Christiane Desroches Noblecourt

She was born Christiane Desroches on 17 November 1913, in Paris, daughter of Louis Desroches (lawyer) and Madeleine Girod. In 1922 she was fascinated by Howard Carter’s discovery of the tomb of Tutankhamun, and encouraged by priest and scholar, Father Étienne Drioton, she joined the Egyptian Antiquities department at the Louvre. She studied Egyptology at École du Louvre and received a Diploma in Archaeology in 1935 under Étienne Drioton and Charles Boreux. She excavated at the IFAO sites at Edfu, Deir el-Medina, Medamud and Karnak North from 1938 to 1940. In 1940, during World War II, she returned to Paris and joined the Resistance, hiding the Louvre's Egyptian treasures in free areas of France. In 1942, she married André Noblecourt, an engineer, and later security advisor to the national museums of France, International Council of Museums (ICOM) and UNESCO. ==UNESCO Campaign to Save the Temples==

Desroches Noblecourt was a leading figure in the campaign for the preservation of ancient Nubian temples from flooding caused by the new Aswan High Dam. With the existing dam's capacity not meeting the needs of Egypt's ever-growing population, in 1954 the government of Gamal Abdel Nasser decided to build a new dam. The monuments of ancient Nubia would have been flooded if the project had gone ahead as planned. Mustafa Amer, head of the Antiquities Service, set up the Centre des études et de documentation d’archéologie égyptienne (CEDAE), and in 1954, reportedly Amer sent a telegram and letter to UNESCO in Paris suggesting as a possible archive specialist for the new Centre, one of which was Desroches Noblecourt, then curator of Egyptian antiquities at the Louvre. Desroches Noblecourt was chosen as the UNESCO's advisor to the CEDAE and she arrived in Cairo in November 1954 . Later that year both the Sudanese and Egyptian governments requested UNESCO's support and together they launched the twenty-two year campaign to save the temples of ancient Nubia. Fifty countries contributed funds to save the monuments. The Temple of Amada was a difficult case, because of its small, beautifully painted reliefs. Desroches Noblecourt announced that France would save it. However, more funds were needed for this project. To this end Desroches Noblecourt requested an interview with Charles de Gaulle, who had no idea of the commitment she had made in the name of her country. Reportedly on learning of it, he demanded, “Madame, how dare you say that France will save the temple, without authorization from my government?” Noblecourt replied, “General, how dare you make an appeal on the radio without authorization from Pétain?” De Gaulle agreed to honour Noblecourt's promise. Ultimately the rescue project, including the transportation and reconstruction of the temples on their new sites, took over twenty years. Desroches Noblecourt and France's role in the International Campaign to Save the Monuments of Nubia saw an improvement in Franco-Egyptian relations, which had been poor since the Suez Crisis of 1956. Desroches Noblecourt organized several exhibitions with objects traveling from Egypt, some for the first time, namely the Tutankhamun exhibition at the Louvre in 1967 and Ramses II in 1976. In 1972, in recognition of France's contributions to the International Campaign to Save the Monuments of Nubia, the government of Anwar Sadat gave to the Louvre the bust of Amenhotep IV (Akhenaten). == Exhibition of Tutankhamun and His Times ==

In 1963, Desroches Noblecourt published Tutankhamen: Life and Death of a Pharaoh, and in the years following, as head of Egyptian Antiquities at the Louvre, Desroches Noblecourt organised the Tutankhamun exhibition in 1967. The proceeds from the exhibition went to the Abu Simbel rescue fund, totaling nearly US$500,000. The exhibition was bigger, with more objects from the tomb, than had previously toured North America and Japan. Desroches Noblecourt negotiated the objects that would form the exhibition, and they included the gold mask of Tutankhamun, marking the first time it entered Europe. == Ramses II ==

In May 1976, there was an exhibition of Ramses II at the Grand Palais, and by September it had had over 650,000 visitors. In September 1976, Ramses II's mummified body flew into Paris, accompanied from Cairo by Desroches Noblecourt, where it underwent testing at Musée de l'Homme at Trocaclero, a branch of the Paris Museum of Natural History. Desroches Noblecourt, Prof. Lionel Baloud, the head of the Musée de l'Homme, and Colette Roubet later published the study La momie de Ramsès II in 1985. ==Awards and honours==

Christiane Desroches Noblecourt has been awarded several prestigious honours, including in 1975 the gold medal of the French National Center for Scientific Research (CNRS), and in January 2008, the Grand Cross of the Légion d'honneur, the highest decoration in France, During her lifetime, she was awarded: Decorations • Resistance Medal (1946) • Order of Merit of Egypt, Second Class (13 March 1968, then the United Arab Republic) • Grand Cross of the Legion of Honour (30 January 2008; Grand Officer: 18 February 2005; Commander: 4 July 1978; == Publications ==

