1935–1953: Early years in
Tupelo, Mississippi|alt=Present-day photograph of a whitewashed house, about 15 feet wide. Four banistered steps in the foreground lead up to a roofed porch that holds a swing wide enough for two. The front of the house has a door and a single-paned window. The visible side of the house, about 30 feet long, has double-paned windows. Elvis Aaron Presley was born on January 8, 1935, in
Tupelo, Mississippi, to Gladys Love () and Vernon Presley. Elvis' twin Jesse Garon was
stillborn 35 minutes earlier. Presley became close to both parents, especially his mother. The family attended an
Assembly of God church, where he found his initial musical inspiration. Vernon moved from one
odd job to the next, and the family often relied on neighbors and government food assistance. In 1938, they lost their home after Vernon was found guilty of
altering a check and was jailed for eight months. In September 1941, Presley entered first grade at East Tupelo Consolidated, where his teachers regarded him as "average". His first public performance was a singing contest at the Mississippi–Alabama Fair and Dairy Show on October 3, 1945, when he was 10; he sang "
Old Shep" and recalled placing fifth. A few months later, Presley received his first guitar for his birthday; he received guitar lessons from two uncles and a pastor at the family's church. Presley recalled, "I took the guitar, and I watched people, and I learned to play a little bit. But I would never sing in public. I was very shy about it." In September 1946, Presley entered a new school, Milam, for sixth grade. The following year, he began singing and playing his guitar at school. He was often teased as a "trashy" kid who played
hillbilly music. Presley was a devotee of
Mississippi Slim's radio show. He was described as "crazy about music" by Slim's younger brother, one of Presley's classmates. Slim showed Presley chord techniques. When his
protégé was 12, Slim scheduled him for two on-air performances. Presley was overcome by
stage fright the first time but performed the following week. In November 1948, the family moved to
Memphis, Tennessee. Enrolled at
L. C. Humes High School, Presley received a
grade of C in
music in eighth grade. When his music teacher said he had no aptitude for singing, he brought in his guitar and sang a recent hit, "Keep Them Cold Icy Fingers Off Me". He was usually too shy to perform openly and was occasionally
bullied by classmates for being a "
mama's boy". In 1950, Presley began practicing guitar under the tutelage of
Lee Denson, a neighbor. They and three other boys, including two future
rockabilly pioneers, brothers
Dorsey and
Johnny Burnette—formed a loose musical collective. During his junior year, Presley began to stand out among his classmates, largely because of his appearance: he grew his
sideburns and styled his hair. He would head down to
Beale Street, the heart of Memphis' thriving
blues scene, and admire the wild, flashy clothes at
Lansky Brothers. By his senior year, he was wearing those clothes. He competed in Humes' Annual "Minstrel" Show in 1953, singing and playing "
Till I Waltz Again with You", a recent hit for
Teresa Brewer. Presley recalled that the performance did much for his reputation: I wasn't popular in school ... I failed music—only thing I ever failed. And then they entered me in this talent show ... when I came onstage, I heard people kind of rumbling and whispering and so forth, 'cause nobody knew I even sang. It was amazing how popular I became in school after that. Presley, who could not
read music, played by ear and frequented record stores that provided
jukeboxes and listening booths. He knew all of
Hank Snow's songs, and he loved records by other country singers such as
Roy Acuff,
Ernest Tubb,
Ted Daffan,
Jimmie Rodgers,
Jimmie Davis, and
Bob Wills. The
Southern gospel singer
Jake Hess, one of his favorite performers, was a significant influence on his
ballad-singing style. Presley regularly attended the monthly all-night singings downtown, where white gospel groups performed music influenced by African American
spirituals. Presley listened to regional radio stations, such as
WDIA, that played what were then called "race records": spirituals, blues, and the modern,
backbeat-heavy
rhythm and blues. Like some of his peers, he may have attended blues venues only on nights
designated for exclusively white audiences. Many of his future
recordings were inspired by local
African-American musicians such as
Arthur Crudup and
Rufus Thomas. By the time he graduated from high school in June 1953, Presley had singled out music as his future.
1953–1956: First recordings Sam Phillips and Sun Records promotional photograph, 1954|upright=1.0 In August 1953, Presley checked into
Memphis Recording Service, the company run by
Sam Phillips before he started
Sun Records. He aimed to pay for studio time to record a two-sided
acetate disc: "
My Happiness" and "
That's When Your Heartaches Begin". He later claimed that he intended the record as a birthday gift for his mother, or that he was merely interested in what he "sounded like". Biographer
Peter Guralnick argued that Presley chose Sun in the hope of being discovered. In January 1954, Presley cut a second acetate at Sun—"I'll Never Stand in Your Way" and "It Wouldn't Be the Same Without You"—but again nothing came of it. Not long after, he failed an
audition for a local vocal quartet, the Songfellows, and another for the band of
Eddie Bond. Phillips, meanwhile, was always on the lookout for someone who could bring to a broader audience the sound of the black musicians on whom Sun focused. In June, he acquired a demo recording by
Jimmy Sweeney of a ballad, "Without You", that he thought might suit Presley. The teenaged singer came by the studio but was unable to do it justice. Despite this, Phillips asked Presley to sing other numbers and was sufficiently affected by what he heard to invite two local musicians, guitarist
Winfield "Scotty" Moore and
upright bass player
Bill Black, to work with Presley for a recording session. The session, held the evening of July 5, proved entirely unfruitful until late in the night. As they were about to give up and go home, Presley launched into a 1946 blues number, Arthur Crudup's "
That's All Right". Moore recalled, "All of a sudden, Elvis just started singing this song, jumping around and acting the fool, and then Bill picked up his bass, and he started acting the fool, too, and I started playing with them." Phillips quickly began taping; this was the sound he had been looking for. Three days later, popular Memphis disc jockey
Dewey Phillips played "That's All Right" on his
Red, Hot, and Blue show. Listener interest was such that Phillips played the record repeatedly during the remaining two hours of his show. Interviewing Presley on-air, Phillips asked him what high school he attended to clarify his color for the many callers who had assumed that he was black. During the next few days, the trio recorded a
bluegrass song,
Bill Monroe's "
Blue Moon of Kentucky", again in a distinctive style and employing a
jury-rigged echo effect that Sam Phillips dubbed "slapback". A single was pressed with "That's All Right" on the A-side and "Blue Moon of Kentucky" on the reverse.
