Sartre According to Sartre, a person can only be defined negatively, as "what it is not", and this negation is the only positive definition of "what it is". Sartre cites a café waiter, whose movements and conversation are a little too "waiter-esque". His voice has an eagerness to please; he carries food rigidly and ostentatiously; "his movement is quick and forward, a little too precise, a little too rapid". His exaggerated behavior illustrates that he is play-acting as a waiter, as an object in the world and as an automaton whose essence is to be a waiter. That he is obviously acting belies that he is aware that he is not (merely) a waiter, but is rather consciously deceiving himself. Sartre's 2nd examples involves a young woman on a first date. She ignores the obvious sexual implications of her date's compliments to her physical appearance, but accepts them instead as words directed at her as a human consciousness. As he takes her hand, she lets it rest indifferently in his, "neither consenting nor resisting – a thing" – refusing either to return the gesture or to rebuke it. Thus, she delays the moment when she must choose either to acknowledge his intention and reject or consent to his advances. She conveniently considers her hand only a thing in the world and his compliments as unrelated to her body, playing on her dual human reality as a physical being and as a consciousness separate and free from this physicality. Thirdly Sartre notes the (closeted) homosexual who outwardly presents themselves as heteronormative but inwardly acknowledges their desires. Fourthly Sartre mentions the homosexual's friend who urges them to come out. The friend, while appearing to champion honesty and sincerity is also acting in bad faith as they reduce the homosexual to a thing rather than a whole person.
Beauvoir Simone de Beauvoir described three main types of women acting in bad faith: the
Narcissist who denies her freedom by construing herself as a desirable object; the
Mystic, who invests her freedom in an absolute; and the
Woman in Love, who submerges her identity in that of her male object. She also considered what she called the
Serious Man, who subordinated himself to some outside cause, to be in bad faith inasmuch as he denies his own freedom. ==Two modes of consciousness==