The Legends and the Edgar Winter Group Hartman joined his first band the Legends at the age of thirteen in 1964 A later member was Dave Cope on bass. From its inception, the Legends played at various spots throughout
Central Pennsylvania, including local churches, dances, rock shows and outdoor concerts. The Legends initially started out as a soul group, but transitioned from a
psychedelic rock to
hard rock band by the early 1970s. Their first record release was a recording of
Cat Stevens' "Baby Get Your Head Screwed on Right" on the Up label. They next released a two-sider with the Bridge Society label consisting of the songs "
Keep On Running" (a song popularized by
the Spencer Davis Group) and "Cheating" (originally recorded by
the Animals). Their third release was the Hartman-penned songs "High Towers"/"Fever Games" on Railroad House Records. The band also recorded "Sometimes I Can't Help It" and "Jefferson Strongbox". While part of the Legends, Hartman worked as a banker for a time and wore a fake mustache in the promos so that his employers would not recognize him. Hartman began sending demo tapes of the Legends' original material to gain national attention. In 1971, upon listening to the 13-song demo tape,
Steve Paul, President of
Blue Sky Records, Hartman subsequently spent a period of time backing the
Johnny Winter Band (Edgar Winter was Johnny Winter's younger brother) and left the Legends to join Edgar Winter's lineup. The Legends continued to record with Joe Caloiero on lead vocals and bass, Larry Swartzwelder on guitar, and later Dean Lescallette and Gene Brenner on rhythm guitar. They released "Rock n Roll Woman" (written by Hartman) and "Problems" (written by Caloiero) on Hartman's Heart label. The Legends disbanded by the mid-1970s. He wrote and sang the band's second biggest pop hit, "
Free Ride", in 1972. The ballad "Autumn" on Edgar's LP
They Only Come Out at Night was a regional radio hit in New England. Hartman also wrote the band's charting singles "Easy Street" and "River's Risin" from the
Shock Treatment album. He became known for wearing the Bass Suit, which he designed with Los Angeles couturier Bill Witten out of a rubbery fabric that allowed Hartman to insert a bass guitar in a pelvic pocket.
Solo career Albums and unreleased work Upon launching a solo career in 1976, he released a promotional album titled
Who Is Dan Hartman and Why Is Everyone Saying Wonderful Things About Him? It was a compilation disc including songs from Johnny Winter and the Edgar Winter Group. His second release,
Images, was his first true album and featured ex-Edgar Winter Group members Edgar Winter,
Ronnie Montrose and
Rick Derringer and guests
Clarence Clemons and
Randy Brecker. In late 1978, partly due to being introduced by the
Studio 54 sound system, Hartman reached No. 1 on the
Dance Charts with the disco single "
Instant Replay" (the title track of his third full-length album
Instant Replay) which crossed over to No. 29 on the
Billboard Hot 100 in 1979 and also reached the Top 10 on the UK charts. Musicians Hartman worked with on the associated album included
Vinnie Vincent and
G. E. Smith. This was followed by his second chart topper, 1979's "
Relight My Fire" (the title track of his fourth full-length album
Relight My Fire), which featured friend
Loleatta Holloway on vocals. An instrumental version of the song later became the theme for the
NBC talk show
Tomorrow. Hartman was back on the charts again with the single "
I Can Dream About You", which was featured on his
album of the same name, as well as the
Streets of Fire soundtrack in 1984. The tune reached No. 6 on the U.S. charts, and (on re-release in 1985) No. 12 in the UK. Hartman was featured as a bartender in one of the two videos that were released for the single, which received heavy rotation on
MTV. (Note that the single and album version of "I Can Dream About You" is sung by Hartman; within the film
Streets of Fire, the song is performed by a fictional vocal group called the Sorels, whose lead singer is played by Stoney Jackson; the actual vocal in the film was performed by Winston Ford). In 1985, Hartman scored a third Number 1 single on the Dance Music charts, "
We Are the Young". The single "
Second Nature" also charted during this period. He toured with
Toto in 1985. In 1985 and 1986, Hartman worked on what was planned as his subsequent studio album,
White Boy; he wanted the album to have a darker and more mature sound than his previous work. The album was completed in 1986, but the record label, MCA, thought it was too dissimilar to Hartman's previous work, especially "I Can Dream About You", and refused to release it.