Early live performances and RCA Victor contract The trio played publicly for the first time at the Bon Air club on July 17, 1954. Later that month, they appeared at the
Overton Park Shell, with
Slim Whitman headlining. Here Elvis pioneered "
Rubber legs", his signature dance movement. A combination of his strong response to rhythm and nervousness led Presley to shake his legs as he performed: His wide-cut pants emphasized his movements, causing young women in the audience to start screaming. Moore recalled, "During the instrumental parts, he would back off from the mic and be playing and shaking, and the crowd would just go wild." Soon after, Moore and Black left their old band to play with Presley regularly, and disc jockey/promoter
Bob Neal became the trio's manager. From August through October, they played frequently at the Eagle's Nest club, a dance venue in Memphis. When Presley played, teenagers rushed from the pool to fill the club, then left again as the house
western swing band resumed. Presley quickly grew more confident on stage. According to Moore, "His movement was a natural thing, but he was also very conscious of what got a reaction. He'd do something one time and then he would expand on it real quick." Amid these live performances, Presley returned to Sun studio for more recording sessions. Presley made what would be his only appearance on
Nashville's
Grand Ole Opry on October 2;
Opry manager Jim Denny told Phillips that his singer was "not bad" but did not suit the program.
Louisiana Hayride, radio commercial, and first television performances and
Bill Black in 1956 In November 1954, Presley performed on
Louisiana Hayride—the
Oprys chief, and more adventurous, rival. The show aired on 198 radio stations in 28 states. His nervous first set drew a muted reaction. A more composed and energetic second set inspired an enthusiastic response. Soon after the show, the
Hayride engaged Presley for a year's worth of Saturday-night appearances. Trading in his old guitar for $8, he purchased a
Martin instrument for $175 () and his trio began playing in new locales, including
Houston, Texas, and
Texarkana, Arkansas. Presley made his first television appearance on the
KSLA-TV broadcast of
Louisiana Hayride. Soon after, he failed an audition for ''
Arthur Godfrey's Talent Scouts'' on the
CBS television network. By early 1955, Presley's regular
Hayride appearances, constant touring, and well-received record releases had made him a regional star. In January, Neal signed a formal management contract with Presley and brought him to the attention of
Colonel Tom Parker, whom he considered the best promoter in the music business. Having successfully managed the top country star
Eddy Arnold, Parker was working with the new number-one country singer,
Hank Snow. Parker booked Presley on Snow's February tour. By August, Sun had released 10 sides credited to "Elvis Presley, Scotty and Bill"; the latest recordings included a drummer. Some of the songs, like "That's All Right", were in what one Memphis journalist described as the "R&B idiom of negro field jazz"; others, like "Blue Moon of Kentucky", were "more in the country field", "but there was a curious blending of the two different musics in both". This blend of styles made it difficult for Presley's music to find radio airplay. According to Neal, many country-music disc jockeys would not play it because Presley sounded too much like a black artist and none of the R&B stations would touch him because "he sounded too much like a
hillbilly." The blend came to be known as "rockabilly". At the time, Presley was billed as "The King of Western Bop", "The Hillbilly Cat", and "The Memphis Flash". Presley renewed Neal's management contract in August 1955, simultaneously appointing Parker as his special adviser. The group maintained an extensive touring schedule. Neal recalled, "It was almost frightening, the reaction that came to Elvis from the teenaged boys. So many of them, through some sort of jealousy, would practically hate him. There were occasions in some towns in Texas when we'd have to be sure to have a police guard because somebody'd always try to take a crack at him." The trio became a quartet when
Hayride drummer Fontana joined as a full member. In mid-October, they played a few shows in support of
Bill Haley, whose "
Rock Around the Clock" track had been a number-one hit the previous year. Haley observed that Presley had a natural feel for rhythm, and advised him to sing fewer ballads. At the Country Disc Jockey Convention in early November, Presley was voted the year's most promising male artist. After three major labels made offers of up to $25,000, Parker and Phillips struck a deal with
RCA Victor on November 21 to acquire Presley's Sun contract for an unprecedented $40,000. Presley, aged 20, was legally still a minor, so his father signed the contract. Parker arranged with the owners of
Hill & Range Publishing,
Jean and
Julian Aberbach, to create two entities, Elvis Presley Music and Gladys Music, to handle all the new material recorded by Presley. Songwriters were obliged to forgo one-third of their customary
royalties in exchange for having Presley perform their compositions. By December, RCA had begun to heavily promote its new singer, and before month's end had reissued many of his Sun recordings.
1956–1958: Commercial breakout and controversy First national TV appearances and debut album '' magazine advertisement, March 10, 1956 On January 10, 1956, Presley made his first recordings for RCA Victor in Nashville. Extending his by-now customary backup of Moore, Black, Fontana, and
Hayride pianist
Floyd Cramer—who had been performing at live club dates with Presley—RCA Victor enlisted guitarist
Chet Atkins and three background singers, including Gordon Stoker of the popular
Jordanaires quartet. The session produced the moody "
Heartbreak Hotel", released as a single on January 27. Parker brought Presley to national television, booking him on CBS'
Stage Show for six appearances over two months. The program, produced in New York City, was hosted on alternate weeks by big band leaders and brothers
Tommy and
Jimmy Dorsey. After his first appearance on January 28, Presley stayed in town to record at RCA Victor's New York studio. The sessions yielded eight songs, including a
cover of
Carl Perkins' rockabilly anthem "
Blue Suede Shoes". In February, Presley's "
I Forgot to Remember to Forget", a Sun recording released the previous August, reached the top of the
Billboard country chart. Neal's contract was terminated and Parker became Presley's manager. RCA Victor released Presley's
self-titled debut album on March 23. Joined by five previously unreleased Sun recordings, its seven recently recorded tracks included two country songs, a bouncy pop tune, and what would centrally define the evolving sound of
rock and roll: "Blue Suede Shoes"—"an improvement over Perkins' in almost every way", according to critic
Robert Hilburn—and three R&B numbers that had been part of Presley's stage repertoire, covers of
Little Richard,
Ray Charles, and
The Drifters. As described by Hilburn, these were the most revealing of all. Unlike many white artists ... who watered down the gritty edges of the original R&B versions of songs in the '50s, Presley reshaped them. He not only injected the tunes with his own vocal character but also made guitar, not piano, the lead instrument in all three cases. It became the first rock and roll album to top the
Billboard chart, a position it held for ten weeks. While Presley was not an innovative guitarist like Moore or contemporary African American rockers
Bo Diddley and
Chuck Berry, cultural historian Gilbert B. Rodman argued that the album's cover image, "of Elvis having the time of his life on stage
with a guitar in his hands played a crucial role in positioning the guitar ... as the instrument that best captured the style and spirit of this new music."
