), circa 1915-1926. The land of Sunda in Banten is rich in culture and customs, and one of the most dominant is Banten culture and customs which is different from
Sundanese culture in West Java.
Art forms The cultural distinctiveness of the Bantenese community among other is
Pencak Silat martial arts, Debus, Rudad, Umbruk,
Saman dance (Dzikir Saman),
Tari topeng, Dog-dog,
Angklung Gubrag, Rampak Bedug, Walijamaliha dance,
Silat Pandeglang dance, Palingtung, Lojor, Beluk and so on.
Historical landmarks In addition, there are also relics of ancestral heritage, and among them are such as the
Great Mosque of Banten, the Sacred Long Mausoleum and many more.
Culinary Bantenese culinary includes
Sate Bandeng, Rabeg Banten, Pasung Beureum, Ketan Bintul, Nasi Belut,
Kue Cucur,
Angeun Lada, Balok Menes,
Sate Bebek Cibeber,
Emping Menes
Bantenese batik textile that have been reconstructed by the National Archaeology based on artifacts from the
Banten Sultanate. The pattern and motifs of Bantenese
batik is the illumination of decorative design that have been studied by the
Banten government as part of the framework of rediscovering ornamental motifs from traditional Bantenese houses. These decorative designs came about as a result of the reconstructions from the excavations made by the National Archaeology and the Faculty of Literature,
Universitas Indonesia since 1976. The decorative designs are then decided by the
Banten governor in 2003. Ever since its patenting in 2003, Bantenese
batik has undergone a long process until it was finally recognized globally. The Bantenese
batik was patented after it was predicated through studies done in
Malaysia,
Singapore and then followed by another 62 countries. In fact, Bantenese
batik was the first
batik with patent rights in the
UNESCO. Bantenese
batik possesses the storytelling identity and its own uniqueness in comparison to other
batiks. Several of its motifs are adopted from historical artifacts. Grayish colors can be found in every motifs, which is supposed to reflect the
Banten community. All of the
batik contains philosophical meaning. Names of the Bantenese
batik motifs are taken from the toponym of ancient village names, the title of nobles or sultan and the name of the court palace of
Banten. Even the patterns are synonymous with historical stories that contain meaningful philosophies and on the motifs bears intellectual meaning for the wearer of Bantenese
batik materials and clothing.
Philosophy behind Bantenese batik motifs . • Surosowan motif: Surosowan is the name of the spatial layout facing the king / sultan of the
Banten Sultanate. • Pasulamam motif: Pasulaman is the name of the place of the embroidery craftsmen within the
Banten Sultanate. • Pasepen motif: Pasepen is the name of the place in the palace where Sultan
Maulana Hasanuddin of Banten would meditate in the
Banten Sultanate. • Sebakingking motif: Sebakingking is the name of Panembahan Sultan
Maulana Hasanuddin of Banten's title in the spreading of the Islamic religion. • Srimanganti motif: Srimanganti is the name of the place where the commoner's porch connects the
Banten Sultanate's
pendopo for the king / sultan waiting area. • Pejantren motif: Pesantren is the name of the place where weaving craftsmen in
Banten region are situated. • Panjunan motif: Panjunan is the name of a village where pottery and ceramic craftsmen are found in the
Banten Sultanate. • Singayaksa motif: Singayaksa is the name of a place where Sultan
Maulana Hasanuddin of Banten performs
Salat al-Istikharah, asking for God's guidance in establishing the palace. • Wamilahan motif: Wamilahan is the name of a village neighboring the palace where bamboo and mats craftsmen are situated. • Panembahan motif: Panembahan is the name of Sultan
Maulana Hasanuddin of Banten's title in nation planning on the
Banten Sultanate palace' achievements. • Pancaniti motif: Pancaniti is the name of the place where Sultan
Maulana Hasanuddin of Banten watches his soldiers training in the field. • Pamaranggen motif: Pamaranggen is the name of the place neighboring the
Banten Sultanate where the
keris and
keris adornment craftsmen are found. • Langenmaita motif: Langenmaita is the name of the place where happiness is anchored in the ocean of love with a yacht or dock. • Mandalikan motif: Mandalikan is the name of the title given to Prince Arya Mandalika for the spreading of the Islamic religion. • Memoloan motif: Memoloan is the name of a roofing building construction on minarets and on
Banten Sultanate's
pendopo. • Kesatriaan motif: Kesatriaan is the name of a village neighboring the
Banten Sultanate where religious learning are taught in the
boarding school. • Kawangsan motif: Kawangsan is the name of the title given to Prince Wangsa for the spreading of Islam. • Kapurban motif: Kapurban is the name of the title given to the Prince Purba for the spreading of Islam. • Kaibon motif: Kaibonan is the name of a walled building that surrounds the Royal Palace of Banten. • Datulaya motif: Datulaya is the name of Sultan
Maulana Hasanuddin of Banten and his family's residence in the
Banten Sultanate. ==Notable people==