Based on his dissertation, Wood's first book,
Albrecht Altdorfer and the Origins of Landscape (Reaktion and Chicago, 1993), was a monograph on the sixteenth-century German painter who created the first pure landscape paintings in the European tradition. This book was reissued with a new afterword in 2014. Wood has published many articles on the art and culture of the German late Middle Ages and Renaissance, including essays on
Albrecht Dürer and
Albrecht Altdorfer; on drawings; on the cult of images and Reformation
iconoclasm; on
ex votos; and on early archeological scholarship. He has also written on Italian artists including
Piero della Francesca,
Raphael, and
Dosso Dossi. In 2000 Wood published an anthology of translated writings by
Viennese art historians of the early twentieth century, with an introductory essay:
The Vienna School Reader: Politics and Art Historical Method in the 1930s (ZONE Books). His work on the history of the discipline of art history and its meaning within modernity includes articles on
Alois Riegl,
Josef Strzygowski,
Aby Warburg,
Erwin Panofsky,
Otto Pächt,
Ernst Gombrich, and
Michael Baxandall. He has translated Panofsky's treatise
Perspective as Symbolic Form into English. Another aspect of his research concerns the coordination of art and history. Early archeological studies, archaism, and typology are the main themes of his
Forgery, Replica, Fiction: Temporalities of German Renaissance Art (Chicago, 2008), which was awarded the Susanne M. Glasscock Humanities Book Prize for Interdisciplinary Scholarship.
Anachronic Renaissance, co-authored with Alexander Nagel (ZONE, 2010), has been widely reviewed. The French translation (
Renaissance anachroniste, Les Presses du Réel) by Françoise Jaouen was awarded the Prix de la traduction of the Salon du livre et de la revue d'art at the Festival de l'histoire de l'art, Fontainebleau, June 2013. Italian (Quodlibet) and Spanish (Akal) translations are in press. ==Honors==