Milton Berle Show and "Hound Dog" '' (1956)|175px On April 3, Presley made the first of two appearances on
NBC's
The Milton Berle Show. His performance, on the deck of the
USS Hancock in
San Diego, California, prompted cheers and screams from an audience of sailors and their dates. A few days later, Presley and his band were flying to
Nashville, Tennessee, for a recording session when an engine died and the plane almost went down over
Arkansas. Twelve weeks after its original release, "Heartbreak Hotel" became Presley's first number-one pop hit. In late April, Presley began a two-week
residency at the
New Frontier Hotel and Casino on the
Las Vegas Strip. The shows were poorly received by the conservative, middle-aged hotel guests, "like a jug of corn liquor at a champagne party", a
Newsweek critic wrote. Amid his Vegas tenure, Presley, who had acting ambitions, signed a seven-year contract with
Paramount Pictures. He began a tour of the
Midwest in mid-May, covering 15 cities in as many days. He had attended several shows by
Freddie Bell and the Bellboys in Vegas and was struck by their cover of "
Hound Dog", a hit in 1953 for blues singer
Big Mama Thornton by songwriters
Jerry Leiber and Mike Stoller. It became his new closing number. After a show in
La Crosse, Wisconsin, an urgent message on the letterhead of the local Catholic diocese's newspaper was sent to
FBI director
J. Edgar Hoover. It warned that Presley is a definite danger to the security of the United States. ... [His] actions and motions were such as to rouse the sexual passions of teenaged youth. ... After the show, more than 1,000 teenagers tried to gang into Presley's room at the auditorium. ... Indications of the harm Presley did just in La Crosse were the two high school girls ... whose abdomen and thigh had Presley's autograph. in 1956 Presley's second
Milton Berle Show appearance came on June 5 at
NBC's Hollywood studio, amid another hectic tour.
Milton Berle persuaded Presley to leave his guitar backstage. During the performance, Presley abruptly halted an up-tempo rendition of "Hound Dog" and launched into a slow, grinding version accentuated with exaggerated body movements. His gyrations created a storm of controversy.
Jack Gould of
The New York Times wrote, Mr. Presley has no discernible singing ability. ... His phrasing, if it can be called that, consists of the stereotyped variations that go with a beginner's aria in a bathtub. ... His one specialty is an accented movement of the body ... primarily identified with the repertoire of the blond bombshells of the burlesque runway. Ben Gross of the
New York Daily News opined that popular music "has reached its lowest depths in the 'grunt and groin' antics of one Elvis Presley. ... Elvis, who rotates his pelvis ... gave an exhibition that was suggestive and vulgar, tinged with the kind of animalism that should be confined to dives and
bordellos".
Ed Sullivan, whose
variety show was the nation's most popular, declared Presley "unfit for family viewing". To Presley's displeasure, he soon found himself being referred to as "Elvis the Pelvis", which he called "childish".
Steve Allen Show and first Sullivan appearance and Presley during rehearsals for his second appearance on
The Ed Sullivan Show, October 26, 1956 The Berle shows drew such high ratings that Presley was booked for a July 1 appearance on NBC's
The Steve Allen Show in New York.
Allen, who was no fan of rock and roll, introduced a "new Elvis" in a white bowtie and black tails. Presley sang "Hound Dog" for less than a minute to a
basset hound wearing a top hat and bowtie. As described by television historian Jake Austen, "Allen thought Presley was talentless and absurd ... [he] set things up so that Presley would show his contrition". Allen later wrote that he found Presley's "strange, gangly, country-boy charisma, his hard-to-define cuteness, and his charming eccentricity intriguing" and worked him into the "comedy fabric" of his program. Just before the final rehearsal for the show, Presley told a reporter, "I don't want to do anything to make people dislike me. I think TV is important so I'm going to go along, but I won't be able to give the kind of show I do in a personal appearance." Presley would refer back to the Allen show as the most ridiculous performance of his career. Later that night, he appeared on
Hy Gardner Calling, a popular local television show. Pressed on whether he had learned anything from the criticism of him, Presley responded, "No, I haven't ... I don't see how any type of music would have any bad influence on people when it's only music. ... how would rock 'n' roll music make anyone rebel against their parents?" The next day, Presley recorded "Hound Dog", "
Any Way You Want Me" and "
Don't Be Cruel". The Jordanaires sang harmony, as they had on
The Steve Allen Show; they would work with Presley through the 1960s. A few days later, Presley made an outdoor concert appearance in Memphis, at which he announced, "You know, those people in New York are not gonna change me none. I'm gonna show you what the real Elvis is like tonight." In August, a judge in
Jacksonville, Florida, ordered Presley to tame his act. Throughout the following performance, he largely kept still, except for wiggling his little finger suggestively in mockery of the order. The single pairing "Don't Be Cruel" with "Hound Dog" ruled the top of the charts for eleven weeks—a mark that would not be surpassed for 36 years. Recording sessions for Presley's second album took place in Hollywood in early September. Leiber and Stoller, the writers of "Hound Dog", contributed "
Love Me". Allen's show with Presley had, for the first time, beaten
The Ed Sullivan Show in the ratings. Sullivan booked Presley for three appearances for an unprecedented $50,000. The first, on September 9, 1956, was seen by approximately 60 million viewers—a record 82.6 percent of the television audience. Actor
Charles Laughton hosted the show, filling in while Sullivan was recovering from a car accident. According to legend, Presley was shot only from the waist up. Watching clips of the Allen and Berle shows, Sullivan had opined that Presley "got some kind of device hanging down below the crotch of his pants—so when he moves his legs back and forth you can see the outline of his cock. ... I think it's a
Coke bottle. ... We just can't have this on a Sunday night. This is a family show!" Sullivan publicly told
TV Guide, "As for his gyrations, the whole thing can be controlled with camera shots." In fact, Presley was shown head-to-toe. Though the camerawork was relatively discreet during his debut, with leg-concealing closeups when he danced, the studio audience reacted with screams. Presley's performance of his forthcoming single, the ballad "
Love Me Tender", prompted a record-shattering million advance orders. More than any other single event, it was this first appearance on
The Ed Sullivan Show that made Presley a national celebrity. Accompanying Presley's rise to fame, a cultural shift was taking place that he both helped inspire and came to symbolize. The historian Marty Jezer wrote that Presley began the "biggest pop craze" since
Glenn Miller and
Frank Sinatra and brought rock and roll to mainstream culture: As Presley set the artistic pace, other artists followed. ... Presley, more than anyone else, gave the young a belief in themselves as a distinct and somehow unified generation—the first in America ever to feel the power of an integrated youth culture.
