Box office Black Christmas grossed $10.4 million in the United States and Canada and $8.1 million in other territories, for a worldwide total of $18.5 million. However, after making $1.4 million on its first day (including $230,000 from Thursday night previews), estimates for the film were lowered to $4.5 million. It ended up debuting to just $4.2 million, finishing fifth at the box office. The film fell 57% to $1.8 million in its second weekend, finishing in tenth.
Critical response On the
review aggregator website
Rotten Tomatoes, 40% of critics' reviews are positive, with an average rating of . The website's consensus reads: "Better than the 2006 remake yet not as sharp as the original, this
Black Christmas stabs at timely feminist themes but mostly hits on familiar pulp". On
Metacritic the film has a weighted average score of 49 out of 100 based on reviews from 25 critics, indicating "mixed or average" reviews. Audiences polled by
CinemaScore gave the film an average grade of "D+" on an A+ to F scale, while those at
PostTrak gave it an "awful" average of 1.5 out of 5 stars, with 38% saying they would definitely recommend it. David Fear of
Rolling Stone gave the film three out of five stars, writing: "The best part about Takal and Wolfe's take on the material is that it's angry — righteously, deservedly, properly enraged about the crap that many people, but one gender in particular, have had to put up with for way, way too long". Kimber Myers of the
Los Angeles Times wrote: "Fans of the original ... might not love writer-director Sophia Takal's take, but
Black Christmas is a fun film that gets its kicks out of literally smashing the patriarchy". Benjamin Lee of
The Guardian gave it one out of five stars: "It's quick, cheap-looking and entirely devoid of suspense, atmosphere and dramatic tension, so inept at times that it makes 2006's questionable remake suddenly seem like a misremembered masterwork". Ed Potton of
The Times also gave it one out of five stars and wrote: "The final half-hour brings ludicrous supernatural developments, some astonishing leaps in deduction from Riley and the least dramatic unmasking in screen history". John DeFore of
The Hollywood Reporter wrote: "Unfortunately, Takal's
Black Christmas is far more ordinary, a blunt object in a fight demanding either sharp knives or explosives".
Rex Reed of
The New York Observer gave it zero out of four stars: "Despite its desperate efforts to justify the homicides, there's nothing remotely innovative or even goofily satirical about it". ==Notes==