These foundry types were originally cast by Barnhart Brothers & Spindler:
A •
Adcraft •
Adcraft lightface, 8-48pt, or
Puritan, Hansen (8-48pt) ATF 1501 •
Adcraft Medium, 6-72pt, ATF 1502 •
Adcraft Bold or
Plymouth, 6-120pt •
Adcraft Black or
Plymouth Bold, 6-72pt, ATF 1500 •
Adstyle design:
Sidney C. Gaunt, 1906, 6-120pt, ATF 1503 •
Adstyle Italic 6-72pt, ATF 1509 •
Adstyle Condensed 10-120pt, ATF 1506 •
Adstyle Extra Condensed 10-108pt ATF 1507 •
Adstyle Wide 6-60pt, ATF 1511 •
Ádstyle lightface •
Adstyle Black 6-96pt, ATF 1504 •
Adstyle Outline 12-96pt, ATF 1505 •
Adstyle Shaded10-72pt, ATF 1510, Gaunt: 1914 •
Adstyle Borders, design:
T. C. Robinson 1908, 7 series, 12-24pt, •
Special Reversed Figures: Mono 132S (12-18pt) •
Advertisers Gothic, 6-72pt, Design:
Robert Wiebking 1917, for
Western Type Foundry take over by BB&S in 1919, ATF 1512 •
Advertisers Gothic Condensed 6-72pt, ATF 1513 •
Advertisers Gothic Outline 6-72pt, ATF 1515 •
Advertisers Gothic Condensed Outline 6-72pt, ATF 1514 •
Advertisers Upright Script 14-72pt, original name:
Oliphant (1895) renamed in 1925, ATF 1516 •
Artcraft, design:
Robert Wiebking 1912, 6-72pt •
Artcraft italic, 6-48pt, ATF 1529, Ludlow 10LI •
Artcraft Bold, 6-72pt, ATF 1528, Ludlow 10-B •
Authors Roman, design:
Sidney Gaunt for BB&S in 1902, other versions were added between 1908 and 1915: , 5-72pt, ATF 1531 •
Authors Oldstyle Italic, (5-72pt) ATF 1533 •
Authors Oldstyle Bold 5-72pt, ATF 1532 •
Authors Roman, 5-72pt, ATF 1534 •
Authors Roman Italic, 5-72pt, ATF 1530 •
Authors Roman Condensed, 6-72pt, ATF 1537 •
Authors Roman Wide, 5-48pt, ATF 1538 •
Authors Roman Bold, 5-72pt, ATF 1535 •
Authors Roman Bold Condensed, 6-72pt, ATF 1536,
B •
Bamboo, original named:
Freak, 10-30pt, patented in 1889 by
Great Western Type Foundry. in 1925 at BB&S, later copied by
Typefounders of Phoenix 18pt •
Bank Script, Spencerian script, design: James West in 1895 for BB&S, 14-48pt, ATF 1540, the next lower case scripts can be used with the capitals of no.1: •
Bank Script no.2, lower case alphabet with a larger x-height, 14-38pt, ATF 1712 •
Bank Script no.3, lower case alphabet wider and with a larger x-height, 14-48pt, ATF 1713 •
Barnhart Oldstype, design: Sidney Gaunt (1906) (6-72pt), ATF 1544 •
Barnhart Oldstype No.2, (1907) same capitals, larger lower case and shorter descenders, (6-72pt), ATF 1545 •
Barnhart Oldstype Italic, (6-72pt) ATF 1546 •
Barnhart Lightface, (~1914) BB&S •
Bizarre Bold, designed as
Edwards in 1895 by
Nicolas J. Werner for
Inland Type Foundry, in 1925 renamed by BB&S when the Inland-foundry was taken over, 6-60pt, ATF 1548,
Inland, Iland (8-60pt) •
Booknam Light Face, (6-25pt) ATF 1551 •
Bookman Bold, (6-72pt) ATF 1549 •
Bookman Bold Condensed, (6-72pt) ATF 1550
C •
