Artists whose work is present in the church include (for funerary monuments and stained-glass windows see below): •
Benedetto da Maiano: pulpit; with his brother
Giuliano: doors to Cappella dei Pazzi •
Cimabue:
Crucifix, badly damaged by the 1966 flood and now in the refectory •
Andrea della Robbia: altarpiece in Cappella Medici •
Luca della Robbia: glazed terracotta decoration of Cappella dei Pazzi •
Desiderio da Settignano: frieze in Cappella dei Pazzi •
Donatello:
Cavalcanti Annunciation on the south wall; crucifix in the lefthand Cappella Bardi di Vernio;
St Louis of Toulouse in the refectory (originally made for
Orsanmichele) •
Agnolo Gaddi: fresco cycle of
The Legend of the True Cross in the apse with stained glass windows designed by him (1385–1387); fresco decoration of the Cappella Castellani with scenes of the lives of SS Anthony the Great, John the Baptist, John the Evangelist and Nicholas (1385) •
Taddeo Gaddi: frescoes in the
Baroncelli Chapel;
Crucifixion in the sacristy;
Arbor vitae with the Last Supper in the refectory (c. 1330–1340 or 1360), considered his best work •
Giotto: frescoes in Cappella Peruzzi and righthand Cappella Bardi; possibly
Coronation of the Virgin, altarpiece in the
Baroncelli Chapel, also attributed to Taddeo Gaddi •
Giovanni da Milano: frescoes in Cappella Rinuccini) with Scenes of the
Life of the Virgin and the Magdalen •
Maso di Banco: frescoes in Cappella Bardi di Vernio) depicting
Scenes from the life of St. Sylvester (1335–1338) •
Henry Moore: statue of a warrior in the Primo Chiostro •
Andrea Orcagna: frescoes largely disappeared during Vasari's remodelling, but some fragments remain in the refectory •
Antonio Rossellino: relief of the
Madonna del Latte (1478) in the south aisle •
Santi di Tito:
Supper at Emmaus and
Resurrection, altarpieces in the north aisle •
Giorgio Vasari:
Way to Calvary •
Domenico Veneziano:
SS John and Francis in the refectory Once present in the church's Medici Chapel, but now split between the Florentine Galleries and the
Bagatti Valsecchi Museum in Milan, is a
polyptych by
Lorenzo di Niccolò, whilst the
Novitiate Altarpiece by
Filippo Lippi and a predella by
Pesellino was painted for the church's Novitiate Chapel. Giotto di Bondone - Scenes from the Life of Saint Francis - 4. Death and Ascension of St Francis - WGA09307.jpg|Giotto's
Death of St. Francis (early 1320s) with overpainting removed Taddeo Gaddi, Stories of the Virgin, c1330, Baroncelli chapel, Santa Croce, Florence.jpg|Taddeo Gaddi,
Stories of the Virgin (c. 1330), Baroncelli chapel, north wall Taddeo Gaddi, Arbor vitae, c1330-40 or -60, Santa Croce Refectory, Florence.jpg|Taddeo Gaddi,
Arbor vitae (c. 1330–1340 or 1360), refectory Florence, Santa Croce, apse, Legend of the True Cross, frescoe cycle by Agnolo Gaddi, 1385-1387 north.jpg|Agnolo Gaddi,
Legend of the True Cross (1385–1387), north wall of the apse Florence, Santa Croce, apse, Legend of the True Cross, frescoe cycle by Agnolo Gaddi, 1385-1387 south.jpg|Agnolo Gaddi,
Legend of the True Cross (1385–1387), south wall of the apse Florence, Santa Croce, 1294–1385, high altar, Madonna by Niccolò Gerini, the Doctors of the Church by Giovanni del Biondo and NN.jpg|High altar with a Madonna by
Niccolò Gerini, and the Doctors of the Church by
Giovanni del Biondo and an unknown hand (14th ct.) Donatello, Cavalcanti Altar, c1433-35, Santa Croce, Florence.jpg|Donatello,
Cavalcanti Annunciation (c. 1433–1435) Giorgio Vasari, Way to Calvary and Christ Meeting with Veronica, 1568-72, Buonarroti altar, Santa Croce, Florence.jpg|Giorgio Vasari,
Way to Calvary and Christ Meeting with Veronica, 1568–1572, Buonarroti altar == Stained-glass windows ==