Black Ken was fully produced by Lil B under his BasedGod alias. He worked with fours engineers and used a
Casio keyboard to produce the beats on the mixtape.
Black Ken has a runtime of an hour and 39 minutes and consists of 27 tracks.
hyphy, Critics highlighted Lil B's stylistic versatility, and considered his rapping and sound on the mixtape more refined than on previous releases. Writing for
Pitchfork, Meaghan Garvey said that the first eight tracks "represent [Lil B's] most purposeful block of music since his 2009 opus
6 Kiss". Ross Scarano of
Complex described the beats on the mixtape as "retro but not quite," while Angel Diaz called the production "crisp and polished".
Pitchfork's Evan Minsker called
Black Ken "a defining statement throughout." and features "tight, spaced-out production," according to
Tiny Mix Tapes. The next song, "Getting Hot", was described as a "club banger" by
Tiny Mix Tapes. The fourteenth track, "Ride (Hold Up)", was described as a "sonic outlier" and "a
Clara Rockmore theremin performance interrupted by sepia-toned zaps of
Detroit techno" by Garvey. "Zam Bose (In San Jose)", the sixteenth track, contains elements of
latin music, and was described as one of
Black Ken's "brutal lows" by Pierre. Garvey wrote that the song "resists explanation entirely." Findlay compared the following track, "Go Senorita Go", to Lil B's 2010 song, "Hipster Girls". Garvey compared Lil B's voice on the eighteenth track, "Turn Up (Till You Can’t)", to his voice on his 2012 song, "
California Boy". The song was also called a "club banger" by
Tiny Mix Tapes. The twenty-second track, "The Real Is Back", saw Lil B "airing out his beef with
Soulja Boy", according to Minsker. ==Critical reception==