White Boy has never been released, though some
test pressings of the album were made that are now held by collectors, and some of the songs from the album are available on the internet. One song from the album, "
Waiting to See You", was used in the 1986 film
Ruthless People and its accompanying soundtrack album and was subsequently released as a single. "First Impression", another song that was to appear on the unreleased album, was sung by Nancy Martinez on her 1989 album
Unpredictable. In 1989, he released his last studio album
New Green Clear Blue, an instrumental new age-styled album.
Producing, songwriting, and other collaborations Hartman worked as a songwriter, producer, and collaborated with such artists as
Peter Brown (
Stargazer, 1979)
, the
Plasmatics (Hartman produced 1981's
Metal Priestess; he also produced a demo version of ''
Coup d'Etat in 1982, which was released as Coup de Grace in 2000), Nona Hendryx (she even co-wrote the song "Electricity" with Hartman, which was featured on his 1984 I Can Dream About You album), James Brown (Gravity''; 1986),
Steve Winwood (Hartman provided backing vocals on "
The Finer Things", which was featured on Winwood's 1986 album
Back in the High Life),
Jenny Burton (
Souvenirs; 1986),
Jackie Chan (Hartman's song "Only For Your Love" was featured on the album
Shangri-La; 1986), Time Bandits (''Can't Wait for Another World
, 1987; co-produced with Midnight), John Waite (the song "Sometimes", cowritten by Hartman and Midnight, was featured on the 1987 album Rover's Return), Paul King (Joy
; 1987), D-Project (Prototype
; 1988), Tina Turner (Foreign Affair; 1989), Joe Cocker (Unchain My Heart and One Night of Sin; 1987 and 1989 respectively), Roger Christian (Checkmate; 1989), Holly Johnson (Blast
; 1989), Living in a Box (Gatecrashing; 1989), Dusty Springfield (Reputation; 1990), Tom Robinson (We Never Had It So Good
– later re-released as Blood Brother
; 1990), Bonnie Tyler (Bitterblue; 1991), The Fabulous Pop Tarts'' - a musical duo composed of
Fenton Bailey and
Randy Barbato (1992; Hartman produced the song "Smile"), and
Valerie's Garten (''Valerie's Garten''; 1992). In an interview snipped from Portzline (2014), Hartman stated that he started producing at an early age:I started producing before I even joined the Legends—around 1962... I produced some local R&B, rock and gospel acts at Baldwin Sound in Mechanicsburg [Pennsylvania]. People would hear what I'd done on someone else's record and call me up and ask if I'd produce them, too. I even wrote and recorded an advertising jingle for Sutliff Chevrolet out on Paxton Street when I was 16. So it's always been something that I could fall back on throughout my career—to keep my mind going, to keep me musically inspired, and to keep me moving without having to make statements of my own.Hartman served as a producer for the Legends. Around 1976, Hartman began using one of the rooms of a colonial home in
Westport, Connecticut, (dubbed "The Schoolhouse") to serve as a recording studio. The rest of the house's rooms were wired for recording and to allow for different sounds by the artists. He did not charge exorbitant rates, so that new acts at the time such as
the Outsets could record demos. Hartman produced albums for artists such as
.38 Special,
Foghat,
David Johansen and
Rick Derringer. During late 1977, blues legend
Muddy Waters used "The Schoolhouse" to record his album
''I'm Ready''. Hartman ran the recording board for the sessions and Johnny Winter served as the producer. Hartman wrote and produced the 1980 disco hit "
Love Sensation" performed by Holloway. In 1981, Hartman was among the lineup for
Hilly Michaels' albums
Calling All Girls and
Lumia. Hartman wrote the song "It's Never Too Late", which was sung by
