Chemtrails over the Country Club

Lana Del Rey first announced the album in an interview with Time on August 30, 2019, the release date of her sixth studio album, Norman Fucking Rockwell!. Originally titled White Hot Forever, it was slated for a 2020 release, with Del Rey saying that the album would be released "sometime within the next 12 or 13 months". On May 25, 2020, the album's final title was revealed to be Chemtrails over the Country Club, scheduled for a September 5, 2020, release. After the release of her debut book, Violet Bent Backwards over the Grass in 2020, Del Rey held a book signing, where she revealed that the album had been postponed due to vinyl record production delays caused by the COVID-19 pandemic. Additionally, she revealed the title of the song "Dealer", revealing that she was uncertain about including it on the album. "Dealer" would not be included on Chemtrails over the Country Club, but eventually appeared on its follow-up Blue Banisters (2021). On September 1, Del Rey posted a video on Instagram of herself on the set of the music video for the album's title track, and announced that the album's lead single would be the song "Let Me Love You like a Woman", further stating the album would be released "soon" after. == Music and lyrics ==

Chemtrails over the Country Club is described as a folk, country folk, and Americana record. The majority of the album was co-produced by Del Rey, alongside Jack Antonoff who is also the sole producer of the album's lead single, "Let Me Love You like a Woman". The song "Yosemite" was recorded during the sessions for Del Rey's fifth studio album, Lust For Life (2017), held between 2015 and 2016. Del Rey stated "so much of the album" pertains to her "stunning girlfriends" and "beautiful siblings". She further added that, "In 2021, [Chemtrails over the Country Club] opens a sunnier chapter in [Del Rey's] controversial roman-à-clef, and folk legend Joan Baez advocates her acceptance in the pantheon", adding that the album "appears to reveal a more vulnerable Del Rey" who is "lighter on the LA menace" and "more innocently emotional" than in her previous work. The song "Breaking Up Slowly" features a guest appearance by American singer Nikki Lane, who also co-wrote the song with Del Rey. The album's closes with a cover of Joni Mitchell's "For Free" from her album Ladies of the Canyon (1970). == Cover artwork ==

On January 10, 2021, a day prior to the release of its title track, Del Rey revealed the album cover and track list of Chemtrails over the Country Club on Twitter and Instagram. The cover shows Del Rey with a number of her female friends (who also appear in the title track's music video). == Release and promotion ==

On October 16, 2020, "Let Me Love You like a Woman" was released alongside its music video as the album's lead single. Del Rey performed the song for the first time on The Tonight Show Starring Jimmy Fallon on December 14, 2020. The performance, which was pre-recorded, was her first televised performance in nine years, since her infamous appearance on Saturday Night Live in 2012. She performed the song again, as well as a rendition of "Silent Night" on at Jack Antonoff's Ally Coalition Talent Show on December 21. The following day, she posted a teaser video for the album's title track on her social media platforms, announcing its release as the second single on January 11, 2021, alongside the album's pre-order. Chemtrails over the Country Club was released worldwide on March 19, 2021. Two more singles were released from the album. The songs "White Dress" and "Tulsa Jesus Freak" were released as the album's third and fourth singles on March 19, 2021, and March 26, 2021, respectively. == Critical reception ==

Chemtrails over the Country Club was met with widespread critical acclaim. At Metacritic, which assigns a rating out of 100 to reviews from professional publications, the album received a weighted average score of 81, based on 28 reviews, indicating "universal acclaim". Los Angeles Times critic Mikael Wood found Del Rey's singing reaching a "new peak" in Chemtrails; he pinpointed how her vocals move "between her airy head voice and her sultry chest voice". Rhian Daly of NME called the album "a sublime statement" that mediates on fame and romance, having the singer "at the peak of her game". Praising the album's writing, The Observer critic Kitty Empire described it as "a record chockful of beauty and thoughtful autobiography that only a more experienced, more assured songwriter could have made". Branding it "an enchanting listen" and a "bewitching project", Clashs Robin Murray lauded the album's minimal instrumentation and the world-building of its lyrics. John Amen of PopMatters wrote, "Chemtrails makes use of a more minimal and nuanced palette than earlier albums, Del Rey distancing herself, throughout the set and to varying degrees, from her longstanding persona and familiar stylistics. In this way, she avoids collapsing into formulas or self-caricature, continuing to explore new aesthetic possibilities." In mixed reviews, Tim Sentz, writing for Beats Per Minute, stated Chemtrails is nowhere near as sonically versatile as its predecessor and is "a coffeehouse-appropriate album that contains almost none of what made her last album transcend". Spin critic Bobby Olivier favored the "several gorgeous arrangements" of the album but felt the music is less memorable than the rest of her catalogue. He found the country and folk inspired sound "sometimes striking", but the lyrics were "uninspired" at moments. Alexis Petridis of The Guardian thought the album centers heavily on Del Rey's recurrent themes of "nostalgia, troubled fame and ne'er-do-well lovers", but appreciated the melodies of its tracks. Year-end lists == Commercial performance ==

Chemtrails over the Country Club debuted at number two on the US Billboard 200 chart, earning 75,000 album-equivalent units, (including 58,000 copies in pure album sales) in its first week, according to MRC Data, becoming Del Rey's seventh US top 10 debut on the chart. In addition, the album accumulated a total of 21.19 million on-demand streams from the album's songs. becoming Del Rey's fifth UK number-one album. == Track listing ==

All tracks are written and produced by Lana Del Rey and Jack Antonoff, except where listed. == Personnel ==

Credits are adapted from official liner notes. Musicians • Lana Del Rey – vocals • Jack Antonoff – piano (1, 2, 4, 5, 9–11), guitar (1–3, 5–7, 9–11), bass (1, 2, 4–7, 9–11), drums (1–6, 10), Mellotron (2, 5, 6, 10, 11), keyboards (2), twelve-string acoustic guitar (2, 5–7), synthesizers (3, 5, 6), Model B synth-bass (3), percussion (3, 4, 6, 10), acoustic guitar (4), electric guitar (4), slide guitar (4), Hammond B3 (4), programming (4), organ (7), Rhodes (10) • Daniel Heath – strings (2) • Evan Smith – horns (2, 5, 10, 11), accordion (10) • Rick Nowels – acoustic guitar (8), keyboards (8), Mellotron (8), bass (8) • Aaron Sterling – drums (8), percussion (8) • Trevor Yasuda – sound effects (8) • Nikki Lane – additional vocals (9) • Mikey Freedom Hart – pedal steel (9), piano (11), guitar (11), Mellotron (11) • Weyes Blood – additional vocals (11) • Zella Day – additional vocals (11) Producers and engineers • Jack Antonoff – production (except 8), mixing (except 8) • Lana Del Rey – production (except 4, 8) • Rick Nowels – production (8) • Laura Sisk – engineering (except 8), mixing (except 8) • Kieron Menzies – engineering (8), mixing (8) • Dean Reid – engineering (8), mixing (8) • Trevor Yasuda – engineering (8) • John Fee – engineering (8) • John Rooney – engineering assistance (except 8) • Jon Sher – engineering assistance (except 8) • Chris Gehringer – mastering • Will Quinnell – mastering assistance (4) == Charts ==

Weekly charts Year-end charts == Certifications ==