Cardstyle, design: Sidney Gaunt (1914), no lowercase, intended for use in announcements, capitals are cast in several sizes on all of the three bodies. (6s-15L), ATF 1558 •
Caslon Oldstyle, 6-72pt, ATF 1569 •
Caslon Oldstyle Italic, (6-72pt), ATF 1570 •
Caslon Italic Specials, (12-72pt), design:
Carl S. Junge, 1924 •
Caslon Clearface, (6-72pt), ATF 1565 •
Caslon Clearface Italic, (6-48pt), ATF 1566 •
Caslon Catalog, (6-72pt), ATF 1564 •
Caslon Medium, (6-72pt), ATF 1567 •
Caslon Medium Italic, (6-72pt), ATF 1568 •
Caslon Black, (6-72pt), ATF 1561 •
Caslon Black Italic, (6-72pt), ATF 1563 •
Caslon Black Condensed, (6-72pt), ATF 1562 •
Caslon Openface, (6-72pt), ATF 1571 •
Caslon Open Title, (6-72pt), ATF 1572 •
Caslon Antique, (8-48pt), ATF 1559 •
Caslon Antique Italic, (8-48pt), ATF 1560 •
(Caslon) Old Roman, (6-48pt), ATF 1804 •
(Caslon) Old Roman Italic, (6-48pt), •
Century Roman, (6-24pt), design:
Linn Boyd Benton, 1894 for
Century Magazine. ATF 1576 •
Century Italic, (6-24pt), ATF 1575ATF 1810 •
Gothic Chamfer, (12-54pt) ATF 1643 •
Cheltenham Oldstyle, (6-72pt), ATF 87 •
Cheltenham Italic, (6-72pt), ATF 82 •
Cheltenham wide, (6-72pt), ATF 89 •
Cheltenham Medium, (6-72pt), ATF 83 •
Cheltenham Bold, (6-72), ATF 73 •
Cheltenham Bold Italic, (6-72pt), ATF 73 •
Cheltenham Bold Condensed, (6-72pt), ATF 68 •
Cheltenham Bold Condensed Italic, (6-72pt), ATF 69 •
Cheltenham Bold Extra Condensed, (6-120pt), ATF 70 •
Cheltenham Bold Extended, (6-72pt), ATF 72 •
Chester Text, 8-14pt, design:
Sidney Gaunt 1914, capitals and small capitals, but hard to read, can only be used for names and a few words, ATF 1577 •
Clarendon No.5, (5-24pt), ATF 1578 •
Clarendon Extra Condensed No.5, (6-36pt), ATF 1580 •
Clarendon Medium, (Caledonian No.5) (5-36pt), ATF 1581 •
Clarendo Bold, (Lining Doric) (6-48pt), ATF 1579 •
Clearcut Oldstyle, (5-72pt), ATF 1582 •
Clearcut Oldstyle Italic, (5-72pt), ATF 1584 •
Clearcut Oldstyle Condensed, (10-72pt), ATF 1583 •
Clearcut Shaded Caps, design:
Will Ransom, 1924 (12-48pt), ATF 1585 •
Cooper, (6-72pt), ATF 1589, Mono 482 (8-36pt) •
Cooper Italic, (6-72pt) ATF 1595, Mono 4821 (8-36pt) •
Cooper Black, 6-120pt (1922, design:
Oswald Bruce Cooper), ATF 1590 •
Cooper Black Italic, (6-120 pt) ATF 1592 •
Cooper Black Condensed, (6-120pt), ATF 1591 •
Cooper Hilite, (18-120pt), ATF 1594 •
Cooper Fullface, (6-72pt), ATF 1593 •
Cooper Modern, (6-72pt), ATF 1942 •
Cooper Tooled, (18-72pt), Mono 582 •
Cooper Tooled Italic, (10-72pt), •
Copperplate Gothic, design:
Frederic W. Goudy, 1903 •
Stealplate Gothic Light, (6s-24L) ATF 1867 •
Stealplate Gothic Light Extended, (6s-24L) ATF 1865 •
Stealplate Gothic Light Condensed, (6s-24L) ATF 1869 •
Stealplate Gothic Light Heavy, (6s-24L) ATF 1868 •
Stealplate Gothic Italic, (6s-24L) ATF 1871 •
