The work was composed while Offenbach was travelling during 1865, in Vienna, Brussels and Cologne, conducting his works in those cities. Other distractions during the period were the marriage on 9 August in
Étretat of his eldest daughter Berthe to Charles Comte (for which he composed a mass) and problems with gout (which he encouraged the press to report). It was first performed at the
Théâtre des Variétés,
Paris on 5 February 1866, playing for five months. Following the great success of the creators'
Belle Hélène, the roles were close relations of the composer's antique operetta: Dupuis (Paris) another seducer, in Barbe-Bleue, Kopp (Ménélas) another old vain, cuckolded monarch in Bobèche, Grenier (Calchas) once more the mediocre confidant of a king - Count Oscar and Schneider (Hélène) again a woman seeking all of her desires - Boulotte. Contemporary critics judged the libretto to be one of the best constructed the composer set. The operetta was given in
New York City at the
Grand Opera House on 24 December 1870 and seen in
Sydney,
Australia in 1872. It had its Czech premiere in 1874, under
Adolf Čech. The work was revived in 1888 at the Variétés in Paris with
Jeanne Granier as Boulotte. A 1904 Paris revival included
Baron as Bobèche,
Ève Lavallière as Hermia and Tariol as Boulotte. In 1971 the
Théâtre de Paris presented the piece in a disfigured edition, musically and textually, with
Jean Le Poulain playing both Bobèche and Popolani. Productions were mounted in Geneva in 1984 and in Strasbourg in 1996. ==Roles==