1960s After his release from jail, White left gang life and began a musical career at the beginning of the 1960s in singing groups. He first released "Too Far to Turn Around" in 1960 as part of the Upfronts before working for various small independent labels in
Los Angeles. He also recorded several singles under his own name in the early 1960s, backed by vocal groups the Atlantics (for the Rampart and Faro labels) and the Majestics (for the Linda and Jordan labels). in his 1999 autobiography, White confirmed the song had been produced by
Gene Page, who had worked with him on many of his 1970s successes. In 1965, White produced "Feel Aw Right" by the Bel Cantos, released on the
Downey label. He recorded his debut single, "Man Ain't Nothin'"/"I Don't Need It", released under the name "
Lee Barry" on Downey in 1966. He also co-wrote "Together Forever", released by
Pat Powdrill & the Powerdrills in 1967. In the mid-'60s,
Bob Keane of
Del-Fi Records hired him as an
A&R man for his new Bronco Records imprint, and White started working with the label's artists, including
Viola Wills and
the Bobby Fuller Four, as a songwriter, session musician, and arranger. White also wrote "Doin' the Banana Split" for TV
bubblegum pop act
the Banana Splits in 1968. In 1969, White was signed by Forward Records of Los Angeles, a division of Transcontinental Entertainment Corporation, as a producer.
1970s as producer In 1972, White got his big break producing a girl group he had discovered called
Love Unlimited. However, White had other plans, and in 1973, he released a single with "
Love's Theme" (written by him and played by the orchestra), which reached No. 1 on the
Billboard Hot 100. Later, in 1974, he made the first album of the Love Unlimited Orchestra,
Rhapsody in White, containing "Love's Theme". White would continue to make albums with the orchestra, achieving some successes such as: "Rhapsody in White", "Satin Soul", "Forever in Love", "Midnight Groove", "
My Sweet Summer Suite", Remake of "Theme From King Kong". The orchestra ceased to make albums in 1983 but continued to support White as a backing band.
1970s solo career White wanted to work with another act, but decided to work with a solo male artist. While working on a few demos for a male singer, he made three song demos of himself singing and playing, but Nunes heard them and insisted that he re-record and release them himself as a solo recording artist. He then wrote several other songs and recorded them for what eventually became an entire album of music. He was going to use the name "White Heat", but decided on using his given name instead. White was still hesitating up to the time the label copy was made. It eventually became White's first solo album, ''
I've Got So Much to Give'' (1973). The album spawned the singles
the title track and his first solo chart hit, "
I'm Gonna Love You Just a Little More Baby", and scored five Top 10 hits and a No. 1 for "You're the First, the Last, My Everything". and in the US, "Dr. Love", "Mr. Love", "Prince of Pillow Talk", "Ambassador of Romance", "King of Disco" "The Maestro" or "Guru of Love". After six years, White left 20th Century in 1979 to launch his own label, Unlimited Gold, with
CBS/Columbia Records.
1980s Although his prominence in commercial charts declined as the disco era came to an end, he maintained a loyal following throughout his career. Despite several albums over the next three years, he failed to repeat his earlier successes, with no singles managing to reach the Billboard Hot 100, except for 1982's "Change", climbing into the Billboard R&B Top 20 where it reached a peak of No. 12. After four years, he signed with
A&M Records, and with the release of 1987's
The Right Night & Barry White, the single entitled "Sho' You Right" made it to the
Billboard R&B charts, peaking at No. 17. In 1989, he released
The Man Is Back! and with it had three top 40 singles on the
Billboard R&B charts: "Super Lover", which made it to No. 34, "I Wanna Do It Good to Ya", which made it to No. 26, and "When Will I See You Again", which made it to No. 32.
1990s A 1970s nostalgia fad allowed White to enjoy a renewed wave of popularity in the 1990s. After participating in the song "
The Secret Garden (Sweet Seduction Suite)" from
Quincy Jones's 1989 album
Back on the Block, White mounted an effective comeback with several albums, each more successful than the one before. He returned to chart prominence in 1991 with the album
Put Me in Your Mix, which reached No. 8 on the
Billboard R&B Albums chart and the song by the same name reached No. 2 on the
Billboard R&B singles chart. In 1994, White released
The Icon Is Love, which went to No. 1 on the
Billboard R&B album charts, and the single "
Practice What You Preach" gave him his first No. 1 on the
Billboard R&B singles chart in almost 20 years. In 1996, White recorded the
duet "
In Your Wildest Dreams" with
Tina Turner. 1996 also saw the release of
Space Jam and
its soundtrack, on which White had a duet with
Chris Rock, called "Basketball Jones", a remake of
Cheech & Chong's
"Basketball Jones" from 1973. White's final album, 1999's
Staying Power, resulted in his last hit song "
Staying Power", which placed No. 45 on the
Billboard R&B charts. The single won him two
Grammy Awards in the categories
Best Male R&B Vocal Performance and
Best Traditional R&B Vocal Performance. His autobiography,
Love Unlimited, written with Marc Eliot, was published in 1999 by Broadway Books. ==Acting career==