Crazed crowds and film debut The audience response at Presley's live shows became increasingly fevered. Moore recalled, "He'd start out, 'You ain't nothin' but a Hound Dog,' and they'd just go to pieces. They'd always react the same way. There'd be a riot every time." At the two concerts he performed in September at the Mississippi–Alabama Fair and Dairy Show, fifty
National Guardsmen were added to the police detail to prevent a ruckus.
Elvis, Presley's second RCA Victor album, was released in October and quickly rose to number one. The album includes "Old Shep", which he sang at the talent show in 1945, and which now marked the first time he played piano on an RCA Victor session. According to Guralnick, "the halting chords and the somewhat stumbling rhythm" showed "the unmistakable emotion and the equally unmistakable valuing of emotion over technique." Assessing the musical and cultural impact of Presley's recordings from "That's All Right" through
Elvis, rock critic
Dave Marsh wrote that "these records, more than any others, contain the seeds of what rock & roll was, has been and most likely what it may foreseeably become." Presley returned to
The Ed Sullivan Show, hosted this time by its namesake, on October 28. After the performance, crowds in Nashville and
St. Louis burned him in
effigy. His first motion picture,
Love Me Tender, was released on November 21. Though he was not top-billed, the film's original title—
The Reno Brothers—was changed to capitalize on his latest number-one record: "Love Me Tender" had hit the top of the charts earlier that month. To further take advantage of Presley's popularity, four musical numbers were added to what was originally a straight acting role. The film was panned by critics but did very well at the box office. Presley received top billing on every subsequent film he made. On December 4, Presley visited Sun Records and jammed with Carl Perkins,
Jerry Lee Lewis, and
Johnny Cash. Though Phillips no longer had the right to release any Presley material, he made sure that the session was captured on tape. The results, none officially released for twenty-five years, became known as the "
Million Dollar Quartet" recordings. The year ended with a front-page story in
The Wall Street Journal reporting that Presley merchandise had brought in $22 million on top of his record sales, and
Billboards declaration that he had placed more songs in the top 100 than any other artist since records were first charted. In his first full year at RCA Victor, then the record industry's largest company, Presley had accounted for over fifty percent of the label's singles sales.
Leiber and Stoller collaboration and draft notice Presley made his third and final
Ed Sullivan Show appearance on January 6, 1957—on this occasion indeed shot only down to the waist. Some commentators have claimed that Parker orchestrated an appearance of censorship to generate publicity. In any event, as critic
Greil Marcus describes, Presley "did not tie himself down. Leaving behind the bland clothes he had worn on the first two shows, he stepped out in the outlandish costume of a
pasha, if not a harem girl. From the make-up over his eyes, the hair falling in his face, the overwhelmingly sexual cast of his mouth, he was playing
Rudolph Valentino in
The Sheik, with all stops out." To close, displaying his range and defying Sullivan's wishes, Presley sang a gentle black spiritual, "
Peace in the Valley". At the end of the show, Sullivan declared Presley "a real decent, fine boy". Two days later, the Memphis
draft board announced that Presley would be
classified 1-A and would probably be drafted sometime that year. Each of the three Presley singles released in the first half of 1957 went to number one: "
Too Much", "
All Shook Up", and "
(Let Me Be Your) Teddy Bear". Already an international star, he was attracting fans even where his music was not officially released:
The New York Times reported that pressings of his music on
discarded X-ray plates were commanding high prices in
Leningrad. Presley purchased his 18-room mansion,
Graceland, on March 19, 1957. Before the purchase, Elvis recorded
Loving You—the soundtrack to
his second film, which was released in July. It was his third straight number-one album. The title track was written by Leiber and Stoller, who were then retained to write four of the six songs recorded at the sessions for
Jailhouse Rock, Presley's next film. The songwriting team effectively produced the
Jailhouse sessions and developed a close working relationship with Presley, who came to regard them as his "good-luck charm". "He was fast," said Leiber. "Any demo you gave him he knew by heart in ten minutes." The
title track became another
number-one hit, as was the
Jailhouse Rock EP. in the trailer for
Jailhouse Rock, released in October 1957 Presley undertook three brief tours during the year, continuing to generate a crazed audience response. A Detroit newspaper suggested that "the trouble with going to see Elvis Presley is that you're liable to get killed".
Villanova students pelted the singer with eggs in
Philadelphia, and in
Vancouver the crowd rioted after the show ended, destroying the stage. Frank Sinatra, who had inspired the swooning and screaming of teenage girls in the 1940s, decried rock and roll as "brutal, ugly, degenerate, vicious. ... It fosters almost totally negative and destructive reactions in young people. It smells phoney and false. It is sung, played and written, for the most part, by cretinous goons. ... This rancid-smelling aphrodisiac I deplore." Asked for a response, Presley said: I admire the man. He has a right to say what he wants to say. He is a great success and a fine actor, but I think he shouldn't have said it. ... This is a trend, just the same as he faced when he started years ago. Leiber and Stoller were again in the studio for the recording of ''
Elvis' Christmas Album''. Toward the end of the session, they wrote a song on the spot at Presley's request: "
Santa Claus Is Back in Town", an
innuendo-laden blues. The holiday release stretched Presley's string of number-one albums to four and became the
best-selling Christmas album ever in the United States, with eventual sales of over 20 million worldwide. After the session, Moore and Black—drawing only modest weekly salaries, sharing in none of Presley's massive financial success—resigned, though they were brought back on a per diem basis a few weeks later. On December 20, Presley received his draft notice, though he was granted a deferment to finish the forthcoming film
King Creole. A couple of weeks into the new year, "
Don't", another Leiber and Stoller tune, became Presley's tenth number-one seller. Recording sessions for the
King Creole soundtrack were held in Hollywood in mid-January 1958. Leiber and Stoller provided three songs, but it would be the last time Presley and the duo worked closely together. As Stoller later recalled, Presley's manager and entourage sought to wall him off. A brief soundtrack session on February 11 marked the final occasion on which Black was to perform with Presley.