Stealplate Gothic Condensed, (6s-24L) ATF 1870 •
Stealplate Gothic Heavy Extended, (6s-24L) ATF 1866ATF 1596 •
Cubist Bold, design:
John W. Zimmerman (~1929), has no lowercase (10-36pt), ATF 1599 •
Custer later:
Bookman Lightface (6-24pt) •
Custer Bold later:
Bookman Bold, (6-72pt)
D •
Demeter (Typeface), (14-48pt), 1925, design:
Peter A. Demeter, in cooperation with
Schriftguss A.G. in Dresden Germany. •
Dennison Script, (14-48pt), ATF 1602 •
De Vinne, 6-72pt, ATF 1602 •
De Vinne Compressed, (6-72pt), ATF 1606 •
De Vinne Extra Compressed, (10-72pt), ATF 1607 •
De Vinne Bold, (6-60pt), ATF 1605 •
De Vinne Recut, (6-60pt) revival of
Woodward, design:
William A. Schraubstädter 1894 for
Inland Type Foundry, ATF 1608 •
De Vinne Recut Outline, (12-60pt) revival of
Woodward Outline, ATF 1609 •
Dresden, (12-30pt), design: Peter A. Demeter, ATF 1611
E •
Engravers English, (6-72pt) ATF 1621 •
Engravers Old Black, (6-96pt) Design:
Sidney Gaunt 1910 •
Engravers Roman, (6s-24pt), design:
Robert Wiebking 1899, ATF 1627 •
Engravers Roman Condensed, (6s-24pt) ATF 1628 •
Engravers Bold (6s-36pt), design:
Morris Fuller Benton, ATF 1619 •
Engravers Title (6s-24pt), ATF 1630 •
Engravers Litho Bold, (6-48pt), ATF 1623 •
Engravers Litho Bold Condensed, (5-48pt), ATF 1624 •
Engravers Bold Condensed (title), (6s-48pt), ATF 1620 •
Engravers Roman Shaded, (6s-36pt), ATF 1629 •
Engravers Upright Script, (8-30pt), ATF 1631, original:
Pen Text No.5 (~1879) of the
Cincinnati Type Foundry, renamed by BB&S, while dropping the fancy capitals •
Engravers Gothic, (6s-30pt), ATF 1622, earlier name:
Olympia from
Inland Type Foundry At ATF classified as a "Typo-face"
F •
Faust Text, (8-36pt), based on uncial lettering, in 1925 renamed:
Missal Text •
French Clarendon was a nineteenth-century BB&S face that was re-released in 1938 by
ATF as
P. T. Barnum. •
French Oldstyle no.3, (6-18pt) ATF 1639 •
French Oldstyle No.56 (title) (6-48pt) ATF 1640 •
French Elsevir Italic No.5, (6-12pt) ATF 1637 •
French Plate Script, (14-36pt) ATF 1641
G •
Gothic No.1, (4-72pt), copy of
Franklin Gothic of
Morris Fuller Benton ATF 1674 •
Gothic No.1 Condensed, (6-72pt) ATF 1675 •
Gothic No.3, (6-72pt) ATF 1667 •
Gothic Extra Condensed No.6, (6-72pt) ATF 1654 •
Gothic Extra Condensed Title No.6, (8-60pt) ATF 1655 •
Gothic No.47, (6-72pt) •
Gothic Condensed Title No.117, (5-120pt) ATF 1651 •
Gothic Italic or
Degree Gothic No.1, (6-24PT) ATF 1600 or 1658 •
Gothic Italic Light or
Degree Gothic No.2, (5-12pt) ATF 1659 •
Gothic Inclined, (6-24pt) ATF 1656 •
Gothic Inclined Light, (6-24pt) ATF 1657 •
Gothic Novelty, (8-14pt) ATF 1671 •
Gothic Novelty Title, (6-24pt) ATF 1673 •
Gothic Novelty Condensed, (12-60pt) ATF 1672 •
Gothic Outline Title, (12-72pt) ATF 1676 •
Gothic Compressed No.8, (10-72pt), ATF 1653 •
