From 1962 to 1963 and 1967 to 1968, Monsiváis was a
fellow at the "Centro Mexicano de Escritores" ("Mexican Writers's Center"). In 1965, he attended
Harvard University's Center for International Studies. In 1969, Monsiváis published his first two essays: "Principados y potestades" (lit. "Princedoms and powers") and "Características de la cultura nacional" (lit. "Characteristics of the national culture"). They were characterized as being filled with a universal curiosity and the ability to distill the core essence of Mexican political and cultural life. In 1971, he penned a
chronicle called
Días de guardar, which was compiled into a book with his first essays. In 1976, Monsiváis composed
Amor perdido, which detailed mythical film characters based upon popular song, left-wing politics, and the
bourgeoisie. During the 1980s, Monsiváis prolifically wrote the bulk of many works that shaped and destined his career. Those works include 1984's
De qué se ríe el licenciado,
Entrada libre, crónicas de la sociedad que se organiza in 1987, and 1988's
Escenas de pudor y liviandad. In 1982, he also wrote a book called
Nuevo catecismo para indios remisos, which narrated an understanding or
catechism about Mexico's
indigenous people.
Días de guarda and
Escenas de pudor y liviandad are considered his
epic works. In narrative form, Monsiváis recounted the
1985 Mexico City earthquake that killed thousands. He wrote "Historias para temblar: 19 de septiembre de 1985" ("Stories to tremble: September 19, 1985") which documented the earthquake. In 1992, Monsiváis created a biography on
Frida Kahlo entitled
Frida Kahlo: Una vida, una obra. In addition to these books, Monsiváis wrote several
anthologies including
La poesía mexicana del siglo X in 1966,
Los narradores ante el público in 1969, and in 1986 an autobiography about
Jorge Cuesta. Monsiváis remained creative into his latter years and in 2002 wrote an essay called
Yo te bendigo, vida, about
Amado Nervo. ==Political involvement==