The book was reviewed positively in 1954 by
The New York Times: "Zestful and non-escapist entertainment... The most pleasantly and sensibly romantic novel to come my way in a long time." and by the
Saturday Review: "His most impressive book to date. A long, mildly ironic, and deliberately discursive work, it weaves two of his favorite subjects, the subtle social distinctions of a small Southern city and the subtle questions of reputation and standing in New York literary and publishing circles." Inez Hollander Lake, in her biography of Basso, wrote "Comfortably placed on
The New York Times bestseller list for 40 weeks, selling more than 75,000 copies, and sold to the movies for $100,000, ''The View from Pompey's Head'' was the breakthrough that Basso had been waiting for. However, just as one cannot argue that
Melville's
Typee (1846) was a better book because it sold more copies than
Moby-Dick (1851), so it is equally impossible to claim that ''The View from Pompey's Head'' was a masterpiece because it was so popular." James Sallis, writing in
The Boston Globe, commented: "What it did was gather up, like a self-anthology, themes and preoccupations from Basso's earlier work: the return-of-the-native motif so important to at least three previous novels, his ongoing investigation of old vs. new South, his penchant for both the novel of character (
Relics and Angels,
Courthouse Square) and the novel of ideas (
Days Before Lent,
Wine of the Country). Its tale of a lawyer defending a black man is a direct precursor of, almost certainly a model for,
To Kill a Mockingbird. ==Film adaptation==