1958–1960: Military service and mother's death on March 24, 1958, at
Fort Chaffee On March 24, 1958, Presley was drafted into the
United States Army at
Fort Chaffee in Arkansas. His arrival was a major media event. Hundreds of people descended on Presley as he stepped from the bus; photographers accompanied him into the installation. Presley announced that he was looking forward to his military service, saying that he did not want to be treated any differently from anyone else. Between March 28 and September 17, 1958, Presley completed
basic and advanced training at
Fort Hood, Texas, where he was temporarily assigned to Company A, 2d Medium Tank Battalion,
37th Armor. During the two weeks'
leave between his basic and advanced training in early June, he recorded five songs in Nashville. In early August, Presley's mother was diagnosed with
hepatitis, and her condition rapidly worsened. Presley was granted emergency leave to visit her and arrived in Memphis on August 12. Two days later, she died of heart failure at age 46. Presley was devastated and never the same; their relationship had remained extremely close—even into his adulthood, they would use baby talk with each other and Presley would address her with pet names.
Shoulder Sleeve Insignia, poses atop a tank at
Ray Barracks On October 1, 1958, Presley was assigned to the 1st Medium Tank Battalion,
32d Armor,
3d Armored Division, at
Ray Barracks, West Germany, where he served as an armor intelligence specialist. On November 27, he was promoted to
private first class and on June 1, 1959, to
specialist fourth class. While on maneuvers, Presley was introduced to
amphetamines and became "practically evangelical about their benefits", not only for energy but for "strength" and weight loss. Karate became a lifelong interest: he studied with
Jürgen Seydel, and later included it in his live performances. Fellow soldiers have attested to Presley's wish to be seen as an able, ordinary soldier despite his fame, and to his generosity. He donated his Army pay to charity, purchased television sets for the base, and bought an extra set of fatigues for everyone in his outfit. Presley was promoted to
sergeant on February 11, 1960. While in
Bad Nauheim, Presley, aged 24, met 14-year-old
Priscilla Beaulieu. They would marry after a seven-and-a-half-year courtship. In her autobiography, Priscilla said that Presley was concerned that his 24 months in the military would ruin his career. In
Special Services, he would have been able to perform and remain in touch with the public, but Parker had convinced him that to gain popular respect, he should serve as a regular soldier. Media reports echoed Presley's concerns about his career, but RCA producer
Steve Sholes and
Freddy Bienstock of Hill and Range had carefully prepared: armed with a substantial amount of unreleased material, they kept up a regular stream of successful releases. Between his induction and discharge, Presley had ten top-40 hits, including "
Wear My Ring Around Your Neck", the bestselling "
Hard Headed Woman", and "
One Night" in 1958, and "
(Now and Then There's) A Fool Such as I" and the number-one "
A Big Hunk o' Love" in 1959. RCA also generated four albums compiling previously issued material during this period, most successfully ''
Elvis' Golden Records'' (1958), which hit number three on the LP chart.
1960–1968: Focus on films Elvis Is Back Presley returned to the US on March 2, 1960, and was
honorably discharged three days later. The train that carried him from
New Jersey to Tennessee was mobbed all the way, and Presley was called upon to appear at scheduled stops to please his fans. On the night of March 20, he entered
RCA's Nashville studio to cut tracks for a new album along with a single, "
Stuck on You", which was rushed into release and swiftly became a number-one hit. Another Nashville session two weeks later yielded a pair of bestselling singles, the ballads "
It's Now or Never" and "
Are You Lonesome Tonight?", along with the rest of
Elvis Is Back! The album features several songs described by Greil Marcus as full of
Chicago blues "menace, driven by Presley's own super-miked acoustic guitar, brilliant playing by Scotty Moore, and demonic sax work from
Boots Randolph. Elvis' singing wasn't sexy, it was pornographic." The record "conjured up the vision of a performer who could be all things", according to music historian John Robertson: "a flirtatious teenage idol with a heart of gold; a tempestuous, dangerous lover; a gutbucket blues singer; a sophisticated nightclub entertainer; [a] raucous rocker". Released only days after recording was complete, it reached number two on the album chart. in
G.I. Blues On May 12, Presley reappeared on television as a guest on
The Frank Sinatra Timex Special. Also known as
Welcome Home Elvis, the show had been taped in late March, the only time all year Presley performed in front of an audience. Parker secured an unheard-of $125,000 for eight minutes of singing. The broadcast drew an enormous viewership.
G.I. Blues, the soundtrack to Presley's first film since his return, was a number-one album in October. His first LP of sacred material,
His Hand in Mine, followed two months later; it reached number 13 on the US pop chart and number 3 in the United Kingdom, remarkable figures for a gospel album. In February 1961, Presley performed two shows in Memphis, for a benefit for 24 local charities. During a luncheon preceding the event, RCA Victor presented him with a plaque certifying worldwide sales of over 75 million records. A twelve-hour Nashville session in mid-March yielded nearly all of Presley's next studio album,
Something for Everybody. According to John Robertson, it exemplifies the
Nashville sound, the restrained, cosmopolitan style that defined country music in the 1960s. Presaging much of what was to come from Presley over the next half-decade, the album is largely "a pleasant, unthreatening pastiche of the music that had once been Elvis' birthright". It was his sixth number-one LP. Another benefit concert, for a
Pearl Harbor memorial, was staged on March 25 in Hawaii. It was Presley's last public performance for seven years.
The "Presley pictures" Parker had by now pushed Presley into a heavy filmmaking schedule, focused on formulaic, modestly budgeted
musical comedies. Presley initially insisted on pursuing higher roles, but when two films in a more dramatic vein—
Flaming Star (1960) and
Wild in the Country (1961)—were less commercially successful, he reverted to the formula. Among the twenty-seven films he made during the 1960s, there were a few further exceptions. His films were almost universally panned; critic Andrew Caine dismissed them as a "pantheon of bad taste". Nonetheless, they were virtually all profitable.
