The Architects Collaborative Thompson began his architectural career in 1946 as one of seven founders of
The Architects Collaborative (TAC) which also included
Norman C. Fletcher,
Jean B. Fletcher,
John C. Harkness,
Sarah P. Harkness,
Robert S. McMillan and
Louis A. McMillen. The young architects persuaded the well-known
Bauhaus founder,
Walter Gropius, to join the firm and provide them with guidance. Their first project was an innovative, modernist development in
Lexington, Massachusetts which they named
Six Moon Hill. All of the TAC founders settled there in houses they collaboratively designed, with the exception of Gropius who had already built his home,
Gropius House in
Lincoln, Massachusetts. TAC's philosophy led them to emphasize collaboration as opposed celebrating individual "stars." They did however use the term "partner in charge" to identify the people with primary responsibility for a particular project. Thompson's first project for an educational institution was a set of new buildings for the historic
Phillips Academy in
Andover, Massachusetts Thompson relied on a consistent vocabulary at Brandeis: low horizontal structures with heavy, flat overhanging roofs; structural concrete frames with non-bearing exterior walls; few visual tricks or trendiness; and an "almost Japanese attitude toward composition and siting". at
Williams College in
Williamstown, Massachusetts. In 1966 Thompson left TAC to form his own firm, Benjamin Thompson & Associates (BTA). As described by his son, Anthony Thompson, his strong entrepreneurial spirit and individualism were at cross purposes to TAC's focus on "communal housing and social responsibility."
Jane Thompson also noted a "divergence of convictions" with many partners not seeing the value to TAC of the Design Research line of work Thompson had initiated.
Design Research exhibit on the 40th anniversary of the founding of DR In 1953, he founded
Design Research in Cambridge, a company that provided interior furnishings and accessories. Design Research was the first US importer and retailer of the Finnish clothing and textiles of
Marimekko. The firm eventually added stores in New York (1964) and San Francisco (1965). In 1969, he designed the company's revolutionary second Cambridge store, notable for its extreme openness and use of glass. In 1970, Thompson lost financial control and ownership of Design Research.
Festival Marketplaces Thompson is probably best known for his creation of the
Faneuil Hall Marketplace (1976) in
Boston, Massachusetts which incorporated the historic
Faneuil Hall and
Quincy Market buildings. In this and other similar projects his firm worked in collaboration with the firm of developer
James W. Rouse. In this work, he also worked closely with
Jane Fiske Thompson, who later became his second wife and frequent collaborator. The Marketplace epitomized Thompson's perspective that vital cities required people to interact with art directly, and that good food, lively design, and commerce can all be part of the experience. This project was an early example of the now widely employed "adaptive reuse" of historic buildings that have outlived their original purposes. Thompson & Rouse were likely inspired by an earlier Boston project featuring reuse of a historic building by
Carl Koch. In 1973, Koch, functioning as both architect and developer, had transformed the beautiful but obsolete
Lewis Wharf warehouses into luxury condominiums. In the following decade, Thompson and Rouse worked together on other festival marketplaces including
Harborplace (Baltimore, 1980),
South Street Seaport (New York, 1985),
Bayside Marketplace (Miami, 1987), and
Jacksonville Landing (
Jacksonville, 1987).
Practice and teaching Thompson's interest in modernism was balanced by appreciation of older architecture. In the late 1950s, he renovated
Harvard Yard's historic dormitories by updating their interior arrangements without visible exterior effect. Shortly thereafter he persuaded Harvard to remodel
Boylston Hall (built 1857) rather than demolish it. During those years, Thompson taught architecture at the
Harvard Graduate School of Design, and served as Chair of the Architecture Department 1964–1968. His 1966 essay, “Visual Squalor and Social Disorder”, argued for an urban architecture that would encourage, rather than discourage, joy and social life. To this end, in 1967 he proposed reviving Boston's obsolescent, historic wholesale food markets with food stalls, cafes, restaurants, and pushcarts appealing to the general public. == Honors ==