Chuck Person's Eccojams Vol. 1

Prior to the release of ''Chuck Person's Eccojams Vol. 1'', Daniel Lopatin ran the YouTube channel "sunsetcorp", Lopatin would upload music videos for tracks that he called "eccojams". These were collages of slowed-down looped samples of 1980s and 1990s popular songs—or original pieces of electronic music—and looped video clips taken from YouTube; many of them were initially created at his office job in the free audio editing program GoldWave, between 2004 and 2008. "Nobody Here" combines a looped sample from Chris de Burgh's "The Lady in Red" with a vintage computer-animated graphic called "Rainbow Road". Other examples include Fleetwood Mac's "Only Over You" for "Angel" and Roger Troutman's "Emotions" for "End Of Life Entertainment Scenario #1". Some of these eccojams were initially released as part of the 2009 audiovisual project Memory Vague under Lopatin's alias Oneohtrix Point Never. Eccojams Vol. 1 was an elaboration of that technique. A limited run of 100 cassette tapes was released under the label The Curatorial Club on August 8, 2010. Its artwork incorporates fragments of the cover art for the 1992 video game Ecco the Dolphin such as "a distorted view of a rocky shoreline and a pixelated shark." Lopatin released an official remaster for digital download from his website in November 2016 that was eventually removed. ==Composition==

{{Listen ''Chuck Person's Eccojams Vol. 1'' has been described as plunderphonics, The tone has been described as "dystopian", "unnerving, often mournful", The songs consist of looped samples of popular songs from the 1980s and 1990s distorted by effects such as delay, reverb, and pitch shifting, a technique derived from DJ Screw's chopped and screwed technique and likened to a "candy-coloured variation" of William Basinski's The Disintegration Loops. Most of the lyrics isolated in these loops are lyrics which differ from "overall tone and sentiment" of the original songs and often express negative feelings. An example would be "B4", which isolates the lyric "There's nobody here" from "The Lady in Red" to convey existentialism, which differs from the romantic tone of the original song. "A1", which stretches and loops the lyric "Hurry boy, she's waiting there for you" from Toto's "Africa", serves as the introduction. "A2" uses a phaser effect on "Only Over You". "A3" is a pitched-down looped sample of JoJo's "Too Little Too Late", creating "dense, compressed, overdubbed harmonies". "A4" samples a lyric from Michael Jackson's "Morphine" expressing horror at someone taking Demerol. The lyric is warped, creating the impression that the listener is intoxicated, before flanging is applied. "A5", which samples a song by the Byrds, is described by Spectrum Culture as "a creepy little skit so blurred in effects as to be unrecognizable". "A6" is taken from Janet Jackson's "Lonely". "A7" is taken from Aphrodite's Child's "The Four Horsemen", "injecting a bit of apocalyptic dread" from the song's themes and uncertain melody. "A8", after an R&B loop, ends with a crescendo of digital noise, akin to a blizzard. "B1" has a bleak tone, similar to a twisted dream, before transitioning to an uplifting loop of Kate Bush's voice from "Don't Give Up". "B2" is a "drunken, off-key" and slowed-down loop of "Gypsy". "B5" samples 2Pac's "Me Against the World". The final song, "B7", is a loop of "Woman in Chains" by Tears for Fears, that has a shimmering effect "approaching and receding", eventually "overtak[ing] the words" before the song fades out. ==Reception and legacy==

Though ''Chuck Person's Eccojams Vol. 1'' was released "with little fanfare", the videos Lopatin posted on YouTube became popular, with "Nobody Here" amassing 30,000 views over several months. Music critic Simon Reynolds highlighted the videos' "conceptual framework" as "relat[ing] to cultural memory and the buried utopianism within capitalist commodities, especially those related to consumer technology in the computing and audio/video entertainment area". Anthony Fantano mentioned Eccojams Vol. 1 in his 2012 review of Macintosh Plus's Floral Shoppe, saying he found Eccojams Vol. 1 to be "more bold with its editing and its looping and its stretching" of music samples than Floral Shoppe. According to Tiny Mix Tapes, Eccojams Vol. 1 would lead to Lopatin's 2011 Oneohtrix Point Never album Replica. On the 2015 Oneohtrix Point Never album Garden of Delete, the song "EccojamC1" was included as a tribute to Eccojams Vol. 1. In a 2013 Reddit Ask Me Anything (AMA), when inquired about a follow-up album to Eccojams Vol. 1, Lopatin revealed that he had many eccojams in a "cryotank set to defrost in the distant future." Retrospectively, Eccojams Vol. 1 is widely considered influential in vaporwave, a music genre characterized by slowed-down samples from 1980s and 1990s music. Released before vaporwave's 2012 rise in popularity, the album would serve as a template for artists such as Vektroid and Mediafired to produce what would become vaporwave music. According to Stereogum Miles Bowe, vaporwave artists "mash the chopped and screwed plunderphonics of Dan Lopatin... with the nihilistic easy-listening of James Ferraro's Muzak-hellscapes on Far Side Virtual". In 2013, the music blog Girls Blood described Eccojams Vol. 1, along with Far Side Virtual and Skeleton's Holograms, as "Proto Vaporwave" in a post about "Vaporwave Essentials". Regarding the influx of vaporwave producers that came after Eccojams Vol. 1, Lopatin said in a 2017 AMA: Originally "relatively unacknowledged", by the time of the 2016 re-release, original copies of Eccojams Vol. 1 were highly valued, selling on Discogs for a median cost of US$250 and as high as $400. Kirk Bowman of Sputnikmusic rated Eccojams Vol. 1 highly for its poignancy and found it to be a rare example of a repetitive album that he wanted to listen to repeatedly. and Tiny Mix Tapes named Eccojams Vol. 1 the top album of the 2010s; Pat Beane said that was because, "we at Tiny Mix Tapes couldn't get enough of music. And Eccojams, of music, begat more music". In 2020, the 33⅓ series published a book of essays on underrated albums titled The 33 B-Sides, which included a Lin piece on Eccojams Vol. 1. In 2025, Pitchfork reviewed the album stating, "[Lopatin] was at the vanguard of the American noise scene in the hazy years when it retreated from feedback-soaked harshness into an unkanny kosmische. Alongside artists like Emeralds, Yellow Swans, Skaters, and Carlos Giffoni, noise music was starting to sound less like The Texas Chain Saw Massacre and more like Tarkovsky's Stalker—and Lopatin was quietly training to become the house DJ for the 'Zone'." ==Track listing==

Adapted from the original cassette release as well as track titles lifted from Collected Echoes (2004-2008) (2015) by Daniel Lopatin. • "My Love Is Waiting" by Marvin Gaye • "Hearsay" by Alexander O'Neal}} • "Sweet Little Mystery" by John Martyn • "Don't Give Up" by Peter Gabriel and Kate Bush}} • "Love T.K.O." by Teddy Pendergrass • "Gypsy" by Fleetwood Mac}} • "Baker Street" by Gerry Rafferty • "Separate Lives" by Phil Collins and Marilyn Martin}} • "Letter from Spain" by Electric Light Orchestra • "Catch and Don't Look Back" by Womack & Womack • "Woman in Chains" by Tears for Fears}} }} ==Release history==