Hal Wallis, who produced nine, declared, "A Presley picture is the only sure thing in Hollywood." Of Presley's films in the 1960s, 15 were accompanied by soundtrack albums and another five by soundtrack EPs. The films' rapid production and release schedules—Presley frequently starred in three a year—affected his music. According to Jerry Leiber, the soundtrack formula was already evident before Presley left for the Army: "three ballads, one medium-tempo [number], one up-tempo, and one break blues boogie". As the decade wore on, the quality of the soundtrack songs grew "progressively worse".
Julie Parrish, who appeared in
Paradise, Hawaiian Style (1966), says that Presley disliked many of the songs. The Jordanaires' Gordon Stoker describes how he would retreat from the studio microphone: "The material was so bad that he felt like he couldn't sing it." Most of the film albums featured a song or two from respected writers such as the team of
Doc Pomus and
Mort Shuman. But by and large, according to biographer
Jerry Hopkins, the numbers seemed to be "written on order by men who never really understood Elvis or rock and roll". , holding their newborn daughter,
Lisa Marie Presley, in 1968 In the first half of the decade, three of Presley's soundtrack albums were ranked number one on the pop charts, and a few of his most popular songs came from his films, such as "
Can't Help Falling in Love" (1961) and "
Return to Sender" (1962). From 1964 to 1968, Presley had one top-ten hit: "
Crying in the Chapel" (1965), a gospel number recorded in 1960. As for non-film albums, between the June 1962 release of
Pot Luck and the November 1968 release of the soundtrack to the television special that signaled his comeback, one LP of new material by Presley was issued: the gospel album
How Great Thou Art (1967). It won him his first
Grammy Award, for Best Sacred Performance. As Marsh described, Presley was "arguably the greatest white gospel singer of his time [and] really the last rock & roll artist to make gospel as vital a component of his musical personality as his secular songs". Shortly before Christmas 1966, more than seven years since they first met, Presley proposed to Priscilla Beaulieu. They were married on May 1, 1967, in a brief ceremony in their suite at the
Aladdin Hotel in Las Vegas.
1968–1973: Comeback ''Elvis: the '68 Comeback Special'' produced "one of the most famous images" of Presley; taken on June 29, 1968, it was adapted for the cover of
Rolling Stone in July 1969 Presley's only child,
Lisa Marie, was born on February 1, 1968, during a period when he had grown deeply unhappy with his career. Of the eight Presley singles released between January 1967 and May 1968, only two charted in the top 40, none higher than number 28. Three of his six albums were in the top 40. His forthcoming soundtrack album,
Speedway, would rank at number 82. Parker had already shifted his plans to television: he maneuvered a deal with NBC that committed the network to finance Presley's first TV special and a movie. Recorded in late June in
Burbank, California, the special, simply called
Elvis, aired on December 3, 1968. Later known as the ''
'68 Comeback Special'', the show featured lavishly staged studio productions as well as songs performed with a band in front of a small audience—Presley's first live performances since 1961. The live segments saw Presley dressed in tight black leather, singing and playing guitar in an uninhibited style reminiscent of his early rock and roll days. Director and co-producer
Steve Binder worked hard to produce a show that was far from the hour of Christmas songs Parker had originally planned. The show, NBC's highest-rated that season, captured 42 percent of the total viewing audience.
Jon Landau of
Eye magazine remarked: There is something magical about watching a man who has lost himself find his way back home. He sang with the kind of power people no longer expect of rock 'n' roll singers. He moved his body with a lack of pretension and effort that must have made
Jim Morrison green with envy. Marsh calls the performance one of "emotional grandeur and historical resonance". By January 1969, the single "
If I Can Dream", written for the special, reached number 12. The
soundtrack album rose into the top ten. According to friend
Jerry Schilling, the special reminded Presley of what "he had not been able to do for years, being able to choose the people; being able to choose what songs and not being told what had to be on the soundtrack. ... He was out of prison, man." Binder said of Presley's reaction, "I played Elvis the 60-minute show, and he told me in the screening room, 'Steve, it's the greatest thing I've ever done in my life. I give you my word I will never sing a song I don't believe in.
From Elvis in Memphis and the International Buoyed by the experience of the
Comeback Special, Presley engaged in a prolific series of recording sessions at
American Sound Studio, which led to the acclaimed
From Elvis in Memphis. Released in June 1969, it was his first secular, non-soundtrack album from a dedicated period in the studio in eight years. As described by Marsh, it is "a masterpiece in which Presley immediately catches up with pop music trends that had seemed to pass him by during the movie years. He sings country songs, soul songs and rockers with real conviction, a stunning achievement." The album featured the hit single "
In the Ghetto", issued in April, which reached number three on the pop chart—Presley's first non-gospel top ten hit since "Bossa Nova Baby" in 1963. Further hit singles were culled from the American Sound sessions: "
Suspicious Minds", "
Don't Cry Daddy", and "
Kentucky Rain". Presley was keen to resume regular live performing. After the success of the
Comeback Special, offers came in from around the world. The
London Palladium offered Parker () for a one-week engagement. He responded, "That's fine for me, now how much can you get for Elvis?" In May, the brand-new
International Hotel in Las Vegas, boasting the largest showroom in the city, booked Presley for fifty-seven shows over four weeks, beginning July 31. Moore, Fontana, and the Jordanaires declined to participate, afraid of losing the lucrative session work they had in Nashville. Presley assembled new, top-notch accompaniment, led by guitarist
James Burton and including two gospel groups,
The Imperials and
Sweet Inspirations. Costume designer
Bill Belew, responsible for the intense leather styling of the
Comeback Special, created a new stage look for Presley, inspired by his passion for karate. Nonetheless, Presley was nervous: his only previous Las Vegas engagement, in 1956, had been dismal. Parker oversaw a major promotional push, and International Hotel owner
Kirk Kerkorian arranged to send his own plane to New York to fly in rock journalists for the debut performance. Presley took to the stage without introduction. The audience of 2,200, including many celebrities, gave him a standing ovation before he sang a note and another after his performance. A third followed his encore, "Can't Help Falling in Love" (which would be his closing number for much of his remaining life). At a press conference after the show, when a journalist referred to him as "The King", Presley gestured toward
Fats Domino, who was taking in the scene. "No," Presley said, "that's the real king of rock and roll." The next day, Parker's negotiations with the hotel resulted in a five-year contract for Presley to play each February and August, at an annual salary of $1 million.
Newsweek commented, "There are several unbelievable things about Elvis, but the most incredible is his staying power in a world where meteoric careers fade like shooting stars."
