Lesbian pornography

Deborah Swedberg, in an analysis published in the NWSA Journal in 1989, argues that it is possible for lesbian viewers to reappropriate lesbian pornography. Swedberg notes that, typically, all-women films differ from mixed pornography (with men and women) in, among other things, the settings (less anonymous and more intimate) and the very acts performed (more realistic and emotionally involved, and with a focus on the whole body rather than just the genitals): "the subject of the heterosexually produced all-women videos is female pleasure". She argues (against Laura Mulvey's "Visual Pleasure and Narrative Cineman" and Susanne Kappeler's Pornography and Representation, for example) that such movies allow for female subjectivity since the women are more than just objects of exchange. Appropriation by women of male-made lesbian erotica (such as by David Hamilton) was signaled also by Tee Corinne. Starting in 2013, Pornhub has published annual reports of user activities and found that the lesbian category has been consistently the most popular among female viewers since 2014 when gender statistics were first gathered (except in 2020 when the data was limited), and that women in general regardless of sexual orientation are more likely to search for lesbian-associated terms such as "scissoring" than men. Several articles, including those by Cosmopolitan, Glamour, and ''Women's Health'' magazines, have supported these findings through research of their own. == Mainstream inauthenticity ==

Mainstream lesbian pornography is criticized by some members of the lesbian community for its inauthenticity. According to author Elizabeth Whitney, "lesbianism is not acknowledged as legitimate" in lesbian pornography due to the prevalence of "heteronormatively feminine women", the experimental nature, and the constant catering to the male gaze, all of which counter real life lesbianism. A study conducted by Valerie Webber found that most actors in lesbian pornography consider their own pornographic sex somewhere on a spectrum between real and fake sex, depending on several factors. They were more likely to consider it authentic if there was a real attraction between themselves and the other actor(s) in the scene, and if they felt mutual respect between themselves and the producers. Authenticity in pornography is disputed because some assert that the only authentic sex has no motive other than sex itself. Pornographic sex, being shot for a camera, automatically has other motives than sex itself. On the other side, some assert that all pornographic sex is authentic since the sex is an occurrence that took place, and that is all that is needed to classify it as authentic. Concerning the authenticity of their performance, some lesbian pornographic actors describe their performance as an exaggerated, altered version of their real personality, providing some authenticity to the performance. Authenticity depends on real life experiences, so some lesbian pornographic actors feel the need to create an entirely different persona to feel safe. Webber writes of Agatha, a queer actor in lesbian pornography who "prefers that the activity and ambiance of her performances be very inauthentic, because otherwise it feels 'too close to home, referring to the oppression and verbal abuse she is subject to by homophobic men in her daily life. == Penetration ==

Like in straight and gay male pornography, there is an emphasis on penetration in lesbian pornography. lesbian pornography prominently features dildos. According to Lydon, the ability to achieve orgasm clitorally, as opposed to penetratively, eliminates the need for a phallus and, by extension, for a man. For this reason, male producers continue to include, and male viewers continue to demand, a phallus as a central feature in lesbian pornography. ==See also==