,
Ghent There has been little change in the character of the cope since it was first worn by the
clergy. It was made of a semicircular piece of
silk or other material, its shape distinguishing it from the
chasuble, which had straight edges sewn together in front. Both garments are similar in form and origin to the Orthodox
phelonion. Modern copes no longer have a hood. Some early examples feature a triangular hood, which was intended to protect the head during processions, but over time the hood it came to represented by a shield-shaped piece of embroidery that sometimes adorned with a fringe or
tassel. Early chasubles depicted in 8th- and 9th-century drawings, have a primitive style of hood, suggesting that the cope and the chasuble had a common origin. establishes that what in Gaul was styled
cuculla (
cowl) was known to the Cassinese monks as
cappa. Moreover, the word occurs more than once in
Alcuin's correspondence, apparently as denoting a garment for everyday wear. When Alcuin twice observes about a
casula which was sent him, that he meant to wear it always at
Mass, this suggests that such garments at this date were not distinctively liturgical owing to anything in their material or construction, but that they were set aside for the use of the altar at the choice of the owner, who might equally well have used them as part of his ordinary attire. In the case of the chasuble the process of liturgical specialization was completed at a comparatively early date, and before the end of the ninth century the maker of a
casula probably knew quite well in most cases whether he intended his handiwork for a Mass vestment or for an everyday outer garment. But in the case of a
cappa or cope, this period of specialization seems to have been delayed until much later. The two hundred
cappae or copes which appear in a
Saint-Riquier inventory in the year 801, a number increased to 377 by the year 831, were thought to be mere cloaks, for the most part of rude material and destined for common wear. It may be that their use
in choir was believed to add to the decorum and solemnity of the
Divine Office, especially in the winter season. In 831 one of the Saint-Riquier copes is specially mentioned as being of chestnut colour and embroidered with gold. This, no doubt, implies use by a dignitary, but it does not prove that it was as yet regarded as a sacred vestment. In fact, according to the conclusions of
Edmund Bishop, who was the first to sift the evidence thoroughly, it was not until the twelfth century that the cope, made of rich material, was in general use in the ceremonies of the Church, at which time it had come to be regarded as the special vestment of cantors. Still, an ornamental cope was even then considered a vestment that might be used by any member of the clergy from the highest to the lowest, in fact even by one who was only about to be
tonsured. "instead of the
cappa scissa, the same cope not sewn up, is again and again enjoined on the clergy by
synods and
statutes during the late
Middle Ages." ==Modern use==