Batman (1989) Warner Bros. appointed
Tim Burton as
Batman director in 1988. The studio approached Burton as early as 1985, but had no formalized deal until a week after
Beetlejuice opened in theaters. Burton discarded Mankiewicz's screenplay as he found the tone too similar to
Superman.
Frank Miller's
The Dark Knight Returns (1986) guided Hamm's script, reflecting a darker approach than previous interpretations to that point. When the
1988 Writers Guild of America strike forced Hamm to resign, Warner Bros. engaged
Warren Skaaren,
Charles McKeown and
Jonathan Gems for additional rewrites to lighten the tone. Burton chose
Michael Keaton among a number of leading men as
Wayne, despite resistance from studio executives. Keaton was a controversial casting choice; he had been mainly known as a comedic actor and was not perceived to fit the Batman archetype.
Jack Nicholson stars opposite Keaton as the
Joker, earning as much as $50–$90 million for his work.
Principal photography occurred from October 1988 to January 1989 on constructed sets at the backlot of
Pinewood Studios in London. After its June 1989 release,
Batman received mostly positive reviews and finished the theatrical run as the year's
second highest-grossing film, with a box office take of $400 million. At the
62nd Academy Awards, the film won
Best Art Direction.
Batman Returns (1992) Studio executives prioritized a sequel to
Batman beginning in late-1989. Warner Bros. secured Burton's commitment as director for
Batman Returns in 1991. Burton was reluctant to return for another film because he was cynical about sequels. Waters developed the script with greater emphasis on the villains—including
Catwoman (
Michelle Pfeiffer) and the Penguin (
Danny DeVito). Burton brought on
Wesley Strick for an uncredited rewrite before assigning Waters further script editing duties.
Batman Returns polarized critics and, to the dismay of Warner Bros., saw diminished returns at the box office. They hired
Joel Schumacher as Burton's replacement, believing he could better realize a film conducive to advertising toys. The screenplay was conceived by Lee and Janet Scott-Batchler, a husband-and-wife writing team, and
Akiva Goldsman. Keaton at first supported the changes but in time dropped out, objecting to the script.
Ethan Hawke,
Daniel Day-Lewis,
Ralph Fiennes, and
Kurt Russell were among those considered to play Batman, which inevitably went to
Val Kilmer. Kilmer came to Schumacher's attention for his work in the Western film
Tombstone (1993). Shooting took place from September 1994 to March 1995, followed by the theatrical rollout in June 1995.
Batman Forever finished the year as the
sixth highest-grossing film by amassing $350 million globally, but drew a tepid critical response. Nonetheless, the film received three nominations at the
68th Academy Awards.
Batman & Robin (1997) Schumacher was signed as director of
Batman & Robin while
Batman Forever ran in theaters. Goldman and
Chris O'Donnell returned, the former as the film's sole screenwriter. Kilmer did not reappear, and reports give conflicting accounts about the circumstance of the actor's departure. Schumacher maintained in a 1996 interview that producers "sort of fired" Kilmer because he was volatile on the set of
Batman Forever. On the other hand, Kilmer cited scheduling conflicts that arose as a result of prior commitments to
Heat (1995) and
The Saint (1997). In his documentary film
Val (2021), the actor clarified further that the experience working in the Batsuit, which he found cumbersome, influenced his decision to leave. Filming for
Batman & Robin began in September 1996 and finished two weeks ahead of schedule in January 1997, and the theatrical release was scheduled in June 1997.
Batman & Robin was a critical and commercial failure and is cited as one of the worst blockbuster films ever made.
Unrealized proposals Warner Bros. initiated plans to expand the franchise with several films, including a third Schumacher Batman film commissioned as
Batman & Robin was in production. The studio announced the project with
Mark Protosevich as screenwriter. Protosevich's treatment, a 150-page script named
Batman Unchained, revolves around Wayne's efforts to confront figures of his turmoiled past, chiefly
the Scarecrow,
Harley Quinn, and, ultimately, the Joker through a drug-induced hallucination. In the film's final scene, Wayne is besieged by a swarm of bats as a symbol of triumph over his fears. Sequel development collapsed after the failure of
Batman & Robin. ==Planned relaunch==