Gothic Compressed Title No.8, (8-60pt), ATF 1649 •
Greeting Card, (10-24pt) ATF 1683 •
Greeting Card Light, (10-24pt) ATF 1684
H •
Handcraft, (6-72pt) ATF 1686 •
Handcraft Title, (6-60pt) ATF 1687 •
Handcraft Wide Title, (6-30pt) ATF 1688
I, J •
Invitation Text, (6-48pt), desin:
Robert Wiebking 1914, ATF 1693 •
Japanet, (8-48pt) original name:
Wedge Gothic cut in 1893 by BB&S for the
Chicago Herald, renamed in 1925, Recast for the ATF in 1954: ATF 1694 •
Morris Jensonian, (6-48pt) ATF 1790 • Poor revival of the type of
William Morris, 1895-96 first named:
Mazarin, later replaced by the Inland's face:
Klemscott and renamed.
K •
Kenilworth Italic, (6-48pt) first:
Inland Type Foundry 1904, similar to:
Cheltenham Oldstyle, BB&S bought the italic matrices, these ended as ATF 1695
L •
Latin Antique, (6-48pt), ATF 1697 •
Latin Condensed, (10-72pt), ATF 1698 •
Latin Expanded, (6-48pt), ATF 1699 •
Latin Lightface, (6-48pt), ATF 1700 •
Latin Oldstyle Bold, (6-72pt), ATF 1703 •
Light Modern, (24-48pt), ATF 1745 •
Law Italic No.5, (8-14pt)
M •
Mazerin No.5, (6-60pt) •
Mazerin Italic, (6-48pt) •
Missal Text, (8-36pt) •
Mission, (6-48pt), design:
Sidney Gaunt in 1905, patented by:
George Oswald Ottley, ATF 1778 •
Modern Gothic, (5-96pt), 1897, ATF 1662 •
Modern Gothic Italic, (5-72pt), ATF 1665 •
Modern Condensed Gothic, (6-72pt), ATF 1663 •
Modern Condensed Gothic Title, (6-120pt), ATF 1664 •
Modern No.4 and Italic, (6-12pt) •
Modern Roman Bold Condensed, (Lining Aldine), (6-48pt), ATF 1781 •
Modern Roman Bold Extra Condensed, (Lining Aldine Condensed),(6-48pt), ATF 1781 •
Modern Roman Condensed, (Condensed No. 54), (5-48pt), ATF 1782 •
Modern Roman Extra Condensed, (Extra Condensed No. 56),(6-48pt), ATF 1783 •
Modern Roman Italic, (6-12pt), (Title Italic No.19), ATF 1784 •
Modern Roman Lightface, (Lightface No.7), (6-48pt), ATF 1785 •
Modern Roman Medium, (5-48pt), (Title No.5), ATF 1786 •
Modern Roman Wide, (6-16pt.), (Expanded No.5 or Title Expanded), ATF 1787 •
Modern Roman No.64 and Italic, (5-18pt), ATF 1916, ATF 1914 •
Modern Roman No.80 and Italic, (5-12pt), ATF 1918, ATF 1915 •
Modern Text, (6-36pt), design:
Robert Wiebking (?) ~1913, ATF 1788 •
Morris Romanized Black, (6-60pt), introduced as
Tell Text in 1895, adaptation of the Troy- and Chaucer types of
William Morris, renamed in 1925, ATF 1791 •
Murder Venezian, (6-72pt), ATF 1795, design: Robert Wiebking, first shown as:
Laclede Oldstyle (1922) by the
Laclede Type Foundry in
St. Louis •
Murder Italic,(6-72pt), ATF 1794 •
Murder Bold, (6-72pt), ATF 1792 •
Murder Bold Italic, (6-72pt), ATF 1793
O •
Old Roman or
Caslon Old Roman, (6-72pt), ATF 1840, •
Old Roman Itallic or
Caslon Old Roman Italic, (6-48pt), ATF 1810, •
Old Roman Condensed, (6-72pt), ATF 1809 •
Old Roman Bold, (6-72pt), ATF 1807 •
