The study of the culture of specific cities and the role of cities in shaping national culture is a more recent development which provides nontraditional ways of "reading" cities. A representative class is Carl E. Schorske,
Fin-De-Siecle Vienna: Politics and Culture (1980). The basis for some of this approach stems from a
post-modern theory including the cultural anthropology of
Clifford Geertz. One example is Alan Mayne's
The Imagined Slum: Newspaper Representation in Three Cities, 1870-1914(1993), a study of how slums were represented in the newspapers in
Sydney,
San Francisco, and
Birmingham. The accounts provided dramatic life stories but failed to integrate the agendas and animosities of city officials, property owners, residents, and local businessmen. As a result, they did not reveal the true inner-city social structures. Nevertheless, the middle class accepted the image of and decided to act on the
social constructions, leading to the reformers' demands for
slum clearance and
urban renewal. As Rosen and Tarr point out, environmental history has made great strides since the 1970s, but its focus is primarily on rural areas, leading to a neglect of urban issues such as air pollution, sewage, clean water—and the concentration of large numbers of horses. Historians are beginning to integrate urban history and environmental history. Thus far most of the attention concerns the negative impact on the environment, rather than how the environment shaped the urbanization process.
Literature and philosophy In literature, the city has long stood as one of the most potent symbols of human capacities and nature. As the largest and most enduring creation of human imagination and hands, and as the largest and most sustained site of human association and interaction, the city has been seen as a marker of what humans are and of what they do. This signification has almost always been shaded with ambivalence. In old legends, epics, and utopias, cities (both actual and symbolic) appeared as places of exceptional but also contradictory meaning. The histories of Troy, Babel, Sodom, Babylon, and Rome were viewed, in Western cultures, as standing for human power, wisdom, creativity, and vision, but also for human presumption, perversion, and fated destruction. Images of the modern city restated this ambivalence with fresh intensity. Great modern cities like London, Paris, Berlin, and New York, have repeatedly been portrayed as sites of opportunity and peril, power and helplessness, vitality and decadence, creativity and perplexity. This contradictory face of the city has appeared so often in Western thought as to suggest an essential psychological and cultural anxiety about human civilization, an anxiety about humanity's relation to their created world and about "humanity" itself. This is especially true of the “modern” city, filled with human artifice and moral contradiction. ==Scholarship==