Diana Ross and featured on her 1981 album
Why Do Fools Fall in Love. In 1982, Hartman produced
Average White Band's album ''
Cupid's in Fashion''. The album was recorded at
Sigma Sound Studios in New York with additional recordings done at "The Schoolhouse". In a 2016 interview, Hartman's close friend Blanche Napoleon—who provided backing vocals for "
Instant Replay" and his other early albums—revealed that he created music for
Gillette commercials around 1982 (she even provided background harmonies for one of the commercials). She worked with him on some of his other commercial work. In 1983, Hartman played bass on the song "Speechless" featured on
Ian Hunter's album
All of the Good Ones Are Taken. Hartman co-wrote the song "Heart Skip Too Many Beats" with
Janis Ian and it was featured on her 1984 album
Uncle Wonderful (Hartman performed with Ian on the track). Around 1984, Hartman also worked as a lyricist and producer for
Rugsted & Kreutzfeldt's album
Sold Out (also referred to as ''R'n'K Band''). Aside from focusing on his solo career in 1984, Hartman provided background vocals for John Jarrett's Tribe's self-titled album. More so, in 1984, Hartman arranged and engineered
Neil Sedaka's album
Come See About Me. In 1986, Hartman was reported to be producing
Lou Gramm's first solo album (Gramm was then the lead singer of
Foreigner), though the opportunity did not materialize. In 1990, Hartman and Midnight wrote and produced the theme song for the television show
Guys Next Door.
Soundtracks In 1984, Hartman also performed "
Heart of the Beat" under the band name 3V with
Charlie Midnight for the soundtrack of ''
Breakin' (''directed by Joel Silberg). According to Midnight, the fictional 3V was created because nobody else wanted to do the song. The song resulted in Midnight receiving a publishing deal, and he and Hartman even performed the song during a spring break festival in
Fort Lauderdale, Florida. In 1985, Hartman's song "Talking To The Wall" was featured on the soundtrack to the film
Perfect starring Jamie Lee Curtis and John Travolta. Hartman's song "
Get Outta Town" (co-written with Midnight and co-produced with
Richard Landis) was featured on the
Fletch soundtrack." He closed the year cowriting "(
Krush Groove) Can't Stop the Street" with Charlie Midnight for the film
Krush Groove and the song was performed by
Chaka Khan. He also co-produced a version of the song "Great Gosh O Mighty" for the film
Down and Out in Beverly Hills. For his 1986 album
Lifetime Friend,
Little Richard (who performed the song in the aforementioned film) used a different version. Hartman produced and co-wrote "
Living in America", a No. 4 hit for James Brown which appeared on the soundtrack of the feature film
Rocky IV (1985). The song was the last of Brown's 44 hit recordings to appear on the Billboard top 40 charts. The track also appeared on the Hartman produced album
Gravity. In 1987, Hartman and
Charlie Midnight were nominated for a
Grammy Award for Best R&B Song. Brown won a
Grammy Award for Best Male R&B Vocal Performance. In 1988, Hartman co-wrote the song "Why Should I Worry?" with
Charlie Midnight for the
Walt Disney Animation Studios film
Oliver & Company (performed by
Billy Joel). The work "Behind Your Eyes" (which Hartman cowrote with Midnight) appeared on the soundtrack for 1988's
Casual Sex? Also, in 1988, Hartman dueted with
Denise Lopez on
Scrooged soundtrack song "
The Love You Take". In 1990, he co-wrote with longtime collaborator
Charlie Midnight 9.95 (performed by
Spunkadelic) for
Teenage Mutant Ninja Turtles: The Movie. In 1991, Hartman recorded "(That's Your) Consciousness" for the
soundtrack to
Teenage Mutant Ninja Turtles II: The Secret of the Ooze. == Covers and sampling of his work ==