Rolling Stone called Presley "supernatural, his own resurrection". In November, Presley's final non-concert film,
Change of Habit, opened. The double album
From Memphis to Vegas/From Vegas to Memphis came out the same month; the first LP consisted of live performances from the International, the second of more cuts from the American Sound sessions. "Suspicious Minds" reached the top of the charts—Presley's first
US pop number-one in over seven years, and his last.
Cassandra Peterson, later television's Elvira, met Presley during this period in Las Vegas. She recalled of their encounter, "He was so anti-drug when I met him. I mentioned to him that I smoked
marijuana, and he was just appalled." Presley also rarely drank—several of his family members had been alcoholics, a fate he intended to avoid.
Back on tour and meeting Nixon Presley returned to the International early in 1970 for the first of the year's two-month-long engagements, performing two shows a night. Recordings from these shows were issued on the album
On Stage. In late February, Presley performed six attendance-record–breaking shows at the
Houston Astrodome. In April, the single "
The Wonder of You" was issued—a number one hit in the UK, it topped the US
adult contemporary chart as well.
Metro-Goldwyn-Mayer (MGM) filmed rehearsal and concert footage at the International during August for the documentary ''
Elvis: That's the Way It Is''. Presley was performing in a jumpsuit, which would become a trademark of his live act. During this engagement, he was threatened with murder unless () was paid. Presley had been the target of many threats since the 1950s, often without his knowledge. The FBI took the threat seriously and security was increased for the next two shows. Presley went onstage with a
Derringer in his right boot and a
.45-caliber pistol in his waistband, but the concerts succeeded without any incidents. ''
That's the Way It Is'', produced to accompany the documentary and featuring both studio and live recordings, marked a stylistic shift. As music historian John Robertson noted, The authority of Presley's singing helped disguise the fact that the album stepped decisively away from the American-roots inspiration of the Memphis sessions towards a more middle-of-the-road sound. With country put on the back burner, and soul and R&B left in Memphis, what was left was very classy, very clean white pop—perfect for the Las Vegas crowd, but a definite retrograde step for Elvis. After the end of his International engagement on September 7, Presley embarked on a week-long concert tour, largely of the
South, his first since 1958. Another week-long tour, of the
West Coast, followed in November. in the
White House Oval Office, December 21, 1970. On December 21, 1970, Presley engineered a meeting with US President
Richard Nixon at the
White House, where he explained how he believed he could reach out to the
hippies to help combat the
drug culture he and the president abhorred. He asked Nixon for a
Bureau of Narcotics and Dangerous Drugs badge, to signify official sanction of his efforts. Nixon, who apparently found the encounter awkward, expressed a belief that Presley could send a positive message to young people and that it was, therefore, important that he "retain his credibility". The
US Junior Chamber of Commerce named Presley one of its annual
Ten Most Outstanding Young Men of the Nation on January 16, 1971. Not long after, the City of Memphis named the stretch of
Highway 51 South on which Graceland is located "Elvis Presley Boulevard". The same year, Presley became the first rock and roll singer to be awarded the
Grammy Lifetime Achievement Award (then known as the Bing Crosby Award). Three new, non-film Presley studio albums were released in 1971. Best received by critics was
Elvis Country, a
concept record that focused on genre standards. The biggest seller was
Elvis Sings The Wonderful World of Christmas. According to Greil Marcus,In the midst of ten painfully genteel Christmas songs, every one sung with appalling sincerity and humility, one could find Elvis tom-catting his way through six blazing minutes of "
Merry Christmas Baby", a raunchy old
Charles Brown blues.[...] If [Presley's] sin was his lifelessness, it was his sinfulness that brought him to life.
Marriage breakdown and Aloha from Hawaii (left) and
Paul Anka (right) backstage at the
Las Vegas Hilton on August 5, 1972 MGM filmed Presley in April 1972 for
Elvis on Tour, which went on to win the
Golden Globe Award for Best Documentary Film for
that year's Golden Globe Awards. His gospel album
He Touched Me, released that month, would earn him his second
Grammy Award for Best Inspirational Performance. A fourteen-date tour commenced with an unprecedented four consecutive sold-out shows at New York's
Madison Square Garden. The evening concert on July 10 was issued in LP form a week later.
Elvis: As Recorded at Madison Square Garden became one of Presley's biggest-selling albums. After the tour, the single "
Burning Love" was released—Presley's last top ten hit on the US pop chart. "The most exciting single Elvis has made since 'All Shook Up, wrote rock critic
Robert Christgau. Presley and his wife had become increasingly distant, barely cohabiting. In 1971, an affair he had with Joyce Bova resulted—unbeknownst to him—in her pregnancy and an abortion. He often raised the possibility of Joyce moving into Graceland. Priscilla at that period of time was having an affair with her karate instructor. The Presleys officially
separated on February 23, 1972. Five months later, Presley's new girlfriend,
Linda Thompson, a songwriter and one-time Memphis beauty queen, moved in with him. Presley and his wife filed for divorce on August 18. According to Joe Moscheo of the Imperials, the failure of Presley's marriage "was a blow from which he never recovered". At a rare press conference that June, a reporter had asked Presley whether he was satisfied with his image. Presley replied, "Well, the image is one thing and the human being another ... it's very hard to live up to an image." In January 1973, Presley performed two benefit concerts for the
Kui Lee Cancer Fund in connection with a groundbreaking television special,
Aloha from Hawaii, which would be the first concert by a solo artist to be aired globally. The first show served as a practice run and backup should technical problems affect the live broadcast two days later. On January 14,
Aloha from Hawaii aired live via satellite to prime-time audiences in Japan, South Korea, Thailand, the Philippines, Australia, and New Zealand, as well as to US servicemen based across Southeast Asia. In Japan, where it capped a nationwide Elvis Presley Week, it smashed viewing records. The next night, it was simulcast to twenty-eight European countries, and in April an extended version aired in the US, receiving a fifty-seven percent share of the TV audience. Over time, Parker's claim that it was seen by one billion or more people would be broadly accepted, but that figure appeared to have been sheer invention. Presley's stage costume became the most recognized example of the elaborate concert garb with which his latter-day persona became closely associated. As described by
Bobbie Ann Mason, "At the end of the show, when he spreads out his American Eagle cape, with the full stretched wings of the eagle studded on the back, he becomes a god figure." The
accompanying double album, released in February, went to number one and eventually sold over five million copies in the US. It was Presley's last
US number-one pop album during his lifetime. At a midnight show that same month, four men rushed onto the stage in an apparent attack. Security personnel came to Presley's defense, and he ejected one invader from the stage himself. After the show, Presley became obsessed with the idea that the men had been sent by
Mike Stone (Priscilla's karate instructor) to kill him. Though they were shown to have been only overexuberant fans, Presley raged, "There's too much pain in me ... Stone [must] die." His outbursts continued with such intensity that a physician was unable to calm him, despite administering large doses of medication. After another two full days of raging,
Red West, his friend and bodyguard, felt compelled to get a price for a
contract killing and was relieved when Presley decided, "Aw hell, let's just leave it for now. Maybe it's a bit heavy." In June, the press announced that Priscilla sued to set aside the default divorce settlement.
