity==