Afford subsequently rewrote the play and gave it a new title,
Awake My Love. It was given a reading at Sydney's
Independent Theatre on 2 March 1947. That theatre then gave it a production in September of the same year.
Paul O'Loughlin, who was head of drama at the ABC, made his Sydney stage debut as Colonel Light. Henry Krips wrote the music. It was the only Australian play in the National Theatre Movement Rally.
Reception The
Sydney Morning Herald called the play: A significant milestone for Australian drama. It underlines the courage and vision of Doris Fitton, and proves that Max Afford is a dramatist of growing stature with a true artist's desire to conquer new kingdoms... It re-creates the jealousies, cross-purposes, and dreams of the period, and moves with some unsteadiness, but much true drama, towards the climax of Light's death from consumption... The author and producer of this play both deserve warm compliment from lovers of the theatre for a bold advancing of Australian standards. The
Daily Telegraph wrote "The play is uneven in texture, relying too often upon explanation and recapitulation. After Act 1, the thinness of Act 2 is evident: and Act 3 is little more than a duologue." The
Catholic Weekly felt "Afford's characterisation of Colonel Light and Linda Manners is quite convincing" but felt that of Hindmarsh "is rather shallow and, since he is important as Light's chief protagonist, the quarrel over the I site of Adelaide seems to be rather unreal." The critic believed "the play cannot be considered as a serious contribution to the field of really historical drama, but the general competency of the handling of action, crises and some of the characterisation in the play make it equal to the contemporary typo of play that many commercial theatres overseas are at present producing." "There appears a feeling, of surrender of self for the personality of the character represented that is rare in Australian theatre," wrote the
Sydney Jewish News. The
Bulletin felt "the romance is of the sentimental stuff from which fillums are made, whereas the clash between Light and Hindmarsh is... dramatic dynamite... Hindmarsh dominates the play, even though he appears only twice. Powerful, venomous and stubborn, he electrifies the piece the moment he walks on the stage. From a dramatic viewpoint he is the perfect antagonist for Light." Leslie Rees felt the scenes between Light and Hindmarsh were "lively drama" but in those involving the ficititous love story "Afford’s touch was not so sure—he employed clichés of quotation and trite phrases, though the development was real and tender enough. Light as a character was seen consistently in his more negative moments, yet by and large he revealed the positive spirit of a visionary." ==Radio adaptations==