Desroches Noblecourt published dozens of books, articles, book chapters and reports throughout her career. A number of her books were translated into several languages and reprinted multiple times. Books • ''L'art égyptien au Musée du Louvre''. (1941). Paris: Floury • Le style égyptien. (1946). Arts, styles et techniques. Paris: Larousse. • ''L'ancienne Égypte: l'extraordinaire aventure amarnienne''. (1960). Photographs by F. L. Kenett. Histoire mondiale de la sculpture. Paris: Les Deux-Mondes. • Peintures des tombeaux et des temples égyptiens. (1962). Le Grand art en livre de poche. Paris: Flammarion. • ''Vie et mort d'un pharaon, Toutânkhamon.'' (1963). Paris: Hatchette. • Toutankhamon et son temps. (1967). Paris: Réunion des Musées Nationaux. • Le grand Pharaon Ramsès II et son Temps. (1985). Montréal: Palais de la Civilisation Montréal. • Les zélateurs de Mandoulis et les maîtres de Ballana et de Qustul. (1985). Mélanges Gamal Eddin Mokhtar. Cairo: IFAO. • La femme au temps des pharaons. (1986 and 2001). Paris: Stock. • ''La grande Nubiade ou le parcours d'une égyptologue.'' (1992). Paris: Stock. • Amours et fureurs de la lointaine. (1995). Paris: Stock. • Ramsès II, la véritable histoire. (1997). Paris: Pygmalion. • Toutânkhamon. (1999). Paris: Pygmalion. • Le secret des temples de la Nubie. (1999). Paris: Stock. • La reine mystérieuse: Hatshepsout. (2002). Paris: Pygmalion. • ''Symboles de l'Égypte.'' (2004). Paris: Desclée de Brouwer. • ''Le fabuleux héritage de l'Égypte.'' (2004). Paris: Télémaque. • Le secret des découvertes. (2006). Paris: Télémaque. • Ramses II: an illustrated biography. (2007). Paris: Flammarion. • Gifts from the pharaohs: how Egyptian civilization shaped the modern world. (2007). Paris: Flammarion. Co-authored books • Michalowski, K., Desroches Noblecourt, C. and de Linage, J. (1950). Tell-Edfou 1939. Fouilles Franco-polonaises, III. Cairo: IFAO. • Desroches Noblecourt, C. and de Bourguet, P. (1962). ''L'art égyptien.'' Paris: PUF. • Desroches Noblecourt, C. and Kuentz, C. (1968). ''Le petit temple d'Abou Simbel'', 2 vol. Cairo: Centre de documentation et d'étude sur l'ancienne Égypte. • Aldred, C, de Cenival, J-L, Debono, F., Desroches Noblecourt, C., Lauer, J-P., Leclant, J. and Vercoutter, J. (1978). Les Pharaons, Le temps des pyramides. L'univers des formes, Collection Créée par André Malraur. Paris: Gallimard. • Aldred, C., Barguet, P., Desroches Noblecourt, C., Leclant, J. and Müller, H. W. (1979). ''Les Pharaons, L'empire des conquérants''. L'univers des formes, Collection Créée par André Malraur. Paris: Gallimard. • Aldred, C., Daumas, F., Desroches Noblecourt, C. and Leclant, J. (1980). Les Pharaons, ''L'Égypte du crépuscule''. L'univers des formes, Collection Créée par André Malraur. Paris: Gallimard. • Desroches Noblecourt, C. and Vercoutter, J. (1981). Un siècle de fouilles françaises en Égypte 1880-1980, Cairo: IFAO. • Balout, L., Roubet, C. and Desroches Noblecourt, C. (1985). La momie de Ramsès II, Paris: Museum national d'histoire naturelle. • Desroches Noblecourt, C. with David, C., Franco, I., and de Tonnac, J-P (2003). Sous le regard des dieux. Paris: Albin Michel. Select articles and chapters • Desroches, C. (1938). Un modèle de maison citadine du Nouvel Empire (Musée du Louvre No. E. 5357). ''Revue d'égyptologie'' 3, 17–25. • Desroches-Noblecourt, C. (1947). Une coutume égyptienne méconnue. ''Bulletin de l'Institut Français d'Archéologie Orientale'' 45, 185–232. • Desroches Noblecourt, C. (1951). Deux grands obélisques précieux d'un sanctuaire à Karnak: les Égyptiens ont-ils érigé des obélisques d'électrum? ''Revue d'égyptologie'' 8, 47–61. • Desroches-Noblecourt, C. (1967). Exposition Toutankhamon et son temps au Petit Palais. Revue du Louvre: la revue des musées de France 17, 13–26. • Desroches Noblecourt, C. (1991). Les trois saisons du dieu et le débarcadère du ressuscité. Mitteilungen des Deutschen Archäologischen Instituts, Abteilung Kairo 47, 67–80. • Desroches-Noblecourt, C. (1995). A propos de la nouvelle tombe de la Vallée des Rois, Archéologia 314, 4–6 • Desroches Noblecourt, C. (1996). Les déesses et le sema-taouy. In Der Manuelian, Peter (ed.), Studies in honor of William Kelly Simpson 1, 191–197. Boston: Museum of Fine Arts. • Desroches-Noblecourt, C. (1997). La monture de l'enfant divin. In Phillips, Jacke (ed.), Ancient Egypt, the Aegean, and the Near East: studies in honour of Martha Rhoads Bell 1, 169–178. San Antonio: Van Siclen Books. • Desroches-Noblecourt, C. (2003). À propos des piliers héraldiques de Karnak: une suggestion. Cahiers de Karnak 11 (2), 387–403 == See also ==