Gold bracteates commonly denote a certain type of jewelry, made mainly in the 5th to 7th century AD, represented by numerous gold specimens. Bead-rimmed and fitted with a loop, most were intended to be worn suspended by a string around the neck, supposedly as an
amulet. The gold for the bracteates came from coins paid as peace money by the Roman Empire to their Northern Germanic neighbors.
Motifs Many of the bracteates feature ruler portraits of
Germanic kings with characteristic hair that is plaited back and depictions of figures from
Germanic mythology influenced to varying extents by Roman coinage while others feature entirely new motifs. The motifs are commonly those of Germanic mythology and some are believed to be
Germanic pagan icons giving protection or for divination. Often depicted is a figure with a
horse,
birds and sometimes a
spear – that some scholars interpret as a representation of the Germanic god
Wodan – and aspects of the figure that would later appear in 13th century depictions as
Odin such as the
Poetic Edda. For this reason the bracteates are a target of iconographic studies by scholars interested in Germanic religion. Several bracteates also feature
runic alphabet inscriptions (a total of 133 inscriptions on bracteates are known, amounting to more than a third of the entire
Elder Futhark corpus). Numerous bracteates feature
swastikas as a common motif.
Typology The typology for bracteates divides them into several letter-named categories, a system introduced in an 1855 treatise by the Danish numismatist
Christian Jürgensen Thomsen named
Om Guldbracteaterne og Bracteaternes tidligste Brug som Mynt and finally defined formally by the Swedish numismatist
Oscar Montelius in his 1869 treatise
Från jernåldern: • A-bracteates (
~92 specimens): showing the face of a human, modelled after antique imperial coins • B-bracteates (~91 specimens): one to three human figures in standing, sitting or kneeling positions, often accompanied by animals • C-bracteates (best represented, by ~426 specimens): showing a male's head above a quadruped, often interpreted as the Germanic god
Woden. • D-bracteates (~359 specimens): showing one or more highly stylized animals • E-bracteates (~280 specimens): showing an animal
triskele under a circular feature • F-bracteates (~17 specimens): as a subgroup of the D-bracteates, showing an imaginary animal • M-'bracteates' (~17 specimens): two-sided imitations of Roman imperial medallions
Corpus More than 1,000 Migration Period bracteates of type A-, B-, C-, D-, and F are known in total (Heizmann & Axboe 2011). Of these, 135 (ca. 11%) bear
Elder Futhark inscriptions which are often very short; the most notable inscriptions are found on the
Seeland-II-C (offering traveling protection to the one who wears it),
Vadstena (giving a listing of the Elder Futhark combined with a potential magical inscription) and
Tjurkö (featuring an inscription in scaldic verse) bracteates. To these can be added the ca. 270 E-bracteates (Gaimster 1998), which belong to the Vendel Period and thus are slightly later than the other types. They were produced only on Gotland, and while the earlier bracteates (apart from a few English pieces) all were made from gold, many E-bracteates were made from silver or bronze. The German historian
Karl Hauck, Danish archaeologist
Morten Axboe and German runologist
Klaus Düwel have worked since the 1960s to create a complete corpus of the early Germanic bracteates from the migration period, complete with large scale photographs and drawings. This has been published in three volumes in German named
Die Goldbrakteaten der Völkerwanderungszeit. Ikonographischer Katalog. A catalogue supplement is included in Heizmann & Axboe 2011. ==High medieval bracteates==