1973–1977: Medical crises and last studio sessions arm in arm after their divorce was finalized in 1973 Presley's divorce settlement was finalized on October 9, 1973. He and Priscilla would remain close friends until his death, even walking arm in arm while leaving the courtroom where they finalized their divorce. Priscilla recalled that they lived life together "like we were never divorced. Elvis and I still hugged each other, still had love. We would say, 'Mommy said this' and 'Daddy said that.' That helped Lisa to feel stable. There was never any arguing or bitterness." By this time, his health was in serious decline. Twice during the year he overdosed on
barbiturates, spending three days in a coma in his hotel suite after the first incident. In late 1973, he was hospitalized from the effects of a
pethidine addiction. According to his primary care physician,
George C. Nichopoulos, Presley "felt that by getting drugs from a doctor, he wasn't the common everyday junkie getting something off the street". Since his comeback, he had staged more live shows with each passing year, and 1973 saw 168 concerts, his busiest schedule ever. Despite his failing health, he undertook another intensive touring schedule in 1974. Presley's condition declined precipitously that September. Keyboardist
Tony Brown remembered his arrival at a
University of Maryland concert: "He fell out of the limousine, to his knees. People jumped to help, and he pushed them away like, 'Don't help me.' He walked on stage and held onto the mic for the first thirty minutes like it was a post. Everybody's looking at each other like, 'Is the tour gonna happen'?" Guitarist John Wilkinson recalled: He was all gut. He was slurring. He was so fucked up. ... It was obvious he was drugged. It was obvious there was something terribly wrong with his body. It was so bad the words to the songs were barely intelligible. ... I remember crying. He could barely get through the introductions. On July 13, 1976, Vernon Presley—who had become deeply involved in his son's financial affairs—had fired "
Memphis Mafia" bodyguards
Red West (Presley's friend since the 1950s),
Sonny West, and David Hebler, citing the need to "cut back on expenses". Presley was in
Palm Springs at the time, and some suggest the singer was too cowardly to face the three himself. Another associate of Presley's, John O'Grady, argued that the bodyguards were dropped because their rough treatment of fans had prompted too many lawsuits. Presley's stepbrother David Stanley has claimed that the bodyguards were fired because they were becoming more outspoken about Presley's drug dependency. RCA began to grow anxious as his interest in the recording studio waned. After a session in December 1973 that produced eighteen songs, enough for almost two albums, Presley made no official studio recordings in 1974. Parker delivered RCA another concert record,
Elvis Recorded Live on Stage in Memphis. Recorded on March 20, it included a version of "
How Great Thou Art" that won Presley his third and final
Grammy Award for Best Inspirational Performance. All three of his competitive Grammy winsout of fourteen total nominationswere for gospel recordings. Presley returned to the recording studio in March 1975, but Parker's attempts to arrange another session toward the end of the year were unsuccessful. In 1976, RCA sent a mobile recording unit to Graceland that made possible two full-scale recording sessions, but the recording process had become a struggle for him. After Presley's relationship with Linda Thompson ended, he began dating
Ginger Alden in November 1976, and proposed marriage to Alden two months later. Journalist Tony Scherman wrote that, by early 1977, "Presley had become a grotesque caricature of his sleek, energetic former self. Grossly overweight, his mind dulled by the pharmacopoeia he daily ingested, he was barely able to pull himself through his abbreviated concerts." According to Andy Greene of
Rolling Stone, Presley's final performances were mostly "sad, sloppy affairs where a bloated, drugged Presley struggled to remember his lyrics and get through the night without collapsing ... Most everything from the final three years of his life is sad and hard to watch." In
Alexandria, Louisiana, he was on stage for less than an hour and "was impossible to understand". On March 31, he canceled a performance in
Baton Rouge, unable to get out of his hotel bed; four shows were rescheduled. Despite his deteriorating health, Presley fulfilled most of his touring commitments. According to Guralnick, fans "were becoming increasingly voluble about their disappointment, but it all seemed to go right past Presley, whose world was now confined almost entirely to his room and his
spiritualism books". Presley's cousin, Billy Smith, recalled how he would sit in his room and chat for hours, sometimes recounting favorite
Monty Python sketches and his past escapades, but more often gripped by paranoid obsessions. "
Way Down", Presley's last single issued during his lifetime, was released on June 6, 1977. That month, CBS taped two concerts for a television special,
Elvis in Concert, to be broadcast in October. In the first, shot in
Omaha on June 19, Presley's voice, Guralnick writes, "is almost unrecognizable, a small, childlike instrument in which he talks more than sings most of the songs, casts about uncertainly for the melody in others, and is virtually unable to articulate or project". Two days later, in
Rapid City, South Dakota, "he looked healthier, seemed to have lost a little weight, and sounded better, too", though, by the conclusion of the performance, his face was "framed in a helmet of blue-black hair from which sweat sheets down over pale, swollen cheeks". Presley's final concert was held in
Indianapolis at
Market Square Arena, on June 26, 1977. The book
Elvis: What Happened?, co-written by the three bodyguards fired a year earlier, was published on August 1. It was the first exposé to detail Presley's years of drug misuse. He was devastated by the book and tried unsuccessfully to halt its release by offering money to the publishers. By this point, he suffered from multiple ailments:
glaucoma,
high blood pressure,
liver damage, and an
enlarged colon, each aggravated—and possibly caused—by drug abuse. His last appearance in public occurred during the early morning hours of August 8, 1977, when he rented the entire
Libertyland amusement park in Memphis for himself and about ten others. ==Death==