The black-capped chickadee has a black cap and "bib" with white cheeks. Its underparts are white with buff-coloured flanks. Its back is unstreaked and greenish grey, and the tail and wings are slate grey. It has a black
beak and legs, and dark brown
irises. Males and females are generally similar, although males have a larger bib. They can also be distinguished based on a combination of weight and tail length.
Tarsus length does not significantly differentiate sexes. Males have a wing length of , a tail length of , a bill length of , and a tarsus length of . Females are on average slightly smaller, with a wing length of , a tail length of , a bill length of , and a tarsus length of . Both sexes weigh .
Vocalization The vocalizations of the black-capped chickadee are highly complex, with 16 distinct types of vocalizations being used to convey an array of information. These vocalizations are likely an evolutionary adaptation to their habitat; they live and feed in dense vegetation, and even when the flock is close together, individual birds tend to be out of each other's visual range. One of the most recognizable sounds produced, particularly by the males, is the two-note
fee-bee song. It is a simple, clear whistle of two notes, identical in rhythm, the first roughly a
whole-step above the second. The frequency of their songs typically starts around 400
Hz, and various tones spanning roughly 1 kHz are sung within the song. A decrease of roughly 200 Hz occurs when the first note (
fee) is sung, and then another decrease around 400 Hz takes place between the end of
fee and the beginning of
bee. In spite of these multiple changes in frequency, though, anybody listening to the song only hears a pure, high-frequency tone. This is distinguished from the Carolina chickadee's four-note call
fee-bee fee-bay; the lower notes are nearly identical but the higher
fee notes are omitted, making the black-capped song like
bee bay. The males sing the song only in relative isolation from other chickadees (including their mates). In late summer, some young birds sing only a single note. Both sexes sometimes make a faint version of the
fee-bee song, and this appears to be used when feeding young. The most familiar call is the
chick-a-dee-dee-dee, which gave this bird its name. This simple-sounding call is astonishingly complex. Like other sounds the chickadee produces, it may be heard in multiple variations. The A and B notes are almost identical to one another in both frequency and duration, though black-capped chickadees possess the ability to quickly notice the difference between these two notes. No such similarity is seen between the C and D notes. These species will react when a chickadee makes the alarm call.
Red-breasted nuthatch have even been observed reacting more strongly to higher-threat alarm calls, indicating some understanding of their syntax. Black-capped chickadees make a number of other calls and sounds, such as a
gargle noise usually used by males to indicate a threat of attacking another male, often when feeding. This call is also used in sexual contexts. Black-capped chickadees learn the
gargle noise soon after birth and continues to develop it through to adulthood. This noise is among the most complex of the calls; in one population of chickadees, the
gargle contained 2 to 9 instances of 14 distinct notes, all sung within half a second. Social learning in particular is largely influential to the development of the
gargle. Beginning 30 to 35 days after birth, strings of low-amplitude precursor or sub-
gargles are produced for about a minute. At this time, they learn to produce such sounds by listening to their parents and siblings. Three chickadee populations were observed at three different sites over 8 years, and all of them produced vocalizations that were very similar to one another. Strings of juvenile sub-
gargles are almost perfectly continuous and both low and unstable in frequency, yet lacking multiple syllables. When their vocal abilities are fully developed, a stable frequency is produced and a variety of syllables is heard that vary in length. Other calls which have been noted include a "broken
dee", "variable
see",
hiss,
snarl twitter, "high
zee", and
tseet. Some of these calls are used during breeding to attract a mate or reinforce a pair bond, such as the "broken
dee" and "variable
see". Others, such as the
snarl and
twitter, are used territorially. Black-capped chickadees in an environment with ambient noise at the same frequencies as their songs are able to adjust the frequency of their songs to effectively communicate with the surrounding population. When interacting with other chickadees close by, the males matched their frequencies; however, when the surrounding environment was noisy with other species, the males adapted by increasing the frequency of their songs. Another survey, though, showed that male chickadees sometimes intentionally match the tones of competing chickadees as a way of showing aggression. Dominant males in a population often compete with lower-ranked males, and singing contests are a way male chickadees decide who gets to mate. When a male loses a contest, particularly a higher-ranking male in the population, he will often have difficulty finding a mate. ==Distribution and habitat==