Writing for
Vanity Fair, K. Austin Collins lamented the predictability of the list - "heavy on works from Europe and East Asia; low on women; low on avant garde and documentary filmmaking" - and the absence of popular genres such as
Nollywood,
Bollywood or
Giallo, arguing that "a truly worthy list of this nature wouldn’t be so snobby about high and low culture. It’d be a glorious, messy mix of arthouse and pop, as any list about the greatest art—rather than the greatest textbook art—should be." == Partial list ==