The novel is dedicated "to the many readers in this and other countries who write to me asking: 'What has happened to Tommy and Tuppence? What are they doing now?'" Francis Iles (
Anthony Berkeley Cox) in
The Guardian's issue of 13 December 1968 admitted that, "This is a thriller, not a detective story, and needless to say an ingenious and exciting one; but anyone can write a thriller (well, almost anyone), whereas a genuine Agatha Christie could be written by one person only." Maurice Richardson in
The Observer of 17 November 1968 said, "Not her best though it has patches of her cosy euphoria and aura of the sinister."
Robert Barnard said that this novel "Begins rather well, with a vicious old aunt of Tommy's in a genteel old people's home, but declines rapidly into a welter of half-realised plots and a plethora of those conversations, all too familiar in late Christie, which meander on through irrelevancies, repetitions and inconsequentialities to end nowhere (as if she had sat at the feet of
Samuel Beckett).” He concluded his negative assessment of the plot by saying that it “Makes one appreciate the economy of dialogue – all point, or at least possible point, in early Christie." ==Film, TV or theatrical adaptations==