MarketCharles Herbert
Company Profile

Charles Herbert

Charles Herbert Saperstein, known as Charles Herbert, was an American child actor of the 1950s and 1960s. Before reaching his teens, Herbert was renowned by a generation of moviegoers for an on-screen broody, mature style and wit that enabled him to go one-on-one with some of the biggest names in the industry, and his appearances in a handful of films in the sci-fi/horror genre garnered him an immortality there. In six years, he appeared in 20 Hollywood features.

Early life
Herbert was born Charles Herbert Saperstein in Culver City, California, the son of Pearl (Diamond) and Louis Saperstein. Blue-eyed and freckle-faced, Herbert began his acting career at age four, when he appeared on the television series Half Pint Panel (1952). The Long, Long Trailer (1954) would have been his first movie, just after he appeared in the stage production of On Borrowed Time at the Rancho Theatre, but after auditioning with some 40 other kids and chosen for a role, he was cut from the film. This period was highlighted by a celebrated performance at age eight for his role as a blind child on an episode of Science Fiction Theater (1956). Airing December 22, 1956, "The Miracle Hour" episode is about a man who never gives up hope that his fiancée's blind six-year-old son will not have to spend the holidays in darkness. Herbert starred with Dick Foran and Jean Byron. Five years later, he played the son of a blind man (Rod Steiger) in an episode of NBC's Wagon Train. ==Career==
Career
Herbert's roles in the 1950s included such popular and cult films as ''The View from Pompey's Head (1955); The Night Holds Terror (1956); These Wilder Years (1956), with James Cagney and Barbara Stanwyck; Gunfight at the O.K. Corral (1957); The Colossus of New York (1958); The Fly (1958); Houseboat (1958); The Man in the Net (1959), with Alan Ladd; The Five Pennies; Please Don't Eat the Daisies (1960); and 13 Ghosts'' (1960), in which producer/director William Castle gave him top billing at the age of 12 to secure his services. Herbert's final feature film and starring role was in The Boy and the Pirates (1960), produced and directed by Bert I. Gordon (Mr. B.I.G.), costarring his daughter Susan. Herbert and Susan Gordon had previously worked together in The Man in the Net (1959), the hospital scene in The Five Pennies (1959), and a TV pilot episode entitled The Secret Life of John Monroe (or The Secret Life of James Thurber). The 30-minute unsold pilot aired as the "Christabel" episode of Alcoa/Goodyear Playhouse, June 8, 1959. Very rarely seen, The Boy and the Pirates was released by Sony Pictures Home Entertainment as a Midnite Movies double DVD set with the more recent Crystalstone (1987), on June 27, 2006. By 1959, Herbert had achieved a lofty place among the most-desired and highest-paid child actors of his time, making nearly $1,650 per week. He had established for himself both the reputation and the nickname of "One-Take Charlie". Of his acting style, one reviewer described Herbert as "sincere, accurate, overenunciated at times, like a storybook character come to life. An extraordinary child actor by any standard, Herbert’s intense emotive quality is very much of the method acting school, highly unusual in such a young performer." Herbert's work had him opposite Cary Grant, Sophia Loren, David Niven, Vincent Price, Johnny Carson, Donna Reed, Doris Day, and Ross Martin, for all of whom he had high praise for their treatment of him. "Anybody who is in that category [a well-known actor] who is nice to the children is a nice person. 'Cause I worked with some who were not. Children and animals are not big favorites with movie stars." Starring screen roles in the 1950s soon evaporated, and Herbert was relegated to TV appearances in the 1960s. In his teenage years Herbert had small roles in Wagon Train (1957), Rawhide (1959), The Twilight Zone (1962), The Fugitive (1963), Hazel (1963), Family Affair (1966), and My Three Sons (1966). Herbert's career amassed 20 feature films, more than 50 TV shows, and a number of commercials during his 14-year span. ==Personal life==
Personal life
Because of the studio attitude toward child actors of the time, Herbert had a keen interest in the child actors of today. "I lost a lot more than the financial things. Financial things are way down the list for me. The way it’s set up in Hollywood is, I did 50 TV shows, the 20 movies, the commercials, all of that stuff... and when I turned 21, zero had been put away in the bank for me. It was not that way for every [kid actor]: If you signed a long-term contract--for instance, if you did Lassie or The Donna Reed Show or something--they put away like 5 percent for you, but if you were not on a long-term contract, ALL of the money you earned for the movies, for ALL the TV things, went to your guardians; and your guardians could do with it whatever they saw fit." The only money put away for Herbert until age 21 from his TV and film earnings was $1,700. Unable to transition into adult roles, Herbert's personal life went downhill. With no formal education or training to do anything else, and with no career earnings saved, he led a reckless, wanderlust life and turned to drugs. ==Final years==
Final years
With no family of his own, Herbert took nearly 40 years to turn his life around. He was clean and sober from August 2004 until his death, and his films, which reached new generations of fans via DVD and cable TV, and his appearances at science-fiction film festivals and conventions, sustained him. ==Filmography==
tickerdossier.comtickerdossier.substack.com