Critical response Chernobyl received widespread critical acclaim. On review aggregator
Rotten Tomatoes, the series has an approval rating of 95% based on 103 reviews, with an average rating of 8.9/10. The website's critics consensus reads: "
Chernobyl rivets with a creeping dread that never dissipates, dramatizing a national tragedy with sterling craft and an intelligent dissection of institutional rot." On
Metacritic, it has a weighted average score of 82 out of 100, based on 27 critics, indicating "universal acclaim". Reviewers for
The Atlantic,
The Washington Post, and the
BBC observed parallels to contemporary society by focusing on the power of information and how dishonest leaders can make mistakes beyond their comprehension.
Sophie Gilbert of
The Atlantic hailed the series as a "grim disquisition on the toll of devaluing the truth";
Hank Stuever of
The Washington Post praised it for showcasing "what happens when lying is standard and authority is abused".
Meera Syal praised
Chernobyl as a "fiercely intelligent exposition of the human cost of state
censorship. Would love to see similar exposé of the
Bhopal disaster".
David Morrison was "struck by the attention to accuracy" and says the "series does an outstanding job of presenting the technical and human issues of the accident." Jennifer K. Crosby, writing for
The Objective Standard, says that the miniseries "explores the reasons for this monumental catastrophe and illustrates how it was magnified by the evasion and denial of those in charge," adding that "although the true toll of the disaster on millions of lives will never be known,
Chernobyl goes a long way toward helping us understand [its] real causes and effects." In a negative article titled "Chernobyl: The Show Russiagate Wrote," Aaron Giovannone of the American left-wing publication
Jacobin wrote that "even as we worry about the ongoing ecological crisis caused by capitalism, Chernobyl revels in the failure of the historical alternative to capitalism, which reinforces the status quo, offering us no way out of the crisis."
Russian, Belarusian and Ukrainian response The miniseries was well received by some critics and audiences in Russia.
Vladimir Medinsky, Russian culture minister, whose father was one of the
Chernobyl liquidators, called the series "masterfully made" and "filmed with great respect for ordinary people". It was reported that Russian state-run
NTV television channel has been producing its own "patriotic" version of the Chernobyl story in which the
CIA plays a key role in the disaster. The Russians then claimed that the series in question had been in production since before HBO's miniseries and was not created in response to it. An apparent trailer for the series was uploaded to
YouTube but was later deleted following negative reaction from the Russian viewers. In a statement,
Sergey Malinkovich, the head of the executive committee of the central committee of the
Communists of Russia party, called for a criminal libel lawsuit to be brought under the
Criminal Code of Russia against
Chernobyls writer, director and producers, describing the show as "disgusting". He also demanded that Russia's
Federal Service for Supervision of Communications, Information Technology and Mass Media (Roskomnadzor) block access to the "filthy" miniseries. Marianna Prysiazhniuk of
Vice Media noted that multiple Russian media outlets describe the miniseries as one-sided, incomplete, or anti-Russian propaganda.
Argumenty i Fakty dismissed the show as "a caricature and not the truth" and "The only things missing are the bears and accordions!" said Stanislav Natanzon, lead anchor of
Russia-24, one of the country's main state-run news channels. In Ukraine, Anna Korolevska, deputy director at the
Ukrainian National Chernobyl Museum in Kyiv, said "Today young people coming to power in Ukraine know nothing about that disaster in 1986. It was a necessary film to make and HBO have obviously tried their best; as for us, we are going to create a special tour about Chernobyl's historic truth, inspired by the HBO series." Bermet Talant, a Kyrgyz journalist, noted that "In Russia, a state that still takes
pride in the Soviet legacy, the series has faced criticism from the official media. Meanwhile, many in Ukraine appreciated the series for humanizing a tragic chapter in the country's history. [...] Ukrainian viewers also appreciated HBO's
Chernobyl for praising the heroism and self-sacrifice of ordinary people." Belarusian Nobel laureate
Svetlana Alexievich, whose book inspired the series, said "We are now witnessing a new phenomenon that
Belarusians, who suffered greatly and thought they knew a lot about the tragedy, have completely changed their perception about Chernobyl and are interpreting this tragedy in a whole new way. The authors accomplished this, even though they are from a completely different world – not from Belarus, not from our region." She also noted its popularity with young Belarusians.
Reception in China At the onset of the
COVID-19 pandemic in China, Chinese
netizens drew parallels between the Soviet response to the Chernobyl disaster and the initial handling of the coronavirus outbreak by the Chinese government. As a response, the page for
Chernobyl on
Douban, which by that point had amassed more than 200,000 ratings with an average of 9.6 out of 10, was taken down.
US ratings Awards and nominations ==See also==