To promote the character, Namco has released Xianghua figures in Japan by a variety of manufacturers, including Duck Tail,
Epoch, Wave, and Yujin. As a tribute for the acclaimed
Soulcalibur player
Kayane, whose favourite character was Xianghua,
Namco created a tribute
AI named "Kayane" in
Soulcalibur: Broken Destiny, imitating her playing style. Xianghua has been well received since debut. Jesse Schedeen of
IGN compared her to martial arts heroes of
kung fu films such as
Crouching Tiger, Hidden Dragon, noting the similarity in how they were often portrayed as reliant on their legacy, while adding that it was "too bad none of these ancient heroes looked half as good". He added that while she was more traditional in some regards, her attire was far from it, with her
Soulcalibur IV design resembling a "hodgepodge of different Oriental fashions that come together in one sexy look". Julia Cook of
Paste described her as one of the best dressed female characters in video games, praising her "tight outfits with flowy, feminine accoutrements", while with
Soulcalibur IV her appearance shifted to a more masculine outfit. The staff of
Dreamcast Magazine considered one of the best female characters on the related
console, describing her as having "oriental flavour to her moves and style", and being a capable warrior despite looking "sweet and innocent". Lee Dawn for
Gamemeca cited Xianghua as one of the icons of the
Soulcalibur series, and considered her romance with Kilik to be one of the exciting highlights of its storyline. However, complaints were raised regarding her absence in
Soulcalibur V, calling her marriage reminiscent of a "last-minute drama". They considered it one of the necessary reasons for the franchise's eventual reboot, welcoming her return and more youthful appearance in
Soulcalibur VI.
Paste on the other hand praised her exit from the series, stating that despite being "knocked up" by Kilik, they felt she left honorably as a "revered warrior and wife of a prestigious general". She felt this use of red helped illustrate them as the cultural "
Other" in the eyes of Japanese viewers, playing into their stereotype of foreigners being "red haired barbarians", or
ketō. Professors Brenda Ayres and Sarah E. Maier book
A Vindication of the Redhead also examined Xianghua's red haircolor in regards to portraying a character as the "Other", drawing a further correlation to her "huge breasts". They argued both were often associated with foreign cultures almost exclusively in Japan prior to
World War II, and only after the war did they become a more common sight amongst black-haired Japanese women in an attempt to appeal to Western audiences due to the influence of American soldiers interacting with their culture. ==References==