Jenkins started experimenting with
motion pictures in 1891, and eventually quit his job and concentrated fully on the development of his own
movie projector, the
Phantoscope. As the
Richmond Telegram reported on June 6, 1894, about his endeavors to show his parents, friends, and newsmen a gadget he had been working on for two years: a "motion picture projecting box". They gathered at Jenkins' cousin's jewelry store in downtown Richmond and viewed what may have been the first live-action film screening in front of an audience. The motion picture was of vaudeville dancer
Annabelle doing a butterfly dance, which Jenkins had filmed himself in the backyard of his Washington boarding house. According to later accounts, each film frame was painstakingly colored by hand. A July 1894 article in the
Photographic Times noted how the Phantoscope had several advantages over Edison's
Kinetograph; it was small (5 x 5 x 8 inches), portable and cheap. Although Jenkins had written that he intended to make a nickel-in-the-slot device (comparable to Anschütz's
Electrotachyscope and the
Kinetoscope), the machine could project its images "upon any size screen" with a
magic lantern (comparable to the
Zoopraxiscope that Muybridge used to project traced contours of his
chronophotographic pictures). The magazine published a selection of 15 circular frames of the 50 frames movie of a man
putting a shot. Jenkins also planned to synchronize the movies to sound recordings with a
phonograph (as previously suggested by
Wordsworth Donisthorpe, Muybridge and others since very soon after the introduction of Edison's device in 1877). At the
Bliss Electrical School, in Washington, D.C., Jenkins met his classmate
Thomas Armat, and together they improved the design. They did a public screening at
Cotton States and International Exposition in
Atlanta in 1895 and subsequently broke up quarreling over
patent issues. This modified Phantoscope of Jenkins and Armat was patented July 20, 1897. Jenkins eventually sold his interest in the projector to Armat. Armat subsequently sold the rights to
Thomas Edison, who marketed the projector under the name Vitascope. It was with this projector that Edison began public showings in vaudeville theaters of filmed motion pictures, with paid admission. In 1898, Jenkins published
Animated Pictures, an early overview of the historical development and explanations of the methods and machines. ==Television==