Old Roman Bold Condensed, (6-120pt), ATF 1808 •
Old Roman Black, (6-72pt), ATF 1805 •
Old Roman Black Italic, (6-48pt), ATF 1807 •
Old Roman Semitone, (18-60pt), ATF 1811
P •
Pantograph Script, (12-60pt), ATF 1816, upright script introduced in 1893, but shown as late as 1925 •
Paragon later:
Paragon Plate, (6-24pt), ATF 1817, introduced in 1901 •
Paragon Italic or
Paragon Plate Italic, (6-24pt), ATF 1818, sloped version of the roman •
Program Italic, offered as a title-version , (6s-24L) ATF 1848 •
Pagram Italic, offered as a title-version , (6s-24L) ATF 1848 •
Parsons, (6-72pt), ATF 1819, design:
Will Ransom (1917), named after I. R. Parsons, a Chicago advertising manager •
Parsons Italic, (6-48pt), (1918), ATF 1821, •
Parsons Bold, (6-72pt), (1918), ATF 1820, •
Parsons Swash Initials, (18-48pt), design:
Sidney Gaunt, 1918 •
Pastel, (6-72pt), ATF 1822, design: 1892 by
Nicolas J. Werner and
Gustav Schroeder first named
Era,
Lightface Era and
Era Open were added in 1895,
Era Condensed about 1898. •
Pastel Condensed, (8-72pt) ATF 1824 •
Offset Pastel Condensed, (24-72pt), ATF 1801 •
Pastel Lightface, (6-72pt), ATF 1825 •
Pastel Bold, (5-72pt), ATF 1823 •
Pastel Open, (12-60pt), ATF 1826 •
Pekin, (18,30pt) ATF 1827, original name
Dormer patented by
Great Western Typefoundry in 1888, design:
Ernst Lauschke •
Pencraft Oldstyle, (6-72pt), ATF 1829, design:
Sidney Gaunt 1914, •
Pencraft Title, (6s-42pt), ATF 1834 •
Pencraft Italic, (6-48pt), ATF 1828 •
Pencraft Oldstyle Bold, (6-72pt), ATF 1830 •
Pencraft Oldstyle Bold Condensed, (6-72pt), ATF 1831 •
Pencraft Shaded, (24-48pt), ATF 1832 •
Pencraft Text, (12-48pt) ATF 1833, design:
Sidney Gaunt 1916, •
Plate Gothic, (6s-36pt), ATF 1836 •
Plate Gothic Condensed, (6s-36pt), ATF 1838 •
Plate Gothic Light, (6s-36pt), ATF 1839 •
Plate Gothic Light Condensed, (6s-36pt), ATF 1840 •
Plate Gothic Bold, (6s-12pt), ATF 1837 •
Plate Script, (14-48pt), ATF 1841, three sets of lowercase: •
Plate Script No.2, (14-48pt), ATF 1852 •
Plate Script No.3, (14-48pt), ATF 1853 •
Plate Text, (8-18pt) •
Plate Text No.2, •
Plate Text No.3, •
Plate Text No.4, (8-36pt) •
Pompeian Cursive, (12-54pt), design:
Oswald Cooper 1927, not shown in the ATF books •
Priory Black Text, (8-48pt), ATF 1847, earlier name:
Reed Text •
Publicity Gothic, (6-120pt), ATF 1849, design: Sidney Gaunt, 1916
R •
Rugged Bold, (6-72pt) first named:
Talisman, patented by:
Sidney Gaunt in 1903, after 1911 renamed to Rugged Bold. •
Rugged Bold Italic, (6-72pt), first named
Talisman Italic, patented by:
Sidney Gaunt in 1904, after 1911 renamed to Rugged Bold Italic. (6-72pt) •
Rugged Lightface, (8-48pt) ATF 1501, first named
Carlton later
Adcraft Lightface, •
Rugged Medium, (6-72pt) ATF 1502, first:
Alfred Medium later
Adcraft Medium •
