Early years and success Carl Dean Wilson was born the youngest of the three Wilson boys in
Hawthorne, California, the youngest son of Audree Neva (née Korthof) and
Murry Gage Wilson. As young children, he and his brothers suffered frequent verbal and physical abuse at the hands of their father. From his pre-teens he practiced harmony vocals under the guidance of his brother Brian, who often sang in the family music room with his mother and brothers. Inspired by country star
Spade Cooley, at the age of 12, Carl asked his parents to buy him a guitar, for which he took some lessons. In 1982, Carl remembered from this time: "The kid across the street,
David Marks, was taking guitar lessons from
John Maus, so I started, too. David and I were about 12 and John was only three years older, but we thought he was a shit-hot guitarist. John and his sister Judy did fraternity gigs together as a duo. Later John moved to England and became one of
the Walker Brothers. ... He showed me some fingerpicking techniques and strumming stuff that I still use. When I play a solo, he's still there." While Brian perfected the band's vocal style and keyboard base, Carl's
Chuck Berry-esque guitar became an early Beach Boys trademark. While in high school, Carl also studied saxophone. Carl's lead vocals in the band's first three years were infrequent. Although all members of the band played on their early recordings, Brian began to employ experienced
session musicians to play on the group's instrumental tracks by 1965 to assist with the complex material, but the band was not eliminated from recording the instrumental tracks and still continued to play on certain songs on each album. Unlike the other members of the band, Carl often played alongside session musicians and also recorded his individual guitar leads during the Beach Boys' vocal sessions, with his guitar plugged directly into the
soundboard. His playing can be heard on the introduction to "
California Girls", throughout the 1965 album
The Beach Boys Today! and on "
That's Not Me" from
Pet Sounds. After Brian's retirement from touring in 1965, Carl became the musical director of the band onstage.
Production efforts In 1969, the Beach Boys' rendition of "
I Can Hear Music" was the first track produced solely by Carl Wilson. By then, he had effectively become the band's in-studio leader, producing the bulk of the albums during the early 1970s. Wilson frequently performed that song and "Rockin' All Over the World" (from the same album), as well as "Heaven" from the 1981 album, at Beach Boys' concerts in the 1980s. "Heaven" was always announced as a tribute to brother
Dennis, who drowned in December 1983.
Later years The Beach Boys'
1985 eponymous album prominently featured Wilson's lead vocals and songwriting, including on recordings such as "
It's Gettin' Late" and "Where I Belong". In 1988, the Beach Boys scored their biggest chart success in more than 20 years with the US Number 1 song "
Kokomo", co-written by
Mike Love,
John Phillips,
Scott McKenzie, and
Terry Melcher, on which Carl sang lead in the chorus. After this, Love increasingly dominated the band's recorded output and became the driving force behind the album
Summer in Paradise (1992), the first and only Beach Boys album with no input from Brian in any form. In 1992, Carl told
Michael Feeney Callan his hope was to record new material by Brian. "Speaking for myself", he told Callan, "I only want to record inspired music". Carl continued recording through the 1990s and participated in the
Don Was-led recordings of Brian's "Soul Searchin and "You're Still a Mystery", songs conceived as the basis of a
canceled Brian Wilson/Beach Boys album. He also recorded the album
Like a Brother with
Robert Lamm and
Gerry Beckley, while continuing to tour with the Beach Boys until the last months of his life. ==Personal life and beliefs==