Rugged Black, (6-120pt), first:
Plymouth •
Rugged Black Italic, (6-72pt), first:
Plymouth Italic •
Rugged Black Condensed, (6-72pt), first:
Plymouth Condensed •
Rugged Extra Black, (6-72pt), ATF 1500, first:
Plymouth Bold and
Adcraft Black S •
Scotch Roman, (6-48pt), ATF 1856 •
Sketch Circular, (8-14pt) ATF 1859, design:
Ed Newman, •
Sketch Title, (6s-30pt), ATF 1560, (1890), first named:
Racine, only capitals, used for announcements. Both series lasted into the late 1920s. •
Spire No.5, (12-72pt), ATF 1861, cut around 1898, bold and condensed face •
Steelplate Gothic Extralight, (6s-24L), ATF 1874, Design:
Robert Wiebking •
Steelplate Gothic Light, (6s-24L), ATF 1867 •
Steelplate Gothic Light Condensed, (6s-24L), ATF 1869 •
Steelplate Gothic Light Extended, (6s-24L), ATF 1865 •
Steelplate Gothic Heavy, (6s-24L), ATF 1868 •
Steelplate Gothic Heavy Condensed, (6s-24L), ATF 1870 •
Steelplate Gothic Heavy Extended, (6s-24L), ATF 1866 •
Steelplate Gothic Bold, (6s-24L), ATF 1873 •
Steelplate Gothic Shaded, (6s-24L), ATF 1872, (1918), in England known as:
Spartan Outline •
Stillson, (6s-36pt), introduced around 1899, patented in 1900 by
R. L. Stillson •
Swagger Capitals or:
Swagger Initials, (36pt), design:
Carl S. Junge 1925, elongated flourish scripts, without X and Z. To be used with various typefaces.
T •
Ternholm Oldstyle, (6-72pt), ATF 1886, design:
George F. Trenholm around 1925–1927, after 1929, when BB&S merged with ATF, there is no evidence these matrices were used to cast. Although they were listed in the ATF vaults. •
Ternholm Cursive, (6-48pt), ATF 1885, •
Ternholm Bold, (6-96pt), ATF 1884, •
Ternholm Shaded Capitals, (12-48pt), ATF 1887, •
Typewriter faces: •
Bernhart Utility Typewriter, ATF 1894 •
Improved Typewriter, ATF 1895 •
Oliver Printype Typewriter, ATF 1897 •
Oliver Standard Silk Typewriter, ATF 1898 •
Remington Typewriter, ATF 1899 •
Silk Remington Typewriter, ATF 1900 •
Reproduction Typewriter, ATF 1902 •
Smith Premier Silk Typewriter, ATF 1903 •
Underwood New Model Silk Typewriter, ATF 1904 •
Yost Typewriter, ATF 1768
W •
Waldorf Text, (14-36pt), ATF 1905, shaded Old English face •
Wedding plate Script, (14-36pt), ATF 1908, design:
Sidney Gaunt 1904 •
Woodward, (6-60pt), ATF 1608, designed for
Inland Type Foundry in 1894 by
William A. Schraustädter, named for a
Saint Louis printer. In 1911 Inland was taken over by ATF, the equipment was divided between ATF and BB&S. Some time later this face was renamed by BB&S as
DeVinne Recut and
DeVinne Recut Outline •
Woodward Outline, (12-60pt), ATF 1609 •
World Gothic, (6-72pt), design:
Robert Wiebking •
World Gothic Italic, (6-72pt), in 1898 introduced as":
Dewey No.51, after Admiral George Dewey •
World Gothic Condensed, (6-96pt), in 1897 shown as:
Topic No.5 ==References==